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1-42 of 1,682 results for Innocenzo da Imola (Innocenzo Francucci)
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Saint John the Baptist, Innocenzo da Imola (Innocenzo Francucci), Black and white chalk
Saint John the Baptist
Innocenzo da Imola (Innocenzo Francucci)
Giuliano di Piero di Simone Bugiardini
early 16th century
The Glorification of Saint Anthony Abbot, Carlo Innocenzo Carloni Italian, Oil on canvas
The Glorification of Saint Anthony Abbot
Carlo Innocenzo Carloni
The Annunciation to Saint Joseph, Carlo Innocenzo Carloni Italian, Etching; second state of two
The Annunciation to Saint Joseph
Carlo Innocenzo Carloni
Johann Daniel Herz the Elder
1725–75
Saint Charles giving communion to the plague-stricken, Carlo Innocenzo Carloni Italian, Etching; second state of two
Saint Charles giving communion to the plague-stricken
Carlo Innocenzo Carloni
Johann Daniel Herz the Elder
1725–75
Academic Study, seen from the back, Carlo Innocenzo Carloni Italian, Etching
Academic Study, seen from the back
Carlo Innocenzo Carloni
Johann Daniel Herz the Elder
1725–75
Wealth, represented by a woman seated on clouds and surrounded by putti, one of whom is pouring coins, Carlo Innocenzo Carloni Italian, Etching; first state of two
Wealth, represented by a woman seated on clouds and surrounded by putti, one of whom is pouring coins
Carlo Innocenzo Carloni
Johann Daniel Herz the Elder
1725–75
Putti holding flowers, Carlo Innocenzo Carloni Italian, Etching; first state of two
Putti holding flowers
Carlo Innocenzo Carloni
Johann Daniel Herz the Elder
1725–75
Power, represented by a woman seated on clouds holding a crown and surrounded by putti, Carlo Innocenzo Carloni Italian, Etching; first state of two
Power, represented by a woman seated on clouds holding a crown and surrounded by putti
Carlo Innocenzo Carloni
Johann Daniel Herz the Elder
1725–75
The Decapitation of a Male Saint, Carlo Innocenzo Carloni Italian, Brush and red wash, over red chalk
The Decapitation of a Male Saint
Carlo Innocenzo Carloni
1686–1775
Design for a Fountain at a Street Corner Decorated with Putti Heads, a Coat of Arm and a Gargoyle Head on the Top, Flaminio Innocenzo Minozzi Italian, Pen and brown ink, brush and brown and gray wash over traces of red chalk
Design for a Fountain at a Street Corner Decorated with Putti Heads, a Coat of Arm and a Gargoyle Head on the Top
Flaminio Innocenzo Minozzi
1735–1817
Architectural Design for a Ceiling with a Dome, Flaminio Innocenzo Minozzi Italian, Pen and brown ink, brush and brown wash, gray and blue wash over leadpoint
Architectural Design for a Ceiling with a Dome
Flaminio Innocenzo Minozzi
1755–1817
Design of a Perspective projection for an Urn, Flaminio Innocenzo Minozzi Italian, Pen and brown ink, brush and brown and gray wash over traces of black and red chalk
Design of a Perspective projection for an Urn
Flaminio Innocenzo Minozzi
n.d.
Saint Lucy in Glory, Carlo Innocenzo Carloni Italian, Brush and red and brown wash, over red chalk
Saint Lucy in Glory
Carlo Innocenzo Carloni
1686–1775
Architectural Design with an Altarpiece Framed in a Niche and Surmounted by a Dome, Flaminio Innocenzo Minozzi Italian, Pen and brown ink, brush and brown, gray, yellow, and rose wash, with a vertical line in leadpoint (in half part of the drawing) through the center to create the symmetry
Architectural Design with an Altarpiece Framed in a Niche and Surmounted by a Dome
Flaminio Innocenzo Minozzi
1755–1817
Designs for an Altar in a Niche, Flaminio Innocenzo Minozzi Italian, Pen and brown ink, brush and brown, gray, purple-gray and green wash, over leadpoint; vertical line in leadpoint and pen and brown ink through the center of the drawing to create the symmetry
Designs for an Altar in a Niche
Flaminio Innocenzo Minozzi
1755–1817
Design for a Trompe L'Oeil Ceiling, Flaminio Innocenzo Minozzi Italian, Pen and brown ink, brush and brown, gray, rose, green and blue wash, over traces of black chalk or leadpoint
Design for a Trompe L'Oeil Ceiling
Flaminio Innocenzo Minozzi
ca. 1750–60
Description of a Plan with Three Figures and Divan Below, Flaminio Innocenzo Minozzi Italian, Pen and brown and gray ink, brush and gray wash
Description of a Plan with Three Figures and Divan Below
Flaminio Innocenzo Minozzi
18th century
Shield, Girolamo da Treviso Italian, Wood, linen, gesso, gold leaf, polychromy, Italian, probably Bologna
Shield
Girolamo da Treviso
ca. 1535
Armorial Plate (tondino): The story of King Midas, Nicola da Urbino Italian, Maiolica (tin-glazed earthenware)
Armorial Plate (tondino): The story of King Midas
Nicola da Urbino
ca. 1520–25
Maternal instruction
Innocenzo Geremia
Luigi Schiavonetti
September 1, 1803
Fountain with Arms of Jacopo de' Pazzi, Giuliano da Maiano Italian, Marble, Italian, Florence
Fountain with Arms of Jacopo de' Pazzi
Multiple artists/makers
ca. 1470
Folding plate of full catafalque for Tommaso Maria de Angelis
Flaminio Innocenzo Minozzi
1768
Ground plan of catafalque for Esequie and Tommaso Maria de Angelis
Flaminio Innocenzo Minozzi
18th century
Satyr, Desiderio da Firenze Italian, Copper alloy with a reddish brown patina; the base and shell with a dark brown patina.
Satyr
Desiderio da Firenze
Severo Calzetta da Ravenna
ca. 1530
Design for Part of a Church Ceiling with a Dome, Faustino Trebbi Italian, Pen and Ink with gray, blue and brown wash
Design for Part of a Church Ceiling with a Dome
Faustino Trebbi
Flaminio Innocenzo Minozzi
1735–1817
The Farnese Table, Jacopo [Giacomo] Barozzi da Vignola Italian, Marble of different colors, semiprecious stones, Egyptian alabaster, residue of paint of different colors on the piers, Italian, Rome
The Farnese Table
Multiple artists/makers
ca. 1565–73
The Baptism of Christ, Jacopo Bassano (Jacopo da Ponte) Italian, Oil on canvas
The Baptism of Christ
Jacopo Bassano (Jacopo da Ponte)
ca. 1590
A Bear Walking, Leonardo da Vinci Italian, silverpoint on light buff prepared paper
A Bear Walking
Leonardo da Vinci
ca. 1482–85
The Last Supper, Ugolino da Siena (Ugolino di Nerio) Italian, Tempera and gold on wood
The Last Supper
Ugolino da Siena (Ugolino di Nerio)
ca. 1325
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), Leonardo da Vinci Italian, Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso)
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)
Leonardo da Vinci
1480–85
Studiolo from the Ducal Palace in Gubbio, Francesco di Giorgio Martini Italian, Walnut, beech, rosewood, oak and fruitwoods in walnut base, Italian, Gubbio
Studiolo from the Ducal Palace in Gubbio
Multiple artists/makers
ca. 1478–82
Hercules leading Cerebus out of Hades, Hercules at center holding a wooden club and wearing lion's skin, two young boys with a shield at left with various soldiers behind them
Matthaeus Greuter
Innocenzo Martini
ca. 1620–25
Barbute, Pietro da Castello Italian, Steel, Italian, Brescia
Barbute
Pietro da Castello
ca. 1470–80
Farnese Hercules, Pietro da Barga Italian, Bronze, Italian, Florence
Farnese Hercules
Pietro da Barga
modeled ca. 1576; cast 17th century
Madonna and Child, Benedetto da Maiano Italian, Marble, painted background, Italian, Florence
Madonna and Child
Benedetto da Maiano
ca. 1490
Barbute, Bernardino da Carnago Italian, Steel, Italian, Milan
Barbute
Bernardino da Carnago
ca. 1475
Corbel, Giuliano da Sangallo Italian, Grey stone (pietra serena), Italian, Florence
Corbel
Giuliano da Sangallo
late 15th century
Madonna and Child with Donors, Giovanni da Milano Italian, Tempera on wood, gold ground
Madonna and Child with Donors
Giovanni da Milano
ca. 1365
Altarpiece with Christ, Saint John the Baptist, and Saint Margaret, Andrea da Giona Italian, Marble (Carrara marble), Italian
Altarpiece with Christ, Saint John the Baptist, and Saint Margaret
Andrea da Giona
1434
Armorial Plate: Silenus on an ass, supported by Bacchic revelers, Nicola da Urbino or Castel Durante Italian, Maiolica (tin-glazed earthenware)
Armorial Plate: Silenus on an ass, supported by Bacchic revelers
Nicola da Urbino
ca. 1520–25
Large Dish (tagliere): Pope Leo X presenting a baton to Federigo II Gonzaga, marquis of Mantua, on his appointment as captain general of the Church in 1521., Nicola da Urbino Italian, Maiolica (tin-glazed earthenware)
Large Dish (tagliere): Pope Leo X presenting a baton to Federigo II Gonzaga, marquis of Mantua, on his appointment as captain general of the Church in 1521.
Nicola da Urbino
ca. 1525–30
Tondo mirror frame, Benedetto da Maiano Italian, Stucco squeeze, blown convex mirror, gilt, orange-brown bole.
Tondo mirror frame
Benedetto da Maiano
ca. 1480