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Virgin and Child, and Saint John the Baptist (recto); Summary sketches, possibly the Virgin and Child (verso), Jacob de Backer  Netherlandish, Brown and black oil with white heightening (recto); black chalk (verso)
Attributed to Jacob de Backer
Former Attribution Pomarancio (Cristoforo Roncalli)
ca. 1580–90
The Adoration of the Holy Trinity in the New Covenant, Friedrich Sustris  Netherlandish, born Italy (?), Pen and gray ink, brush and gray wash; laid down; framing lines in pen and brown ink
Friedrich Sustris
Former Attribution Formerly attributed to Jacob de Backer
1588 or before
Old Woman in an Armchair, Jacob Backer  Dutch, Oil on canvas
Attributed to Jacob Backer
Portrait of an Old Woman, Jacob Backer  Dutch, Oil on wood
Style of Jacob Backer
Portrait of a Man, Jacob Backer  Dutch, Black chalk, heightened with white, with touches of red chalk, on blue paper (recto); pen and brown ink, brush and gray wash over black chalk (verso)
Jacob Backer
ca. 1645–50
Armchair (Fauteuil à la reine) (one of a pair) (part of a set), Georges Jacob  French, Carved and gilded walnut; embroidered silk satin, French, Paris
Georges Jacob
Possibly embroidered by Joseph-François-Xavier Baudoin
ca. 1780–85
Armor Garniture of George Clifford (1558–1605), 
Third Earl of Cumberland, Jacob Halder  British, Steel, gold, leather, textile, British, Greenwich
Armorer Made under the direction of Jacob Halder
1586
Fire screen (écran), Georges Jacob  French, Carved, gilded and silvered beech; 18th-century silk brocade (not original to frame), French, Paris
Georges Jacob
Fabric panel in the style of Philippe de Lasalle
ca. 1786
Daybed (lit de repos), François-Honoré-Georges Jacob-Desmalter  French, Mahogany and mahogany veneered on beechwood; gilt bronze, bronze, lampas, French, Paris
François-Honoré-Georges Jacob-Desmalter
and Georges II Jacob
working together as the firm Jacob Frères
ca. 1795–1803
Armchair (Fauteuil à la reine) (one of a pair) (part of a set), Georges Jacob  French, Carved and gilded walnut; embroidered silk satin, French, Paris
Georges Jacob
Possibly embroidered by Joseph-François-Xavier Baudoin
ca. 1780–85
Armchair (fauteuil) from Louis XVI's Salon des Jeux at Saint Cloud, Georges Jacob  French, Carved and gilded walnut; gold brocaded silk (not original), French, Paris
Georges Jacob
Decorator Gilded by Louis-François Chatard
1788
Tester bed (lit à la duchesse en impériale), Georges Jacob  French, Carved, painted and gilded walnut, pine, and linden; iron hardware; silk and wool Beauvais tapestry; modern silk damask, French, Paris
Georges Jacob
Factory Tapestry made at Beauvais
After a design by Jean-Baptiste Huet I
ca. 1782–83
Armchair, Georges Jacob  French, Carved and gilded beech; caning; modern silk velvet, French
Georges Jacob
ca. 1785
Armchair (Fauteuil à la reine), Georges Jacob  French, Carved and gilded beech; silk upholstery (not original), French, Paris
attributed to Georges Jacob
ca. 1785
Armor Garniture of George Clifford (1558–1605), 
Third Earl of Cumberland, Jacob Halder  British, Steel, gold, leather, textile, British, Greenwich
Armorer Made under the direction of Jacob Halder
1586
Covered jar, Jacob Scholl  American, Earthenware; Redware with sgraffito decoration, American
Attributed to Jacob Scholl
ca. 1830–40
Small settee (Marquise) (part of a set), Georges Jacob  French, Carved and gilded walnut; 18th-century embroidered silk-satin (not original to the frame), French
Georges Jacob
Embroidered upholstery in the style of Philippe de Lasalle
frame early 20th century, style of 18th century; upholstery fabric ca. 1785
Armchair (part of a set), Georges Jacob  French, Carved and gilded walnut; 18th-century embroidered silk-satin (not original to the frame), French, Paris
Georges Jacob
Embroidered upholstery in the style of Philippe de Lasalle
ca. 1785
Side chair (one of a pair) (part of a set), Georges Jacob  French, Carved and gilded walnut; embroidered silk-satin, French, Paris
Georges Jacob
embroidered upholstery in the style of Philippe de Lasalle
ca. 1775–80
Small settee (Marquise) (part of a set), Georges Jacob  French, Carved and gilded walnut; 18th-century embroidered silk-satin (not original to the frame), French, Paris
Georges Jacob
Embroidered upholstery in the style of Philippe de Lasalle
ca. 1785
Armchair (part of a set), Georges Jacob  French, Carved and gilded walnut; 18th-century embroidered silk-satin (not original to the frame), French, Paris
Georges Jacob
Embroidered upholstery in the style of Philippe de Lasalle
ca. 1785
Side chair (one of a pair) (part of a set), Georges Jacob  French, Carved and gilded walnut; embroidered silk-satin, French, Paris
Georges Jacob
Embroidered upholstery in the style of Philippe de Lasalle
ca. 1775–80
Allegory of the Arts, Jacob de Wit  Dutch, Oil on canvas
Jacob de Wit
1742
Flora and Zephyr, Jacob de Wit  Dutch, Oil on canvas
Jacob de Wit
1743
Children Playing with a Goat, Jacob de Wit  Dutch, Oil on canvas
Style of Jacob de Wit
Openwork side chair (one of a pair), Georges Jacob  French, Mahogany, modern horsehair upholstery, French, Paris
Georges Jacob
ca. 1785–90
Openwork side chair (one of a pair), Georges Jacob  French, Mahogany, modern horsehair upholstery, French, Paris
Georges Jacob
ca. 1785–90
[Paul Jacob Naftel], John and Charles Watkins  British, Albumen silver print
Photography Studio John and Charles Watkins
1860s
[William Jacob Hays, Sr.], Whitney & Paradise  American, Albumen silver print
Photography Studio Whitney & Paradise
1860s
Tall Clock, Jacob Diehl  American, Walnut, pine, American
Jacob Diehl
ca. 1800
Hirten / Pifferari mit Brotzeit, Jacob Wothly  German, Wothlytype print from glass negative
Jacob Wothly
Emile Mangel du Mesnil
ca. 1864
Départ de Jacob (The Departure of Jacob), Elisabeth Cousinet Lempereur  French, Etching
Elisabeth Cousinet Lempereur
After François Boucher
18th century
Clock, Jacob, Gilt bronze
Jacob
1800–1830
Portrait of Maximilien de Béthune, Duc de Sully, Jacob Matham  Netherlandish, Etching and engraving
Jacob Matham
After Elias van den Bosche
Publisher Paul de la Houve
1612
The Love Letter, Jacob Ochtervelt  Dutch, Oil on canvas
Jacob Ochtervelt
early 1670s