Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 5,960 results for James Barry

Sort by:

Satan, Sin, and Death: "Death and Sin met by Satan on his Return from Earth", James Barry Irish, Graphite, brush and brown ink, gray and brown wash heightened with touches of white — Satan, Sin, and Death: "Death and Sin met by Satan on his Return from Earth"
James Barry
John Milton
1792–95

A Grecian Harvest-Home, or Thanksgiving to the Rural Deities, Ceres, Bacchus, etc., James Barry Irish, Etching and engraving; unrecorded alternate third state of four — A Grecian Harvest-Home, or Thanksgiving to the Rural Deities, Ceres, Bacchus, etc.
James Barry
dated May 1, 1791, issued 1792

The Thames, or the Triumph of Navigation, James Barry Irish, Etching with engraving; second state of five — The Thames, or the Triumph of Navigation
James Barry
1792–1801

Elysium & Tartarus, or The State of Final Retribution, James Barry Irish, Etching and engraving; sixth state of six — Elysium & Tartarus, or The State of Final Retribution
James Barry
first published 1792; this state 1808

The Conversion of Polemon, James Barry Irish, Etching with engraving and roulette and traces of aquatint; ninth state of nine — The Conversion of Polemon
James Barry
1778–90

Study for "Divine Justice", James Barry Irish, Pen and brown ink, brush and gray wash over graphite — Study for "Divine Justice"
James Barry
ca. 1802

Orpheus Instructing a Savage People in Theology and the Arts of Social Life, James Barry Irish, Etching and engraving; second state of three — Orpheus Instructing a Savage People in Theology and the Arts of Social Life
James Barry
plate dated May 1, 1791, issued 1792

Job Reproved by His Friends, James Barry Irish, Etching over traces of aquatint; third state of five — Job Reproved by His Friends
James Barry
dated 1777; issued ca. 1790

Divine Justice, James Barry Irish, Etching and engraving; final published state — Divine Justice
James Barry
1808

The Angelic Guards, James Barry Irish, Etching and engraving; fourth state of four — The Angelic Guards
James Barry
1808

Eastern Patriarch [King Lear]

Multiple artists/makers

1803

Eastern Patriarch [King Lear]

James Barry

Georg Jacob Vollweiler

1803–6

The Distribution of Premiums at the Society of Arts

James Barry

1792, printed after 1806

James Barry

Michelangelo Buonarroti

1801

The Birth of Venus

James Barry

ca. 1791

King George and Queen Charlotte (Projected Chimney Pieces for the Royal Society of Arts)

Multiple artists/makers

1792

William Pitt, Earl of Chatham, with the Figure of Britannia

James Barry

William Pitt, 1st Earl of Chatham

1778

Venus Rising from the Sea

Francesco Bartolozzi

James Barry

early 20th century

King Lear Weeping Over the Body of Cordelia (Shakespeare, King Lear, Act 5, Scene 3), Francis Legat British, Etching and engraving — King Lear Weeping Over the Body of Cordelia (Shakespeare, King Lear, Act 5, Scene 3)
Multiple artists/makers
August 1, 1792

Mercury Inventing the Lyre

Multiple artists/makers

February 1, 1775

Venus Anadyomene, or Venus Rising from the Sea

Multiple artists/makers

1772

Ladle, Standish Barry American, Silver, American — Ladle
Standish Barry
ca. 1790

Presentation Smallsword with Scabbard, James Morisset British, Silver, enamel, steel, paste brilliants, wood, fish skin, British, London — Presentation Smallsword with Scabbard
James Morisset
hallmarked for 1797–98

God's trombones : seven negro sermons in verse, James Weldon Johnson — God's trombones : seven negro sermons in verse
Multiple artists/makers
1927

Portrait of a Man, John Barry British, Ivory — Portrait of a Man
John Barry
ca. 1790

Fate, Eros, Sleep, Night, Barry Ledoux American, Steel, lead, copper, sculpmetal, bronze, rivets, glass beads, and oil stick pigment — Fate, Eros, Sleep, Night
Barry Ledoux
1982–85

Portrait of a Woman, John Barry British, Ivory — Portrait of a Woman
John Barry
ca. 1790

Portrait of a Man, Said to Be John Durham, John Barry British, Ivory — Portrait of a Man, Said to Be John Durham
John Barry
ca. 1790

Pier table, Joseph B. Barry and Son American, Mahogany, mahogany veneer, satinwood, amboyna, pine, gilt bronze with yellow poplar, American — Pier table
Joseph B. Barry and Son
1810–15

Necklace, Barry Kieselstein-Cord American, gold, pyrite, American — Necklace
Barry Kieselstein-Cord
1993

Bracelet, Barry Kieselstein-Cord American, gold, American — Bracelet
Barry Kieselstein-Cord
1993

Belt, Barry Kieselstein-Cord American, silver, lizard skin, American — Belt
Barry Kieselstein-Cord
1993

Belt, Barry Kieselstein-Cord American, silver, alligator skin, American — Belt
Barry Kieselstein-Cord
1988

Belt, Barry Kieselstein-Cord American, sterling silver, lizard skin, American — Belt
Barry Kieselstein-Cord
1994

Purse, Barry Kieselstein-Cord American, gold, leather, silk, American — Purse
Barry Kieselstein-Cord
1994

Purse, Barry Kieselstein-Cord American, gold, alligator skin, silk, American — Purse
Barry Kieselstein-Cord
1992

Purse, Barry Kieselstein-Cord American, gold, suede, silk, American — Purse
Barry Kieselstein-Cord
1994

Belt, Barry Kieselstein-Cord American, leather, metal, American — Belt
Barry Kieselstein-Cord
1979

Belt, Barry Kieselstein-Cord American, leather, metal, American — Belt
Barry Kieselstein-Cord
1979

Curley, General Custer's Scout, David F. Barry American, Albumen silver print from glass negative — Curley, General Custer's Scout
David F. Barry
1880s