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1-42 of 977 results for Jan van Kessel
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Insects, Butterflies, and a Dragonfly, Jan van Kessel Flemish, Black chalk, watercolor and gouache on parchment
Insects, Butterflies, and a Dragonfly
Jan van Kessel
1662
Insects, Butterflies, and a Grasshopper, Jan van Kessel Flemish, Black chalk, watercolor and gouache on parchment
Insects, Butterflies, and a Grasshopper
Jan van Kessel
1664
Cabinet on stand, Jan van Mekeren Dutch, Oak veneered with rosewood, olivewood, ebony, holly, tulipwood, barberry and other partly green-stained marquetry woods, Dutch, Amsterdam
Cabinet on stand
Attributed to Jan van Mekeren
ca. 1700–1710
The Crucifixion; The Last Judgment, Jan van Eyck Netherlandish, Oil on canvas, transferred from wood
The Crucifixion; The Last Judgment
Jan van Eyck
ca. 1436–38
View of Haarlem and the Haarlemmer Meer, Jan van Goyen Dutch, Oil on wood
View of Haarlem and the Haarlemmer Meer
Jan van Goyen
1646
Virgin and Child in a Niche, Jan van Eyck Netherlandish, Oil on wood
Virgin and Child in a Niche
Workshop of Jan van Eyck
ca. 1440–50
Art by telephone : an exhibition organized by the Museum of Contemporary Art under the sponsorship of the American National Bank and Trust Company of Chicago, November 1 to December 14, 1969, Jan van der Marck
Art by telephone : an exhibition organized by the Museum of Contemporary Art under the sponsorship of the American National Bank and Trust Company of Chicago, November 1 to December 14, 1969
Author Jan van der Marck
Publisher Museum of Contemporary Art, Chicago
1969
Flora from a set of the Triumph of the Gods, Jan van Orley Flemish, Wool, silk (19-22 warps per inch, 8-9 per cm.), Flemish, Brussels
Flora from a set of the Triumph of the Gods
Designer Designer: Jan van Orley
Designer Augustin Coppens
Woven under the direction of Jasper van der Borcht
first half 18th century
Plate 8, from "Modelli Artificiosi di Vasi diversi d'argento et altre Opere capriciozi (...), Parte prima", Theodor van Kessel Dutch, Etching
Plate 8, from "Modelli Artificiosi di Vasi diversi d'argento et altre Opere capriciozi (...), Parte prima"
Theodor van Kessel
After Adam van Vianen I
Publisher Christiaen van Vianen
1646–52
Plate 13, from "Modelli Artificiosi di Vasi diversi d'argento et altre Opere capriciozi (...), Parte prima", Theodor van Kessel Dutch, Etching
Plate 13, from "Modelli Artificiosi di Vasi diversi d'argento et altre Opere capriciozi (...), Parte prima"
Theodor van Kessel
After Adam van Vianen I
Publisher Christiaen van Vianen
1646–52
Plate 16, from "Modelli Artificiosi di Vasi diversi d'argento et altre Opere capriciozi (...), Parte prima", Theodor van Kessel Dutch, Etching
Plate 16, from "Modelli Artificiosi di Vasi diversi d'argento et altre Opere capriciozi (...), Parte prima"
Theodor van Kessel
After Adam van Vianen I
Publisher Christiaen van Vianen
1646–52
Plate 27, from "Modelli Artificiosi (...), parte seconda", Theodor van Kessel Dutch, Etching
Plate 27, from "Modelli Artificiosi (...), parte seconda"
Etcher Theodor van Kessel
After Adam van Vianen I
Publisher Christiaen van Vianen
1646–52
Portrait of Adam van Vianen, plate 18 from "Modelli Artificiosi (...), parte seconda", Theodor van Kessel Dutch, Etching
Portrait of Adam van Vianen, plate 18 from "Modelli Artificiosi (...), parte seconda"
Etcher Theodor van Kessel
John Smith
Publisher Christiaen van Vianen
1646–52
Sugar sifter, Jan van Wijk, Silver, Dutch, Amsterdam
Sugar sifter
Jan van Wijk
1819
Figure-top spoon, Jan van Staaten, Silver, Dutch, Hoorn
Figure-top spoon
Jan van Staaten
1879
Sandy Road with a Farmhouse, Jan van Goyen Dutch, Oil on wood
Sandy Road with a Farmhouse
Jan van Goyen
1627
Country House near the Water, Jan van Goyen Dutch, Oil on wood
Country House near the Water
Jan van Goyen
1646
The Pelkus Gate near Utrecht, Jan van Goyen Dutch, Oil on wood
The Pelkus Gate near Utrecht
Jan van Goyen
1646
Castle by a River, Jan van Goyen Dutch, Oil on wood
Castle by a River
Jan van Goyen
1647
River View with a Village Church, Jan van Goyen Dutch, Oil on canvas
River View with a Village Church
Style of Jan van Goyen
Portrait of a Woman, Jan van Ravesteyn Dutch, Oil on wood
Portrait of a Woman
Jan van Ravesteyn
1635
Glass Panel of Elijah and the Widow's Son, Jan van Diependale, Pot-metal glass and vitreous paint, South Netherlandish
Glass Panel of Elijah and the Widow's Son
probably by Jan van Diependale
early 16th century
Glass Panel with Death Bed Scene, Jan van Diependale, Pot-metal glass and vitreous paint, South Netherlandish
Glass Panel with Death Bed Scene
probably by Jan van Diependale
early 16th century
Winter Landscape with Skaters and Fishermen, Jan van Goyen Dutch, Black chalk with gray wash; two framing lines, the first in brush and gray ink by Van Goyen himself, the second in pen and dark brown ink added later.
Winter Landscape with Skaters and Fishermen
Jan van Goyen
1647
Boating Party on a River, Jan van Goyen Dutch, Black chalk with pale washes (reddish brown in the sky, greenish gray in the water, green and gray in the trees, red in the figure in the boat).
Boating Party on a River
Jan van Goyen
1651
Landing Place by a Town, Jan van Goyen Dutch, Black chalk with gray wash
Landing Place by a Town
Style of Jan van Goyen
mid-late 17th century
Breviarium Romanum, Jan van Keerberghen (Printer) Dutch, Paper; leather binding with copper alloy mounts, and wood, South Netherlandish
Breviarium Romanum
Jan van Keerberghen
1606
Distant Town Seen across Water and Fields, Jan van Goyen Dutch, Black chalk with gray wash
Distant Town Seen across Water and Fields
Style of Jan van Goyen
1652
Village on a River, Jan van Goyen Dutch, Black chalk and gray wash.
Village on a River
Follower of Jan van Goyen
ca. 1645–50
A Beach with Fishing Boats, Jan van Goyen Dutch, Oil on wood
A Beach with Fishing Boats
Jan van Goyen
probably 1653
A View of The Hague from the Northwest, Jan van Goyen Dutch, Oil on wood
A View of The Hague from the Northwest
Jan van Goyen
1647
Female Saint, Jan van Steffesweert, Oak with traces of polychromy, South Netherlandish
Female Saint
Jan van Steffesweert
ca. 1520
Susanna, partly naked and stepping out of a fountain with two elders at left, one of them pulling at her garment, after Reni, Theodor van Kessel Dutch, Etching
Susanna, partly naked and stepping out of a fountain with two elders at left, one of them pulling at her garment, after Reni
Engraved by Theodor van Kessel
After Guido Reni
ca. 1656–60
Allegory of abundance: Ceres holding a cornucopia at right and Pomona at left feeding fruit to a monkey, Theodor van Kessel Dutch, Etching and engraving
Allegory of abundance: Ceres holding a cornucopia at right and Pomona at left feeding fruit to a monkey
Theodor van Kessel
After Peter Paul Rubens
Publisher Gillis Hendricx
ca. 1652–60
Cleopatra Asked to Pay Tribute to Rome from a set of The Story of Antony and Cleopatra, Justus van Egmont Flemish, Wool, silk, silver and silver-gilt thread (20-22 warps per inch, 8-9 per cm.), Flemish, Brussels
Cleopatra Asked to Pay Tribute to Rome from a set of The Story of Antony and Cleopatra
Designer Designed by Justus van Egmont
Weaving workshop directed by Jan van Leefdael
designed ca. 1650, woven 1650–77
The Battle of Actium from a set of The Story of Antony and Cleopatra, Justus van Egmont Flemish, Wool, silk, silver and silver-gilt thread (20-22 warps per inch, 8-9 per cm.), Flemish, Brussels
The Battle of Actium from a set of The Story of Antony and Cleopatra
Designer Designed by Justus van Egmont
Weaving workshop directed by Jan van Leefdael
designed ca. 1650, woven 1650–77
Cleopatra Dissolving the Pearl from a set of The Story of Antony and Cleopatra, Justus van Egmont Flemish, Wool, silk, silver and silver-gilt thread (20-22 warps per inch, 8-9 per cm.), Flemish, Brussels
Cleopatra Dissolving the Pearl from a set of The Story of Antony and Cleopatra
Designer Designed by Justus van Egmont
Weaving workshop directed by Jan van Leefdael
designed ca. 1650, woven 1650–77
Joseph Making Himself Known to His Brethren, Jan Swart van Groningen Netherlandish, Stained glass, Flemish, Antwerp
Joseph Making Himself Known to His Brethren
Style of Jan Swart van Groningen
ca. 1535–40
Winter Scene, Jan van de Cappelle Dutch, Oil on oak
Winter Scene
Style of Jan van de Cappelle
The Calling of Saint Matthew, Jan Sanders van Hemessen Netherlandish, Oil on wood
The Calling of Saint Matthew
Copy after Jan Sanders van Hemessen
early 17th century
The Huis ten Bosch at The Hague and Its Formal Garden (View from the South), Jan van der Heyden Dutch, Oil on wood
The Huis ten Bosch at The Hague and Its Formal Garden (View from the South)
Jan van der Heyden
ca. 1668–70
The Huis ten Bosch at The Hague and Its Formal Garden (View from the East), Jan van der Heyden Dutch, Oil on wood
The Huis ten Bosch at The Hague and Its Formal Garden (View from the East)
Jan van der Heyden
ca. 1668–70