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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 1,052 results for Janet Sawyer

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Looking Out, Janet Sawyer American, Opaque watercolor and watercolor on paper — Looking Out
Janet Sawyer
1983

Frog Fountain, Janet Scudder American, Bronze, American — Frog Fountain
Janet Scudder
E. Gruet
1901; cast 1906

Teapot, Richard Sawyer, Silver, wood, Irish, Dublin — Teapot
Richard Sawyer
1801–2

Snuffbox, Richard Sawyer, Silver, Irish, Dublin — Snuffbox
Richard Sawyer
1806

Helen Seely, Janet Scudder American, Copper, silver, and lead, American — Helen Seely
Janet Scudder
1906

Caroline Reeves Foulke, Janet Scudder American, Copper, silver, and lead, American — Caroline Reeves Foulke
Janet Scudder
ca. 1904

Master Billy Fahnestock, Janet Scudder American, Copper, silver, and lead, American — Master Billy Fahnestock
Janet Scudder
1904

Alice, Janet Scudder American, Silver, American — Alice
Janet Scudder
1906

Percy Chubb, Janet Scudder American, Copper, American — Percy Chubb
Janet Scudder
1903

Silas Weir Mitchell (1820–1914), Janet Scudder American, Copper, silver, and lead, American — Silas Weir Mitchell (1820–1914)
Janet Scudder
1909

Royal Parsons, Janet Scudder American, Copper, silver, and lead, American — Royal Parsons
Janet Scudder
1906

Mildred Barnes, Janet Scudder American, Copper, silver, and lead, American — Mildred Barnes
Janet Scudder
1906

"African Mask", Janet Lipkin, a) wool, leather, wood<br/>b-e) wool, leather, American — "African Mask"
Janet Lipkin
1970

Green Grapes, Number 87, Janet Fish American, Pastel and watercolor on paper — Green Grapes, Number 87
Janet Fish
1979

Raspberries and Goldfish, Janet Fish American, Oil on linen with acrylic gesso ground — Raspberries and Goldfish
Janet Fish
1981

Sun Artists. A Serial of Artistic Photography Illustrated in Photogravure

Multiple artists/makers

1880s–90s

Go to the Ant, Thou Sluggard, Consider Her Ways and Be Wise, Janet de Coux American, Bronze, light brown patina — Go to the Ant, Thou Sluggard, Consider Her Ways and Be Wise
Janet de Coux
1942

Go to the Ant, Thou Sluggard, Consider Her Ways and Be Wise, Janet de Coux American, Bronze, light brown patina — Go to the Ant, Thou Sluggard, Consider Her Ways and Be Wise
Janet de Coux
1942

Sawyer and Bird

ca. 1871–73

[John Couch Adams]

Sawyer and Bird

ca. 1871–73

Abstract, geometrical design, Janet Abramowicz American, Etching and aquatint with litho crayon and pastel. — Abstract, geometrical design
Janet Abramowicz
1985

Backyards, Janet Friedlander American, Lithograph — Backyards
Janet Friedlander
WPA
1935–43

Toilette de Promenade, No. 296, from La Mode Artistique, Gustave Janet French, Lithograph, hand-colored — Toilette de Promenade, No. 296, from La Mode Artistique
Gustave Janet
Lemercier & Cie.
1869–99

Janet, Chuck Close American, Inkjet print — Janet
Chuck Close
Janet Fish
1996

Janet Abramowicz

Antonio Sannino

1989

La Mode Artistique

Multiple artists/makers

1875–82

La Mode Artistique

Gustave Janet

Samuel Miller

1875–82

In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching printed in color on white wove paper (Arches) from three plates — In the Omnibus, after Mary Cassatt
Multiple artists/makers
1975–77

The Coiffure, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching, printed in ochre on wove paper; (impression from first soft-ground plate) — The Coiffure, after Mary Cassatt
Multiple artists/makers
1975

The Coiffure, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching, printed in red on wove paper (impression from the second soft-ground plate) — The Coiffure, after Mary Cassatt
Multiple artists/makers
1975

The Coiffure, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching, printed in ochre and rose on wove paper (impression of first and second soft-ground plates) — The Coiffure, after Mary Cassatt
Multiple artists/makers
1975

The Coiffure, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching and drypoint, printed in brown, ochre, and rose on wove paper — The Coiffure, after Mary Cassatt
Multiple artists/makers
1975

In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching printed in black, green, brown, and red on white wove (Arches) paper (First color plate) — In the Omnibus, after Mary Cassatt
Multiple artists/makers
1975–77

In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching printed in black and yellow — In the Omnibus, after Mary Cassatt
Multiple artists/makers
1975–77

In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg , artist/engraver/printer, Drypoint and soft-ground etching, printed in color — In the Omnibus, after Mary Cassatt
Multiple artists/makers
1975–77

The Coiffure, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Drypoint and soft-ground etching, printed in color, on heavy ivory wove paper — The Coiffure, after Mary Cassatt
Multiple artists/makers
1975

In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Drypoint printed in black with touch of red on white wove (Arches) paper ("master plate"), with corrections in pencil — In the Omnibus, after Mary Cassatt
Multiple artists/makers
1975–77

In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching printed in brown, blue, yellow, red, and black on white wove (Arches) paper: Second color plate — In the Omnibus, after Mary Cassatt
Multiple artists/makers
1975–77

In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Drypoint and soft-ground etching, printed in black, ochre, yellow, and blue on white wove (Arches) paper: Master plate and second color plate — In the Omnibus, after Mary Cassatt
Multiple artists/makers
1975–77

Janet Elizabeth Turner

1951