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1-42 of 17,796 results for Jean-Baptiste II Tilliard
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Sofa (ottomane veilleuse), Jean-Baptiste I Tilliard or French, Carved and gilded beechwood, upholstered in modern red velours de Gênes, French
Sofa (ottomane veilleuse)
Jean-Baptiste I Tilliard
Jean-Baptiste II Tilliard
ca. 1750–60
Pair of armchairs, Jean-Baptiste II Tilliard French, Carved and painted fruitwood; floral needlepoint upholstery, French, Paris
Pair of armchairs
Jean-Baptiste II Tilliard
ca. 1760
Fire screen, Jean-Baptiste I Tilliard French, Carved and gilded beechwood, embroidered silk (not original), French, Paris
Fire screen
Jean-Baptiste I Tilliard
Jean-Baptiste II Tilliard
ca. 1750–60
Armchair (bergère à la Reine) (one of a pair), Jean-Baptiste I Tilliard French, Frame of beechwood carved and gilded; upholstered in ikat, French
Armchair (bergère à la Reine) (one of a pair)
Jean-Baptiste I Tilliard
Jean-Baptiste II Tilliard
18th century
Armchair (bergère à la Reine) (one of a pair), Jean-Baptiste I Tilliard French, Frame of beechwood carved and gilded; upholstered in ikat, French
Armchair (bergère à la Reine) (one of a pair)
Jean-Baptiste I Tilliard
Jean-Baptiste II Tilliard
18th century
Armchair (fauteuil à la Reine) (one of a pair), Jean-Baptiste I Tilliard French, Frame of beechwood carved and gilded; upholstered in blue velvet, French
Armchair (fauteuil à la Reine) (one of a pair)
Jean-Baptiste I Tilliard
Jean-Baptiste II Tilliard
18th century
Armchair (fauteuil à la Reine) (one of a pair), Jean-Baptiste I Tilliard French, Frame of beechwood carved and gilded; upholstered with blue velvet, French
Armchair (fauteuil à la Reine) (one of a pair)
Jean-Baptiste I Tilliard
Jean-Baptiste II Tilliard
18th century
Stool (tabouret) (one of a pair), Jean-Baptiste I Tilliard French, Beechwood frame, carved and gilded, upholstered in modern velvet., French, Paris
Stool (tabouret) (one of a pair)
Jean-Baptiste I Tilliard
Jean-Baptiste II Tilliard
ca. 1740–50
Stool (tabouret) (one of a pair), Jean-Baptiste I Tilliard French, Beechwood frame, carved and gilded, upholstered in modern velvet, French, Paris
Stool (tabouret) (one of a pair)
Jean-Baptiste I Tilliard
Jean-Baptiste II Tilliard
ca. 1740–50
Armchair (fauteuil à la reine) and Fire Screen, Jean-Baptiste II Tilliard French, Carved and gilded walnut; covered in lampas brocade (modern)
Armchair (fauteuil à la reine) and Fire Screen
Jean-Baptiste II Tilliard
1777–78
Chair (chaise à la Reine) (one of a set of four), Jean-Baptiste I Tilliard French, Beechwood unusually richly carved and gilded; previously upholstered with coral colored velvet attached with brass-headed nails, now upholstered in yellow petit point, French, Paris
Chair (chaise à la Reine) (one of a set of four)
Jean-Baptiste I Tilliard
ca. 1745–1750
Chair (chaise à la Reine) (one of a set of four), Jean-Baptiste I Tilliard French, Beechwood unusually richly carved and gilded; previously upholstered with coral colored velvet attached with brass-headed nails, now upholstered in yellow petit point, French, Paris
Chair (chaise à la Reine) (one of a set of four)
Jean-Baptiste I Tilliard
ca. 1745–1750
Ugolino and His Sons, Jean-Baptiste Carpeaux French, Saint-Béat marble, French, Paris
Ugolino and His Sons
Jean-Baptiste Carpeaux
1865–67
Broken Eggs, Jean-Baptiste Greuze French, Oil on canvas
Broken Eggs
Jean-Baptiste Greuze
1756
Guitar, Jean-Baptiste Voboam French, Spruce, tortoiseshell, mother-of-pearl, ivory, ebony, French
Guitar
Jean-Baptiste Voboam
1697
Pair of side chairs, Jean-Baptiste I Tilliard French, Carved and painted wood; silk upholstery, French, Paris
Pair of side chairs
Jean-Baptiste I Tilliard
mid-18th century
Chair (chaise à la Reine) (one of a set of four), Jean-Baptiste I Tilliard French, Beechwood unusually richly carved and gilded; previously upholstered with coral colored velvet attached with brass-headed nails, now upholstered in yellow petit point, French, Paris
Chair (chaise à la Reine) (one of a set of four)
Jean-Baptiste I Tilliard
ca. 1745–1750
Chair (chaise à la Reine) (one of a set of four), Jean-Baptiste I Tilliard French, Beechwood unusually richly carved and gilded; previously upholstered with coral colored velvet attached with brass-headed nails, now upholstered in yellow petit point, French, Paris
Chair (chaise à la Reine) (one of a set of four)
Jean-Baptiste I Tilliard
ca. 1745–1750
Armor of Henry II, King of France (reigned 1547–59), Jean Cousin the Elder French, Steel, gold, silver, leather, textile, French, possibly Paris
Armor of Henry II, King of France (reigned 1547–59)
Jean Cousin the Elder
Baptiste Pellerin
ca. 1555
Snuffbox with grisaille decoration of Cupid and Venus, Jean-Baptiste Carnay, Gold, enamel, French, Paris
Snuffbox with grisaille decoration of Cupid and Venus
Jean-Baptiste Carnay
Jean-François Defer
ca. 1766
Violoncello, Jean Baptiste Vuillaume French, Spruce and maple, French
Violoncello
Jean Baptiste Vuillaume
mid-19th century
Violin and Lute Players from a set of five Grotesques, Jean-Baptiste Monnoyer French, Wool, silk (21-27 warps per inch, 8-9 per cm.), French, Beauvais
Violin and Lute Players from a set of five Grotesques
Multiple artists/makers
designed ca. 1688, woven ca. 1690–1711
The Elephant from a set of five Grotesques, Jean-Baptiste Monnoyer French, Wool, silk (21-27 warps per inch, 8-9 per cm.), French, Beauvais
The Elephant from a set of five Grotesques
Multiple artists/makers
designed ca. 1688, woven ca. 1690–1711
Side chair (Chaise à la reine) (part of a set), Jean Baptiste Boulard French, Carved and gilded beech; silk damask (not original), French, Paris
Side chair (Chaise à la reine) (part of a set)
Multiple artists/makers
1786–87
Side chair (Chaise à la reine) (part of a set), Jean Baptiste Boulard French, Carved and gilded beech; silk damask (not original), French, Paris
Side chair (Chaise à la reine) (part of a set)
Multiple artists/makers
1786–87
Side chair (Chaise à la reine) (part of a set), Jean Baptiste Boulard French, Carved and gilded beech; silk damask (not original), French, Paris
Side chair (Chaise à la reine) (part of a set)
Multiple artists/makers
1786–87
The Last Supper (one of seven), Jean II Pénicaud or French, Painted enamel on copper, partly gilt, French, Limoges
The Last Supper (one of seven)
Jean II Pénicaud
Jean III Pénicaud
mid-16th century
Christ Saying Farewell to His Mother (one of seven), Jean II Pénicaud or French, Painted enamel on copper, partly gilt, French, Limoges
Christ Saying Farewell to His Mother (one of seven)
Jean II Pénicaud
Jean III Pénicaud
mid-16th century
The Betrayal (one of seven), Jean II Pénicaud or French, Painted enamel on copper, partly gilt, French, Limoges
The Betrayal (one of seven)
Jean II Pénicaud
Jean III Pénicaud
mid-16th century
The Agony in the Garden (one of seven), Jean II Pénicaud or French, Painted enamel on copper, partly gilt, French, Limoges
The Agony in the Garden (one of seven)
Jean II Pénicaud
Jean III Pénicaud
mid-16th century
The Crucifixion (one of seven), Jean II Pénicaud or French, Painted enamel on copper, partly gilt, French, Limoges
The Crucifixion (one of seven)
Jean II Pénicaud
Jean III Pénicaud
mid-16th century
The Resurrection (one of seven), Jean II Pénicaud or French, Painted enamel on copper, partly gilt, French, Limoges
The Resurrection (one of seven)
Jean II Pénicaud
Jean III Pénicaud
mid-16th century
The Ascension of Christ (one of seven), Jean II Pénicaud or French, Painted enamel on copper, partly gilt, French, Limoges
The Ascension of Christ (one of seven)
Jean II Pénicaud
Jean III Pénicaud
mid-16th century
Le Faucon, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, Jean-Baptiste Tilliard French, Etching and engraving; third state of three (Cohen)
Le Faucon, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795
Multiple artists/makers
published in 1795
Portrait of Jacques Pernetti, Jean-Baptiste Tilliard French, Etching and engraving
Portrait of Jacques Pernetti
Jean-Baptiste Tilliard
Jean Etienne Liotard
n.d.
Le Magnifique, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, Jean-Baptiste Tilliard French, Etching; first state of three (Cohen)
Le Magnifique, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795
Multiple artists/makers
1795
Le Pate d'Anguilles, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, Jean-Baptiste Tilliard French, Etching and engraving; third state of three (Cohen)
Le Pate d'Anguilles, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795
Multiple artists/makers
published in 1795
Le Magnifique, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795", Jean-Baptiste Tilliard French, Etching and engraving; second state of three (Cohen)
Le Magnifique, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
Multiple artists/makers
1795
Le Faucon, La Coupe Enchantee, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795", Jean-Baptiste Tilliard French, Etching and engraving; second state of three (Cohen)
Le Faucon, La Coupe Enchantee, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
Multiple artists/makers
1795
Le Mari Confesseur, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795", Jean-Baptiste Tilliard French, Etching; first state of three (Cohen)
Le Mari Confesseur, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
Multiple artists/makers
1795
Le Faucon, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795", Jean-Baptiste Tilliard French, Etching; first state of three (Cohen)
Le Faucon, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
Multiple artists/makers
1795
Le Magnifique, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, Jean-Baptiste Tilliard French, Etching and engraving; second state of three (Cohen)
Le Magnifique, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795
Multiple artists/makers
1795