Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 690 results for Jenny Saville

Sort by:

Still, Jenny Saville British, Oil on canvas — Still
Jenny Saville
2003

Coat, Jenny French, cotton, rayon, French — Coat
Jenny
Jenny Sacerdote
1934–36

Coat, Jenny French, silk, French — Coat
Jenny
Jenny Sacerdote
ca. 1926

Evening wrap, Jenny French, silk, fur, glass, French — Evening wrap
Jenny
Jenny Sacerdote
early 1920s

Dressing gown, Jenny French, [no medium available], French — Dressing gown
Jenny
Jenny Sacerdote
ca. 1930

Shoes, Jenny Holzer American, cotton, rubber, American — Shoes
Jenny Holzer
U. S. Keds
ca. 2010

Survival: When There Is No Safe Place…, Jenny Holzer American, Serpentine footstool — Survival: When There Is No Safe Place…
Jenny Holzer
1997

Accordingly, Jenny Holzer American, Oil on linen — Accordingly
Jenny Holzer
2012

Ensemble, Jenny of Boston, wool, silk, American — Ensemble
Jenny of Boston
ca. 1923

Truisms
, Jenny Holzer American, Offset lithograph — Truisms
Jenny Holzer
1978/1982

Jenny Holzer

Yvon Lambert Gallery

1998

First Appearance of Jenny Lind in America, at Castle Garden, September 11th, 1850

Nathaniel Currier

Jenny Lind

1850

Multiple artists/makers

1927

Spencerian System of Writing in a Series of 13 Books, No. 12

Multiple artists/makers

1855

Early American Trade Cards from the Collection of Bella C. Landauer

Multiple artists/makers

1927

[Artwork for "Inserts", Group Material, Advertising Supplement to The New York Times], Louise Lawler American, Newsprint booklet — [Artwork for "Inserts", Group Material, Advertising Supplement to The New York Times]
Multiple artists/makers
May 22, 1988

Lucy Loftus (incorrectly called Jenny Deering)

Multiple artists/makers

1757

Benny Andrews : portraits : a real person before the eyes, Benny Andrews American — Benny Andrews : portraits : a real person before the eyes
Benny Andrews
Michael Rosenfeld Gallery
2020

Gentleman of the Hale Family, William Jennys American, Oil on canvas, American — Gentleman of the Hale Family
William Jennys
ca. 1807

Diana and Actaeon (Diana Surprised in Her Bath), Camille Corot French, Oil on canvas — Diana and Actaeon (Diana Surprised in Her Bath)
Camille Corot
1836

Hagar in the Wilderness, Camille Corot French, Oil on canvas — Hagar in the Wilderness
Camille Corot
1835

Jalais Hill, Pontoise, Camille Pissarro French, Oil on canvas — Jalais Hill, Pontoise
Camille Pissarro
1867

Sibylle, Camille Corot French, Oil on canvas — Sibylle
Camille Corot
ca. 1870

Saint John the Baptist, Juan Martínez Montañés Spanish, Polychromed wood with gilding, Spanish, Seville — Saint John the Baptist
Juan Martínez Montañés
ca. 1620–30

Elevator panel from the Manhattan Building, Chicago, Illinois, William LeBaron Jenney, Cast iron, American — Elevator panel from the Manhattan Building, Chicago, Illinois
Multiple artists/makers
ca. 1889–91

Self-Portrait with Two Pupils, Marie Gabrielle Capet (1761–1818) and Marie Marguerite Carraux de Rosemond (1765–1788), Adélaïde Labille-Guiard French, Oil on canvas — Self-Portrait with Two Pupils, Marie Gabrielle Capet (1761–1818) and Marie Marguerite Carraux de Rosemond (1765–1788)
Adélaïde Labille-Guiard
1785

Henry L. Clark and John W. Clark, William Jennys American, Oil on canvas, American — Henry L. Clark and John W. Clark
William Jennys
ca. 1800

Man and Challenge, Neil Jenney American, Acrylic on canvas — Man and Challenge
Neil Jenney
1969

American Gothic, Benny Andrews American, Oil, cut and pasted burlap, canvas, and fabric on canvas — American Gothic
Benny Andrews
1971

Lynching Scene, Benny Andrews American, Ink and cut and pasted paper on paper — Lynching Scene
Benny Andrews
1967

Sweet Back Man, Benny Andrews American, Cut and pasted fabric and paper and glossy opaque paint on paper — Sweet Back Man
Benny Andrews
1996

Juke Joint, Benny Andrews American, Torn and cut paper and textile and oil paint on paper — Juke Joint
Benny Andrews
1998

The Family, Benny Andrews American, Oil paint and torn and cut paper and textiles on paper — The Family
Benny Andrews
2000

Elevator panel from the Manhattan Building, Chicago, Illinois

Multiple artists/makers

ca. 1889–91

The Implorer (L'Implorante), Camille Claudel French, Bronze, French, Paris — The Implorer (L'Implorante)
Camille Claudel
Eugène Blot
modeled 1898, cast ca. 1905

Fontainebleau: Oak Trees at Bas-Bréau, Camille Corot French, Oil on paper, laid down on wood — Fontainebleau: Oak Trees at Bas-Bréau
Camille Corot
1832 or 1833

Cow in a Barn, Camille Corot French, Oil on paper, laid down on canvas — Cow in a Barn
Camille Corot

Mountainous Landscape, Camille Corot French, Oil on paper, laid down on canvas — Mountainous Landscape
Camille Corot

Banks of the Stream near the Corot Property, Ville d'Avray, Camille Corot French, Oil on paper, laid down on wood — Banks of the Stream near the Corot Property, Ville d'Avray
Camille Corot
ca. 1823

Toussaint Lemaistre (1807/8–1888), Camille Corot French, Oil on canvas — Toussaint Lemaistre (1807/8–1888)
Camille Corot
1833