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Showing 47 results for Jesús Escobedo

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Plate 55: a worker of the Revolution, standing, holding a rifle, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Jesús Escobedo Mexican, Linocut — Plate 55: a worker of the Revolution, standing, holding a rifle, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Jesús Escobedo
Taller de Gráfica Popular, Mexico City
1947

Plate 6: Mexicans being taken from their home and enslaved (result of 'The Agreements'), from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Jesús Escobedo Mexican, Linocut — Plate 6: Mexicans being taken from their home and enslaved (result of 'The Agreements'), from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Jesús Escobedo
Taller de Gráfica Popular, Mexico City
1947

A poster advertising a meeting in Mexico City supported by the Liga Pro-cultura Alemana relating to the subject of how to combat Fascism, Jesús Escobedo Mexican, Lithograph in red and black on buff paper backed on linen — A poster advertising a meeting in Mexico City supported by the Liga Pro-cultura Alemana relating to the subject of how to combat Fascism
Jesús Escobedo
Taller de Gráfica Popular, Mexico City
1939

A poster advertising a sixth talk (October 14, 1938) in Mexico City supported by the Liga Pro-cultura Alemana relating to the Nazis, Jesús Escobedo Mexican, Lithograph in brown and black on buff paper backed on linen — A poster advertising a sixth talk (October 14, 1938) in Mexico City supported by the Liga Pro-cultura Alemana relating to the Nazis
Jesús Escobedo
Taller de Gráfica Popular, Mexico City
1938

With Díaz reaction returns to power (Con Diaz, la reaccion vuelve al poder), Plate 35 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Jesús Escobedo Mexican, Offset lithograph — With Díaz reaction returns to power (Con Diaz, la reaccion vuelve al poder), Plate 35 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Jesús Escobedo
Taller de Gráfica Popular, Mexico City
1960

The palaces and the big whip (Los palacios y el gran latigo), Plate 36 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Jesús Escobedo Mexican, Offset lithograph — The palaces and the big whip (Los palacios y el gran latigo), Plate 36 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Jesús Escobedo
Taller de Gráfica Popular, Mexico City
1960

Porfirian society (Sociedad Porfiriana), Plate 37 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Jesús Escobedo Mexican, Offset lithograph — Porfirian society (Sociedad Porfiriana), Plate 37 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Jesús Escobedo
Taller de Gráfica Popular, Mexico City
1960

The estates (El latifundio), Plate 45 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Jesús Escobedo Mexican, Offset lithograph — The estates (El latifundio), Plate 45 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Jesús Escobedo
Taller de Gráfica Popular, Mexico City
1960

(Las acordadas), Plate 51 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Jesús Escobedo Mexican, Offset lithograph — (Las acordadas), Plate 51 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Jesús Escobedo
Taller de Gráfica Popular, Mexico City
1960

Revolutionary workers (obreros revolucionarios), Plate 93 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Jesús Escobedo Mexican, Offset lithograph — Revolutionary workers (obreros revolucionarios), Plate 93 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Jesús Escobedo
Taller de Gráfica Popular, Mexico City
1960

Impoverished schools and sumptous university (Escuelas pobres y universidad suntuosa), Plate 127 bis. from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Jesús Escobedo Mexican, Offset lithograph — Impoverished schools and sumptous university (Escuelas pobres y universidad suntuosa), Plate 127 bis. from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Jesús Escobedo
Taller de Gráfica Popular, Mexico City
1960

Dreams of reelection(Sueños de reeleccion), Plate 128 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Jesús Escobedo Mexican, Offset lithograph — Dreams of reelection(Sueños de reeleccion), Plate 128 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Jesús Escobedo
Taller de Gráfica Popular, Mexico City
1960

Doña Antonia Nava de Catalan, Plate 11 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Jesús Escobedo Mexican, Offset lithograph — Doña Antonia Nava de Catalan, Plate 11 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Jesús Escobedo
Taller de Gráfica Popular, Mexico City
1960

(Politica de cinturon apretado), Plate 132 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Jesús Escobedo Mexican, Offset lithograph — (Politica de cinturon apretado), Plate 132 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Jesús Escobedo
Taller de Gráfica Popular, Mexico City
1960

Agression the Guatemalan government (Agresion del gobierno De Guatemala), Plate 133 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Jesús Escobedo Mexican, Offset lithograph — Agression the Guatemalan government (Agresion del gobierno De Guatemala), Plate 133 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Jesús Escobedo
Taller de Gráfica Popular, Mexico City
1960

To nationalizing the mining industry (Hacia la nacionalizacion de la mineria), Plate 139 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Jesús Escobedo Mexican, Offset lithograph — To nationalizing the mining industry (Hacia la nacionalizacion de la mineria), Plate 139 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Jesús Escobedo
Taller de Gráfica Popular, Mexico City
1960

Four hesitant corridos (ballads) printed on the one sheet, two on each side addressing the subject of unwanted American intervention in Mexico; ballad of the persecution of Pancho Villa - Escobedo; ballad of the good neighbour - Chávez Morado; ballad regarding the expropriation of foreign petroleum companies - Zalce; ballad on the eclipse of the peso - Chávez Morado, José Chávez Morado Mexican, Linocut and letterpress on orange paper — Four hesitant corridos (ballads) printed on the one sheet, two on each side addressing the subject of unwanted American intervention in Mexico; ballad of the persecution of Pancho Villa - Escobedo; ballad of the good neighbour - Chávez Morado; ballad regarding the expropriation of foreign petroleum companies - Zalce; ballad on the eclipse of the peso - Chávez Morado
Multiple artists/makers
1938

Four hesitant corridos (ballads) printed on the one sheet, two on each side addressing the subject of unwanted American intervention in Mexico; ballad of the persecution of Pancho Villa - (image by Escobedo); ballad of the good neighbour - (image by Chávez Morado); ballad regarding the expropriation of foreign petroleum companies - (image by Zalce); ballad on the eclipse of the peso - (image by Chávez Morado), José Chávez Morado Mexican, Linocut and letterpress on buff paper — Four hesitant corridos (ballads) printed on the one sheet, two on each side addressing the subject of unwanted American intervention in Mexico; ballad of the persecution of Pancho Villa - (image by Escobedo); ballad of the good neighbour - (image by Chávez Morado); ballad regarding the expropriation of foreign petroleum companies - (image by Zalce); ballad on the eclipse of the peso - (image by Chávez Morado)
Multiple artists/makers
1938

Nicolás De Jesús : a Mexican artist for global justice, Nicolás de Jesús Mexican — Nicolás De Jesús : a Mexican artist for global justice
Nicolás de Jesús
2022

Trois Carres Modules, Jesús Raphael Soto Venezuelan, Painted wood and metal plates — Trois Carres Modules
Jesús Raphael Soto
1965

Pages 3, 4, 5 and 6 of an eight page broadsheet addressing political subjects taken from the newspaper 'Calaveras aftosas con medias naylon' (Hoof and Mouth Skeletons with Nylon Stockings), José Chávez Morado Mexican, Linocuts and letterpress on buff paper — Pages 3, 4, 5 and 6 of an eight page broadsheet addressing political subjects taken from the newspaper 'Calaveras aftosas con medias naylon' (Hoof and Mouth Skeletons with Nylon Stockings)
Multiple artists/makers
1947

Pages 1, 2, 7 and 8 of an eight page broadsheet 'Calaveras aftosas con medias naylon' (Hoof and Mouth Skeletons with Nylon Stockings) addressing imperialism with images of 'calaveras' accompanied by 'corridos' (ballads); on the first page, a calavera cow with foot and mouth disease in nylon stockings refering to the contamination of milk

Multiple artists/makers

1947

450 años de lucha: Homenaje al pueblo mexicano (450 Years of Struggle: Homage to the Mexican People), Various , Mexican, Offset lithograph — 450 años de lucha: Homenaje al pueblo mexicano (450 Years of Struggle: Homage to the Mexican People)
Multiple artists/makers
1960

Francisco Madero surrounded by the traditional Porfirian supporters (Francisco I. Madero es rodeado por el antiguo aparato Porfiriano), Plate 69 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Jesús Alvarez Amaya Mexican, Offset lithograph — Francisco Madero surrounded by the traditional Porfirian supporters (Francisco I. Madero es rodeado por el antiguo aparato Porfiriano), Plate 69 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Jesús Alvarez Amaya
Taller de Gráfica Popular, Mexico City
1960

Peasant family, Jesús Ortíz Tajonar Mexican, Lithograph — Peasant family
Jesús Ortíz Tajonar
Taller de Gráfica Popular, Mexico City
ca. 1945

Calaveras del Taller de Gráfica Popular

Multiple artists/makers

1972

Christ Crowned with Thorns, Master of Jesus in Bethany Netherlandish, Metalcut with one star and several dot punches; hand-colored — Christ Crowned with Thorns
Master of Jesus in Bethany
ca. 1470–80

'People deserve bad political leaders when they tolerate them', caricature no. 46 from 'San Baltasar' (July 1873). A bound volume of caricatures and political satires from the Mexican newspapers 'La orquesta', 'El Padre Cobos', and 'San Baltasar: periódico chusco, amante de decir bromas y grocerias, afecto a las convivialidades, y con caricaturas', Constantino Escalante Mexican, Lithograph — 'People deserve bad political leaders when they tolerate them', caricature no. 46 from 'San Baltasar' (July 1873). A bound volume of caricatures and political satires from the Mexican newspapers 'La orquesta', 'El Padre Cobos', and 'San Baltasar: periódico chusco, amante de decir bromas y grocerias, afecto a las convivialidades, y con caricaturas'
Multiple artists/makers
1865–1873

St. Nicholas of Bari, Master with the Name of Jesus Italian, Engraving — St. Nicholas of Bari
Master with the Name of Jesus
16th century

The Persian Sibyl, Master with the Name of Jesus Italian, Engraving — The Persian Sibyl
Master with the Name of Jesus
16th century

The Libyan Sibyl, Master with the Name of Jesus Italian, Engraving — The Libyan Sibyl
Master with the Name of Jesus
16th century

The Delphic Sibyl, Master with the Name of Jesus Italian, Engraving — The Delphic Sibyl
Master with the Name of Jesus
16th century

The Cumaean Sibyl, Master with the Name of Jesus Italian, Engraving — The Cumaean Sibyl
Master with the Name of Jesus
16th century

The Eritrean Sibyl, Master with the Name of Jesus Italian, Engraving — The Eritrean Sibyl
Master with the Name of Jesus
16th century

The Samian Sibyl, Master with the Name of Jesus Italian, Engraved — The Samian Sibyl
Master with the Name of Jesus
16th century

The Cumean Sibyl, Master with the Name of Jesus Italian, Engraving — The Cumean Sibyl
Master with the Name of Jesus
16th century

The Hellespontine Sibyl, Master with the Name of Jesus Italian, Engraving — The Hellespontine Sibyl
Master with the Name of Jesus
16th century

The Phrygian Sibyl, Master with the Name of Jesus Italian, Engraving — The Phrygian Sibyl
Master with the Name of Jesus
16th century

The Tiburtine Sibyl, Master with the Name of Jesus Italian, Engraving — The Tiburtine Sibyl
Master with the Name of Jesus
16th century

The Epirian Sibyl, Master with the Name of Jesus Italian, Engraving — The Epirian Sibyl
Master with the Name of Jesus
16th century