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More than 10,000 results for John Anderson

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Ensemble, JW Anderson British, (a) wool, nylon, cashmere, metal, (b) leather (lambskin), metal, cotton, (c, d) leather (lambskin), metal, glass, British — Ensemble
JW Anderson
Jonathan Anderson
fall/winter 2020–21

Plan of the City of New York [The Maverick Plan]

Multiple artists/makers

1796

Wine cup, John Hull American, Silver, American — Wine cup
John Hull
Robert Sanderson Sr.
ca. 1660

Vase, John Bennett American, Painted and glazed earthenware, American — Vase
John Bennett
1882

Plate, John Monday American, Earthenware; Redware with sgraffito decoration, American — Plate
John Monday
1830

Presentation Sword and Scabbard of Brigadier General Daniel Davis (1777–1814) of the New York Militia, John Targee American, Steel, gold, silver, American, New York — Presentation Sword and Scabbard of Brigadier General Daniel Davis (1777–1814) of the New York Militia
John Targee
ca. 1815–17

Figure of a Lion, John Bell American, Earthenware, American — Figure of a Lion
John Bell
1845–55

Gray and Brass, John Sloan American, Oil on canvas, American — Gray and Brass
John Sloan
1907

Teapot, John Bartlam, Soft-paste porcelain with underglaze blue decoration, American — Teapot
John Bartlam
ca. 1765–69

Jacquard-woven Picture, Anderson Brothers American, Silk, woven, American — Jacquard-woven Picture
Anderson Brothers
ca. 1893

Jacquard-woven Picture, Anderson Brothers American, Silk, woven, American — Jacquard-woven Picture
Anderson Brothers
ca. 1890

Portrait of Frieseke, Karl Anderson American, Oil on canvas, American — Portrait of Frieseke
Karl Anderson
1910

Untitled (Kit the Swordsman), Anderson & Low British, Inkjet print — Untitled (Kit the Swordsman)
Anderson & Low
2009, printed 2012

Carro con buoi, Perugia, James Anderson British, Albumen silver print — Carro con buoi, Perugia
James Anderson
1880s

Sala delle Statue, James Anderson British, Albumen silver print from glass negative — Sala delle Statue
James Anderson
1850s–60s

Suit, Richard Anderson British, (a) wool, synthetic, wood; (b) wool, synthetic, metal, British — Suit
Richard Anderson
2006

Tuxedo, Anderson & Sheppard British, a) wool, silk; b) cotton, faux abalone; c) wool, silk, cotton, plastic, British — Tuxedo
Anderson & Sheppard
2006

Court coat, Anderson & Sheppard British, wool, silk, metal, British — Court coat
Anderson & Sheppard
1924

Wedding dress, L. Anderson American, silk, American — Wedding dress
L. Anderson
1903

Can't, Doug Anderson American, Acrylic and oil on canvas — Can't
Doug Anderson
1985

No Idling (Study), Hurvin Anderson British, Acrylic paint with tape, over pencil on drafting film (synthetic polymer sheet) — No Idling (Study)
Hurvin Anderson
2021

Dining room from Kirtlington Park, John Sanderson, Wood, plaster, marble, British, Oxfordshire — Dining room from Kirtlington Park
Multiple artists/makers
1748

Repose, John White Alexander American, Oil on canvas, American — Repose
John White Alexander
1895

Daniel Crommelin Verplanck, John Singleton Copley American, Oil on canvas, American — Daniel Crommelin Verplanck
John Singleton Copley
1771

Lake George, John Frederick Kensett American, Oil on canvas, American — Lake George
John Frederick Kensett
1869

Peonies Blown in the Wind, John La Farge American, Leaded opalescent glass, American — Peonies Blown in the Wind
John La Farge
ca. 1880

In the Generalife, John Singer Sargent American, Watercolor, wax crayon, and graphite on white wove paper, American — In the Generalife
John Singer Sargent
1912

Sofa, John Henry Belter American, Rosewood, Rosewood veneer; chestnut, pine (secondary woods); modern upholstery with some original underupholstery, American — Sofa
John Henry Belter
J. H. Belter & Co.
1850–60

Porringer, John Allen American, Silver, American — Porringer
John Allen
John Edwards
ca. 1700

Standing Salt, John Allen American, Silver, American — Standing Salt
John Allen
John Edwards
ca. 1700

Side table, John Wildsmith, Carved and gilded pine; marbles, including rosso and nero antico, orange Veronese, yellow Siena, brown, gray, and white fleur de pêcher, black and gold Portor, orange and violet Spanish brocatello, and white Carrara, and hardstones, including gray and red granite, red and white jasper, pink quartz, porphyry, bloodstone, serpentine, golden and brown agate and onyx, and lapis lazuli, British, London — Side table
John Wildsmith
John Mayhew
table top 1759, base 1794

Without a Cloud, Sophie Anderson British, born France, Mixed method engraving — Without a Cloud
Sophie Anderson
James John Chant
after 1870

The Sacred and the Profane, Laura Anderson Barbata Mexican, Charcoal and graphite on paper — The Sacred and the Profane
Laura Anderson Barbata
1989

The Sacred and the Profane, Laura Anderson Barbata Mexican, Charcoal and graphite on paper — The Sacred and the Profane
Laura Anderson Barbata
1989

From the Series "Origin", Number 9, Laura Anderson Barbata Mexican, Charcoal and graphite on paper — From the Series "Origin", Number 9
Laura Anderson Barbata
1988

Drawing, Number 26, Laura Anderson Barbata Mexican, Charcoal and graphite on paper — Drawing, Number 26
Laura Anderson Barbata
1989

Drawing, Number 29, Laura Anderson Barbata Mexican, Charcoal and graphite on paper — Drawing, Number 29
Laura Anderson Barbata
1989

The Sacred and the Profane, Laura Anderson Barbata Mexican, Charcoal and graphite on paper — The Sacred and the Profane
Laura Anderson Barbata
1989

Black art in Houston : the Texas Southern University experience : presenting the art of Biggers, Simms and their students, John Thomas Biggers American — Black art in Houston : the Texas Southern University experience : presenting the art of Biggers, Simms and their students
Multiple artists/makers
1978

Paradise Lost, John Milton British, Printed book, Hammersmith: Doves Press, 1902 — Paradise Lost
John Milton
1902