Search the collection

Filter By

Object Type / Material
Geographic Location
Department
Date
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
More than 10,000 results for John Cranch
Sort by:
Head of a Child (from McGuire Scrapbook), John Cranch  American, Graphite on off-white wove paper, mounted on embossed blue paper, American
John Cranch
Child (from McGuire Scrapbook), John Cranch  American, Graphite on off-white wove paper, mounted on embossed blue paper, American
John Cranch
A Girl (from McGuire Scrapbook), John Cranch  American, Graphite on off-white wove paper, American
John Cranch
I Have Supped Full of Horrors (from McGuire Scrapbook), John Cranch  American, Graphite on off-white wove paper, American
John Cranch
Multiple artists/makers
1795
William Henry Huntington, Caroline Cranch  American, Oil on canvas, American
Caroline Cranch
ca. 1880–81
Presentation Sword and Scabbard of Brigadier General Daniel Davis (1777–1814) of the New York Militia, John Targee  American, Steel, gold, silver, American, New York
John Targee
ca. 1815–17
Wine cup, John Hull  American, Silver, American
John Hull
Robert Sanderson Sr.
ca. 1660
Plate, John Monday  American, Earthenware; Redware with sgraffito decoration, American
John Monday
1830
Vase, John Bennett  American, Painted and glazed earthenware, American
John Bennett
1882
Gray and Brass, John Sloan  American, Oil on canvas, American
John Sloan
1907
Figure of a Lion, John Bell  American, Earthenware, American
John Bell
1845–55
Teapot, John Bartlam, Soft-paste porcelain with underglaze blue decoration, American
John Bartlam
ca. 1765–69
Repose, John White Alexander  American, Oil on canvas, American
John White Alexander
1895
Daniel Crommelin Verplanck, John Singleton Copley  American, Oil on canvas, American
John Singleton Copley
1771
Lake George, John Frederick Kensett  American, Oil on canvas, American
John Frederick Kensett
1869
In the Generalife, John Singer Sargent  American, Watercolor, wax crayon, and graphite on white wove paper, American
John Singer Sargent
1912
Peonies Blown in the Wind, John La Farge  American, Leaded opalescent glass, American
John La Farge
ca. 1880
Sofa, John Henry Belter  American, Rosewood, Rosewood veneer; chestnut, pine (secondary woods); modern upholstery with some original underupholstery, American
John Henry Belter
J. H. Belter & Co.
1850–60
Porringer, John Allen  American, Silver, American
John Allen
John Edwards
ca. 1700
Standing Salt, John Allen  American, Silver, American
John Allen
John Edwards
ca. 1700
Side table, John Wildsmith, Carved and gilded pine; marbles, including rosso and nero antico, orange Veronese, yellow Siena, brown, gray, and white fleur de pêcher, black and gold Portor, orange and violet Spanish brocatello, and white Carrara, and hardstones, including gray and red granite, red and white jasper, pink quartz, porphyry, bloodstone, serpentine, golden and brown agate and onyx, and lapis lazuli, British, London
John Wildsmith
John Mayhew
table top 1759, base 1794
Dining room from Kirtlington Park, John Sanderson, Wood, plaster, marble, British, Oxfordshire
Multiple artists/makers
1748
I Expand and Live in the Warm Day Like Corn and Melons (Illustration for Ralph Waldo Emerson's "Nature"), Christopher Pearse Cranch  American, Pen and brown ink
Christopher Pearse Cranch
1830–92
Build Your Own World. So Fast Will Disagreeable Things...Vanish (Illustration for Ralph Waldo Emerson's "Nature"), Christopher Pearse Cranch  American, Pen and brown ink
Christopher Pearse Cranch
1830–92
Standing on the Base Ground... I Become a Transparent Eyeball (Illustration for Ralph Waldo Emerson's "Nature"), Christopher Pearse Cranch  American, Pen and brown ink
Christopher Pearse Cranch
1830–92
Instead of Man Reading We Have the Bookworm, Christopher Pearse Cranch  American, Pen and brown ink
Christopher Pearse Cranch
1830–92
Black art in Houston : the Texas Southern University experience : presenting the art of Biggers, Simms and their students, John Thomas Biggers  American
Multiple artists/makers
1978
Paradise Lost, John Milton  British, Printed book, Hammersmith: Doves Press, 1902
John Milton
1902
Cubism : a history and an analysis, 1907-1914, John Golding  British
John Golding
George Wittenborn, Inc.
1959
The union of architecture, sculpture, and painting; exemplified by a series of illustrations, with descriptive accounts of the house and galleries of John Soane ... / by John Britton, John Britton  British
John Britton
Longman and Co.
1827
Pianoforte, John Geib Jr., Mahogany, mahogany and rosewood veneers, satinwood, ivory, gilded gesso, brass with white pine, maple, ash, American
Multiple artists/makers
1810–15
Hat, John P. John  American, Silk, American
John P. John
Mr. John, Inc.
ca. 1955
Hat, John P. John  American, Wool, metal, American
John P. John
Mr. John, Inc.
ca. 1965
Cap, John P. John  American, Wool, American
John P. John
Mr. John, Inc.
ca. 1965
Hat, John P. John  American, Wool, American
John P. John
Mr. John, Inc.
ca. 1952
Hat, John P. John  American, Silk, American
John P. John
Mr. John, Inc.
ca. 1952
Hat, John P. John  American, Wool, silk, American
John P. John
Mr. John, Inc.
1950
Hat, John P. John  American, Wool, hair, American
John P. John
Mr. John, Inc.
ca. 1958
Hat, John P. John  American, Wool, silk, American
John P. John
Mr. John, Inc.
1955