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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
More than 10,000 results for John Durand
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Boy of the Crossfield Family (Possibly Richard Crossfield), John Durand  American, Oil on canvas, American
John Durand
ca. 1766–68
Susannah or Mary Bontecou, John Durand  American, Oil on canvas, American
John Durand
ca. 1768–70
Advertisement for Street Car and Omnibus made by John Stephenson of New York, John Durand III  American, Wood engraving
John Durand III
1865
Ariadne, Asher Brown Durand  American, Oil on canvas, American
Asher Brown Durand
John Vanderlyn
ca. 1831–35
Vase, Victor Durand Jr.  American, Blown glass, American
Victor Durand Jr.
Vineland Flint Glass Works
1924–30
The Beeches, Asher Brown Durand  American, Oil on canvas, American
Asher Brown Durand
1845
In the Woods, Asher Brown Durand  American, Oil on canvas, American
Asher Brown Durand
1855
Luman Reed, Asher Brown Durand  American, Oil on canvas, American
Asher Brown Durand
1835
River Scene, Asher Brown Durand  American, Oil on canvas, American
Asher Brown Durand
1854
Summer Afternoon, Asher Brown Durand  American, Oil on canvas, American
Asher Brown Durand
1865
Jonathan Sturges, Asher Brown Durand  American, Oil on canvas, American
Asher Brown Durand
ca. 1840
Landscape—Scene from "Thanatopsis", Asher Brown Durand  American, Oil on canvas, American
Asher Brown Durand
1850
Louis-Jacques Pipereau de Bellevannes (d. 1787), Pierre-Louis Durand  French, Mother-of-pearl; gilt bronze, French, Paris
Pierre-Louis Durand
1740s
Multiple artists/makers
1924–31
Event handkerchief, Asher Brown Durand  American, Cotton, British
Asher Brown Durand
John Trumbull
early 19th century
Plate, John Monday  American, Earthenware; Redware with sgraffito decoration, American
John Monday
1830
Vase, John Bennett  American, Painted and glazed earthenware, American
John Bennett
1882
Wine cup, John Hull  American, Silver, American
John Hull
Robert Sanderson Sr.
ca. 1660
Presentation Sword and Scabbard of Brigadier General Daniel Davis (1777–1814) of the New York Militia, John Targee  American, Steel, gold, silver, American, New York
John Targee
ca. 1815–17
Teapot, John Bartlam, Soft-paste porcelain with underglaze blue decoration, American
John Bartlam
ca. 1765–69
Figure of a Lion, John Bell  American, Earthenware, American
John Bell
1845–55
Gray and Brass, John Sloan  American, Oil on canvas, American
John Sloan
1907
Durand
1860s
Peonies Blown in the Wind, John La Farge  American, Leaded opalescent glass, American
John La Farge
ca. 1880
Sofa, John Henry Belter  American, Rosewood, Rosewood veneer; chestnut, pine (secondary woods); modern upholstery with some original underupholstery, American
John Henry Belter
J. H. Belter & Co.
1850–60
Repose, John White Alexander  American, Oil on canvas, American
John White Alexander
1895
In the Generalife, John Singer Sargent  American, Watercolor, wax crayon, and graphite on white wove paper, American
John Singer Sargent
1912
Daniel Crommelin Verplanck, John Singleton Copley  American, Oil on canvas, American
John Singleton Copley
1771
Lake George, John Frederick Kensett  American, Oil on canvas, American
John Frederick Kensett
1869
Porringer, John Allen  American, Silver, American
John Allen
John Edwards
ca. 1700
Standing Salt, John Allen  American, Silver, American
John Allen
John Edwards
ca. 1700
Side table, John Wildsmith, Carved and gilded pine; marbles, including rosso and nero antico, orange Veronese, yellow Siena, brown, gray, and white fleur de pêcher, black and gold Portor, orange and violet Spanish brocatello, and white Carrara, and hardstones, including gray and red granite, red and white jasper, pink quartz, porphyry, bloodstone, serpentine, golden and brown agate and onyx, and lapis lazuli, British, London
John Wildsmith
John Mayhew
table top 1759, base 1794
Banknote motifs: circular lobed lathe work design, its interior composed of repeated stars, missing a pie shaped wedge (recto); Two pie-shaped wedges of lathe work ornament resembling cut glass (verso), Cyrus Durand  American, Engraving; proof
Multiple artists/makers
ca. 1824–42
Banknote motif: ornamental number 1 against a panel of lathe work elements, adjoining a band of mosaic style ornament, its ends adorned with leaves, flowers, grapes and ribbons, Cyrus Durand  American, Engraving and etching, printed in brown ink; proof
Multiple artists/makers
ca. 1824–42
Banknote motif: rounded ornamental lathe work design with a wavy edge, Cyrus Durand  American, Engraving on chine collé; proof
Multiple artists/makers
ca. 1824–42
Banknote motif: panel of lathe work ornament composed of tiny 2s each set in a diamond surrounded by a star, Cyrus Durand  American, Engraving; proof
Multiple artists/makers
ca. 1824–42
Banknote motif: number 500 in an ornamental frame, Cyrus Durand  American, Engraving and etching; proof
Multiple artists/makers
ca. 1824–42
Banknote motif: the number 20 against an ornamental lathe work oval resembling woven rope, Cyrus Durand  American, Engraving; proof
Multiple artists/makers
ca. 1824–42
Banknote motif: the number 50 against an ornamental lathe work rondel resembling lace, Cyrus Durand  American, Engraving; proof
Multiple artists/makers
ca. 1824–42
Banknote motif: the number 100 against an ornamental lathe work oval resembling woven rope with a border of grain, flowers and berries, Cyrus Durand  American, Engraving and etching; proof
Multiple artists/makers
ca. 1824–42