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More than 10,000 results for John Fairburn

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Every Lover's Book or Cupid's Roundelay, being the Nonpariel [sic] of Valentines from Gentlemen to Ladies, and Ladies to Gentlemen, in Superior Language to What Verses of This Kind Usually Are

John Fairburn

mid-19th century

Every Lover's Book or Cupid's Roundelay; Being the Nonpariel [sic] of Valentines from Gentlemen to Ladies, and Ladies to Gentlemen, in Superior Language to What Verses of This Kind Usually Are

John Fairburn

mid-19th century

The Temple of Love, or New Valentine Writer, Being a Capital Collection of Valentines and Answers for the Present Year

John Fairburn

[1825] ?

The Temple of Love, or New Valentine Writer, Being a Capital Collection of Valentines and Answers for the Present Year

John Fairburn

1820–30

Mr. Henry as Jack Straw, Anonymous, British, 19th century British, Hand-colored etching — Mr. Henry as Jack Straw
Anonymous, British, 19th century
John Fairburn
1848

An Emblem of Europe, Anonymous, British, 18th century British, Mezzotint — An Emblem of Europe
Anonymous, British, 18th century
John Fairburn
September 4, 1798

An Emblem of Asia, Anonymous, British, 18th century British, Mezzotint with etching — An Emblem of Asia
Anonymous, British, 18th century
John Fairburn
September 4, 1798

Not at Home, or a Disappointed Dinner Hunter, Thomas Rowlandson British, Hand-colored etching — Not at Home, or a Disappointed Dinner Hunter
Thomas Rowlandson
John Fairburn
June 13, 1823

The Tooth-Ache, or, Torment & Torture, Thomas Rowlandson British, Hand-colored etching; reprint — The Tooth-Ache, or, Torment & Torture
Thomas Rowlandson
John Fairburn
August 1, 1823

An Old Poacher Caught in a Snare, Thomas Rowlandson British, Hand-colored etching — An Old Poacher Caught in a Snare
Thomas Rowlandson
John Fairburn
June 19, 1823

Hot Goose, Cabbage & Cucumbers, Thomas Rowlandson British, Hand-colored etching — Hot Goose, Cabbage & Cucumbers
Thomas Rowlandson
John Fairburn
1823

Snips, Thomas Rowlandson British, Hand-colored etching — Snips
Thomas Rowlandson
John Fairburn
1815

The Chance Seller of the Exchequer Putting an Extinguisher on Lotteries, Thomas Rowlandson British, Hand-colored etching — The Chance Seller of the Exchequer Putting an Extinguisher on Lotteries
Multiple artists/makers
September 18, 1823

The Chance Seller of the Exchequer Putting an Extinguisher on Lotteries, Thomas Rowlandson British, Hand-colored etching — The Chance Seller of the Exchequer Putting an Extinguisher on Lotteries
Multiple artists/makers
September 18, 1823

The Mermaid, Now Exhibiting at the Turf Coffee House, St. James's Street

Isaac Robert Cruikshank

John Fairburn

October 24, 1822

Anonymous, British, 19th century

John Fairburn

1815–40

Belshazzar's Impious Feast

Isaac Robert Cruikshank

John Fairburn

1815–40

Napoleon, the Corsican Phoenix

Anonymous, British, 19th century

John Fairburn

1815

The Horrid Murder of Elizabeth Beasmore

Multiple artists/makers

1815

Plate, John Monday American, Earthenware; Redware with sgraffito decoration, American — Plate
John Monday
1830

Vase, John Bennett American, Painted and glazed earthenware, American — Vase
John Bennett
1882

Wine cup, John Hull American, Silver, American — Wine cup
John Hull
Robert Sanderson Sr.
ca. 1660

Presentation Sword and Scabbard of Brigadier General Daniel Davis (1777–1814) of the New York Militia, John Targee American, Steel, gold, silver, American, New York — Presentation Sword and Scabbard of Brigadier General Daniel Davis (1777–1814) of the New York Militia
John Targee
ca. 1815–17

Teapot, John Bartlam, Soft-paste porcelain with underglaze blue decoration, American — Teapot
John Bartlam
ca. 1765–69

Figure of a Lion, John Bell American, Earthenware, American — Figure of a Lion
John Bell
1845–55

Gray and Brass, John Sloan American, Oil on canvas, American — Gray and Brass
John Sloan
1907

An Emblem of America

Multiple artists/makers

September 4, 1798

Peonies Blown in the Wind, John La Farge American, Leaded opalescent glass, American — Peonies Blown in the Wind
John La Farge
ca. 1880

Sofa, John Henry Belter American, Rosewood, Rosewood veneer; chestnut, pine (secondary woods); modern upholstery with some original underupholstery, American — Sofa
John Henry Belter
J. H. Belter & Co.
1850–60

Repose, John White Alexander American, Oil on canvas, American — Repose
John White Alexander
1895

In the Generalife, John Singer Sargent American, Watercolor, wax crayon, and graphite on white wove paper, American — In the Generalife
John Singer Sargent
1912

Daniel Crommelin Verplanck, John Singleton Copley American, Oil on canvas, American — Daniel Crommelin Verplanck
John Singleton Copley
1771

Lake George, John Frederick Kensett American, Oil on canvas, American — Lake George
John Frederick Kensett
1869

Porringer, John Allen American, Silver, American — Porringer
John Allen
John Edwards
ca. 1700

Standing Salt, John Allen American, Silver, American — Standing Salt
John Allen
John Edwards
ca. 1700

Side table, John Wildsmith, Carved and gilded pine; marbles, including rosso and nero antico, orange Veronese, yellow Siena, brown, gray, and white fleur de pêcher, black and gold Portor, orange and violet Spanish brocatello, and white Carrara, and hardstones, including gray and red granite, red and white jasper, pink quartz, porphyry, bloodstone, serpentine, golden and brown agate and onyx, and lapis lazuli, British, London — Side table
John Wildsmith
John Mayhew
table top 1759, base 1794

Dining room from Kirtlington Park, John Sanderson, Wood, plaster, marble, British, Oxfordshire — Dining room from Kirtlington Park
Multiple artists/makers
1748

Black art in Houston : the Texas Southern University experience : presenting the art of Biggers, Simms and their students, John Thomas Biggers American — Black art in Houston : the Texas Southern University experience : presenting the art of Biggers, Simms and their students
Multiple artists/makers
1978

Paradise Lost, John Milton British, Printed book, Hammersmith: Doves Press, 1902 — Paradise Lost
John Milton
1902

The union of architecture, sculpture, and painting; exemplified by a series of illustrations, with descriptive accounts of the house and galleries of John Soane ... / by John Britton, John Britton British — The union of architecture, sculpture, and painting; exemplified by a series of illustrations, with descriptive accounts of the house and galleries of John Soane ... / by John Britton
John Britton
Longman and Co.
1827