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1-42 of 11,615 results for John Fairburn
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Every Lover's Book or Cupid's Roundelay, being the Nonpariel [sic] of Valentines from Gentlemen to Ladies, and Ladies to Gentlemen, in Superior Language to What Verses of This Kind Usually Are
John Fairburn
mid-19th century
Every Lover's Book or Cupid's Roundelay; Being the Nonpariel [sic] of Valentines from Gentlemen to Ladies, and Ladies to Gentlemen, in Superior Language to What Verses of This Kind Usually Are
John Fairburn
mid-19th century
The Temple of Love, or New Valentine Writer, Being a Capital Collection of Valentines and Answers for the Present Year
John Fairburn
[1825] ?
The Temple of Love, or New Valentine Writer, Being a Capital Collection of Valentines and Answers for the Present Year
John Fairburn
1820–30
Mr. Henry as Jack Straw, Anonymous, British, 19th century British, Hand-colored etching
Mr. Henry as Jack Straw
Anonymous, British, 19th century
John Fairburn
1848
An Old Poacher Caught in a Snare, Thomas Rowlandson British, Hand-colored etching
An Old Poacher Caught in a Snare
Thomas Rowlandson
John Fairburn
June 19, 1823
Hot Goose, Cabbage & Cucumbers, Thomas Rowlandson British, Hand-colored etching
Hot Goose, Cabbage & Cucumbers
Thomas Rowlandson
John Fairburn
1823
Snips, Thomas Rowlandson British, Hand-colored etching
Snips
Thomas Rowlandson
John Fairburn
1815
An Emblem of Europe, Anonymous, British, 18th century British, Mezzotint
An Emblem of Europe
Anonymous, British, 18th century
John Fairburn
September 4, 1798
An Emblem of Asia, Anonymous, British, 18th century British, Mezzotint with etching
An Emblem of Asia
Anonymous, British, 18th century
John Fairburn
September 4, 1798
Not at Home, or a Disappointed Dinner Hunter, Thomas Rowlandson British, Hand-colored etching
Not at Home, or a Disappointed Dinner Hunter
Thomas Rowlandson
John Fairburn
June 13, 1823
The Tooth-Ache, or, Torment & Torture, Thomas Rowlandson British, Hand-colored etching; reprint
The Tooth-Ache, or, Torment & Torture
Thomas Rowlandson
John Fairburn
August 1, 1823
The Chance Seller of the Exchequer Putting an Extinguisher on Lotteries, Thomas Rowlandson British, Hand-colored etching
The Chance Seller of the Exchequer Putting an Extinguisher on Lotteries
Multiple artists/makers
September 18, 1823
The Chance Seller of the Exchequer Putting an Extinguisher on Lotteries, Thomas Rowlandson British, Hand-colored etching
The Chance Seller of the Exchequer Putting an Extinguisher on Lotteries
Multiple artists/makers
September 18, 1823
The Mermaid, Now Exhibiting at the Turf Coffee House, St. James's Street
Isaac Robert Cruikshank
John Fairburn
October 24, 1822
The Guitar
Anonymous, British, 19th century
John Fairburn
1815–40
Belshazzar's Impious Feast
Isaac Robert Cruikshank
John Fairburn
1815–40
Napoleon, the Corsican Phoenix
Anonymous, British, 19th century
John Fairburn
1815
The Horrid Murder of Elizabeth Beasmore
Multiple artists/makers
1815
Wine cup, John Hull American, Silver, American
Wine cup
John Hull
Robert Sanderson Sr.
ca. 1660
Presentation Sword and Scabbard of Brigadier General Daniel Davis (1777–1814) of the New York Militia, John Targee American, Steel, gold, silver, American, New York
Presentation Sword and Scabbard of Brigadier General Daniel Davis (1777–1814) of the New York Militia
John Targee
ca. 1815–17
Plate, John Monday American, Earthenware; Redware with sgraffito decoration, American
Plate
John Monday
1830
Vase, John Bennett American, Painted and glazed earthenware, American
Vase
John Bennett
1882
Teapot, John Bartlam, Soft-paste porcelain with underglaze blue decoration, American
Teapot
John Bartlam
ca. 1765–69
Gray and Brass, John Sloan American, Oil on canvas, American
Gray and Brass
John Sloan
1907
Figure of a Lion, John Bell American, Earthenware, American
Figure of a Lion
John Bell
1845–55
An Emblem of America
Multiple artists/makers
September 4, 1798
Sofa, John Henry Belter American, Rosewood, Rosewood veneer; chestnut, pine (secondary woods); modern upholstery with some original underupholstery, American
Sofa
John Henry Belter
J. H. Belter & Co.
1850–60
Peonies Blown in the Wind, John La Farge American, Leaded opalescent glass, American
Peonies Blown in the Wind
John La Farge
ca. 1880
Repose, John White Alexander American, Oil on canvas, American
Repose
John White Alexander
1895
Daniel Crommelin Verplanck, John Singleton Copley American, Oil on canvas, American
Daniel Crommelin Verplanck
John Singleton Copley
1771
Lake George, John Frederick Kensett American, Oil on canvas, American
Lake George
John Frederick Kensett
1869
Madame X (Virginie Amélie Avegno Gautreau), John Singer Sargent American, Oil on canvas, American
Madame X (Virginie Amélie Avegno Gautreau)
John Singer Sargent
1883–84
Side table, John Wildsmith, Carved and gilded pine; marbles, including rosso and nero antico, orange Veronese, yellow Siena, brown, gray, and white fleur de pêcher, black and gold Portor, orange and violet Spanish brocatello, and white Carrara, and hardstones, including gray and red granite, red and white jasper, pink quartz, porphyry, bloodstone, serpentine, golden and brown agate and onyx, and lapis lazuli, British, London
Side table
John Wildsmith
John Mayhew
table top 1759, base 1794
Standing Salt, John Allen American, Silver, American
Standing Salt
John Allen
John Edwards
ca. 1700
Dining room from Kirtlington Park, John Sanderson, Wood, plaster, marble, British, Oxfordshire
Dining room from Kirtlington Park
Multiple artists/makers
1748
Black art in Houston : the Texas Southern University experience : presenting the art of Biggers, Simms and their students, John Thomas Biggers American
Black art in Houston : the Texas Southern University experience : presenting the art of Biggers, Simms and their students
Multiple artists/makers
1978
Paradise Lost, John Milton British, Printed book, Hammersmith: Doves Press, 1902
Paradise Lost
John Milton
1902
Cubism : a history and an analysis, 1907-1914, John Golding British
Cubism : a history and an analysis, 1907-1914
John Golding
George Wittenborn, Inc.
1959
The union of architecture, sculpture, and painting; exemplified by a series of illustrations, with descriptive accounts of the house and galleries of John Soane ... / by John Britton, John Britton British
The union of architecture, sculpture, and painting; exemplified by a series of illustrations, with descriptive accounts of the house and galleries of John Soane ... / by John Britton
John Britton
Longman and Co.
1827
Pianoforte, John Geib Jr., Mahogany, mahogany and rosewood veneers, satinwood, ivory, gilded gesso, brass with white pine, maple, ash, American
Pianoforte
Multiple artists/makers
1810–15
Hat, John P. John American, Silk, American
Hat
John P. John
Mr. John, Inc.
ca. 1952