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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
More than 10,000 results for John Yenn
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Side table, John Yenn  British, Carved, painted and gilded pine and mahogany; gilt bronze and gilt copper, British
John Yenn
ca. 1780
Design for a Mirror Surmounted by a Vase, John Yenn  British, Pen and ink, brush and wash, watercolor
John Yenn
late 18th–early 19th century
Design for a Oblong Mirror with Sconces, John Yenn  British, Pen and ink, brush and wash, watercolor
John Yenn
late 18th–early 19th century
Design for an Oval Mirror, John Yenn  British, Pen and ink, brush and wash, watercolor
John Yenn
late 18th–early 19th century
Design for a a Mirror with a Rounded Top, John Yenn  British, Pen and ink, watercolor
John Yenn
late 18th–early 19th century
Design for a Chimneypiece, John Yenn  British, Pen and ink, brush and wash, watercolor
John Yenn
late 18th–early 19th century
Design for a Chimneypiece, John Yenn  British, Pen and ink, watercolor
John Yenn
late 18th–early 19th century
Design for a Chimneypiece, John Yenn  British, Pen and ink, watercolor
John Yenn
late 18th–early 19th century
Design for a Sconce with a Mirror, John Yenn  British, Pen and ink, watercolor
John Yenn
late 18th–early 19th century
Design for a Frieze, Ornamented with Lion's Head Paterae, John Yenn  British, Pen and ink, brush and gray wash
John Yenn
Sir William Chambers
late 18th–early 19th century
Design for a Mirror, John Yenn  British, Pen and ink, brush and wash, watercolor
John Yenn
late 18th–early 19th century
Design for a Chimneypiece, John Yenn  British, Pen and ink, brush and wash, watercolor
John Yenn
late 18th–early 19th century
Design for a Chimneypiece, John Yenn  British, Pen and ink, watercolor
John Yenn
late 18th–early 19th century
Design for a Chimneypiece, John Yenn  British, Pen and ink, brush and wash, watercolor
John Yenn
late 18th–early 19th century
Design for a Chimneypiece, John Yenn  British, Pen and ink, watercolor
John Yenn
late 18th–early 19th century
Design for Segment of an Octagonal Ceiling; Gower House, Whitehall, London, Sir William Chambers  British, born Sweden, Pen and black ink, brush and gray wash
Sir William Chambers
John Yenn
ca. 1766–74
Design for a Pier-glass, of Tall Oblong Form, the Border a Palmette Frieze, the Termination an Urn, Sir William Chambers  British, born Sweden, Pen and ink, watercolor
Sir William Chambers
John Yenn
1740–1800
Plate, John Monday  American, Earthenware; Redware with sgraffito decoration, American
John Monday
1830
Vase, John Bennett  American, Painted and glazed earthenware, American
John Bennett
1882
Wine cup, John Hull  American, Silver, American
John Hull
Robert Sanderson Sr.
ca. 1660
Presentation Sword and Scabbard of Brigadier General Daniel Davis (1777–1814) of the New York Militia, John Targee  American, Steel, gold, silver, American, New York
John Targee
ca. 1815–17
Teapot, John Bartlam, Soft-paste porcelain with underglaze blue decoration, American
John Bartlam
ca. 1765–69
Figure of a Lion, John Bell  American, Earthenware, American
John Bell
1845–55
Gray and Brass, John Sloan  American, Oil on canvas, American
John Sloan
1907
Peonies Blown in the Wind, John La Farge  American, Leaded opalescent glass, American
John La Farge
ca. 1880
Sofa, John Henry Belter  American, Rosewood, Rosewood veneer; chestnut, pine (secondary woods); modern upholstery with some original underupholstery, American
John Henry Belter
J. H. Belter & Co.
1850–60
Repose, John White Alexander  American, Oil on canvas, American
John White Alexander
1895
In the Generalife, John Singer Sargent  American, Watercolor, wax crayon, and graphite on white wove paper, American
John Singer Sargent
1912
Daniel Crommelin Verplanck, John Singleton Copley  American, Oil on canvas, American
John Singleton Copley
1771
Lake George, John Frederick Kensett  American, Oil on canvas, American
John Frederick Kensett
1869
Porringer, John Allen  American, Silver, American
John Allen
John Edwards
ca. 1700
Standing Salt, John Allen  American, Silver, American
John Allen
John Edwards
ca. 1700
Side table, John Wildsmith, Carved and gilded pine; marbles, including rosso and nero antico, orange Veronese, yellow Siena, brown, gray, and white fleur de pêcher, black and gold Portor, orange and violet Spanish brocatello, and white Carrara, and hardstones, including gray and red granite, red and white jasper, pink quartz, porphyry, bloodstone, serpentine, golden and brown agate and onyx, and lapis lazuli, British, London
John Wildsmith
John Mayhew
table top 1759, base 1794
Dining room from Kirtlington Park, John Sanderson, Wood, plaster, marble, British, Oxfordshire
Multiple artists/makers
1748
Black art in Houston : the Texas Southern University experience : presenting the art of Biggers, Simms and their students, John Thomas Biggers  American
Multiple artists/makers
1978
Paradise Lost, John Milton  British, Printed book, Hammersmith: Doves Press, 1902
John Milton
1902
The union of architecture, sculpture, and painting; exemplified by a series of illustrations, with descriptive accounts of the house and galleries of John Soane ... / by John Britton, John Britton  British
John Britton
Longman and Co.
1827
Cubism : a history and an analysis, 1907-1914, John Golding  British
John Golding
George Wittenborn, Inc.
1959
Pianoforte, John Geib Jr., Mahogany, mahogany and rosewood veneers, satinwood, ivory, gilded gesso, brass with white pine, maple, ash, American
Multiple artists/makers
1810–15
Hat, John P. John  American, Silk, American
John P. John
Mr. John, Inc.
ca. 1952