Donate Membership

Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 1,781 results for José González Veites

Sort by:

Nominations III, José González Veites Mexican, Acrylic and graphite on canvas — Nominations III
José González Veites
1988

Portrait of Nicolás Matías Fernández Méndez, José Campeche, Oil on wood panel — Portrait of Nicolás Matías Fernández Méndez
José Campeche
ca. 1800

The Adoration of the Magi, Miguel Gonzalez (Mexico, active 1692-1704) Mexican, Oil on wood, inlaid with mother-of-pearl, gold, Mexico — The Adoration of the Magi
Miguel Gonzalez
ca. 1695–1700

Turnus Provoked into War by Aeneas, José Manuel de la Cerda Mexican, Wood, painted lacquer, gold, Mexican — Turnus Provoked into War by Aeneas
José Manuel de la Cerda
ca. 1764

Guitar, José Massague Spanish, Pine top, figured maple back and sides, rosewood binding, ivory nut, rosewood, mastic, and mother-of-pearl inlaid decoration, Spanish — Guitar
José Massague
ca. 1755–60

The Marriage of the Virgin, José Sánchez Mexican, Oil on canvas, Mexican — The Marriage of the Virgin
José Sánchez
ca. 1690

Unicórnio : antologia de inéditos de autores portugueses contemporãneos, José-Augusto França Portuguese — Unicórnio : antologia de inéditos de autores portugueses contemporãneos
José-Augusto França
1951–56

Landscape for Tomorrow, Xavier Gonzalez American, Watercolor and opaque matte paint with opaque glossy paint on paper — Landscape for Tomorrow
Xavier Gonzalez
1953

Plate, Juanita Gonzalez American, Pottery, glazed, American — Plate
Juanita Gonzalez
ca. 1935

After Philadelphia, Juan Gonzalez American, Watercolor and graphite on paper — After Philadelphia
Juan Gonzalez
1982–84

Belt, José Cotel French, Leather, plastic, French — Belt
José Cotel
ca. 1973

Tenor Slide Trombone in B-flat, José Ramis Spanish, Brass, Spanish — Tenor Slide Trombone in B-flat
José Ramis
early 19th century

Urutaú, José Gamarra Uruguayan, Oil on canvas — Urutaú
José Gamarra
1983

[Mining Site Chincha Islands, Lima], José Negretti Peruvian, Albumen silver print — [Mining Site Chincha Islands, Lima]
José Negretti
1860s–70s

[Mining Site Chincha Islands, Lima], José Negretti Peruvian, Albumen silver print — [Mining Site Chincha Islands, Lima]
José Negretti
1860s–70s

[Mining Site Chincha Islands], José Negretti Peruvian, Albumen silver print — [Mining Site Chincha Islands]
José Negretti
1860s–70s

30 dibujos constructivos : 12 reproduciones en negro y 18 en color, José Gurvich Uruguayan — 30 dibujos constructivos : 12 reproduciones en negro y 18 en color
José Gurvich
Antonio Pezzino
1952

The Patrimony (El Patrimonio), Xavier González Iñiguez Mexican, Linocut — The Patrimony (El Patrimonio)
Xavier González Iñiguez
1956

Sputnick, Xavier González Iñiguez Mexican, Linocut — Sputnick
Xavier González Iñiguez
Taller de Gráfica Popular, Mexico City
ca. 1957

The Arts (Las Artes): a printing press, a sculptor, a hand holding brushes, Xavier González Iñiguez Mexican, Linocut — The Arts (Las Artes): a printing press, a sculptor, a hand holding brushes
Xavier González Iñiguez
Taller de Gráfica Popular, Mexico City
ca. 1955–1960

Miguel Hidalgo y Costilla, Plate 8 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Xavier González Iñiguez Mexican, Offset lithograph — Miguel Hidalgo y Costilla, Plate 8 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Xavier González Iñiguez
Taller de Gráfica Popular, Mexico City
1960

The memorable fight of the miners (Memorable lucha de mineros), Plate 125 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Xavier González Iñiguez Mexican, Offset lithograph — The memorable fight of the miners (Memorable lucha de mineros), Plate 125 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Xavier González Iñiguez
Taller de Gráfica Popular, Mexico City
1960

[Courtyard of the Lions, Alhambra, Granada], Señan y Gonzalez Spanish, Albumen silver print from glass negative — [Courtyard of the Lions, Alhambra, Granada]
Señan y Gonzalez
1880s–90s

[Moorish Vase, Granada], Señan y Gonzalez Spanish, Albumen silver print from glass negative — [Moorish Vase, Granada]
Señan y Gonzalez
1880s–90s

[No Title], Felix Gonzalez-Torres American, born Cuba, Instant diffusion transfer print (Polaroid) — [No Title]
Felix Gonzalez-Torres
1985

"Untitled" (Album), Felix Gonzalez-Torres American, born Cuba, Blind stamped leather album with interleaved paper pages bound with ribbons, paper, paper envelopes with ink stamps, stamps and pen, chromogenic prints with ink inscriptions on verso, photo mechanical prints on paperboard, newspaper and commercially printed paper with ink — "Untitled" (Album)
Felix Gonzalez-Torres
Edition Julie Sylvester
1992

Broadside with 48 scenes showing different women of the world, José Noguera Spanish, Wood engraving — Broadside with 48 scenes showing different women of the world
José Noguera
José María Marés
1860

Broadside with 48 scenes relating to the reign of Queen Isabel II, José Noguera Spanish, Wood engraving — Broadside with 48 scenes relating to the reign of Queen Isabel II
José Noguera
José María Marés
1860

Broadside with 48 scenes relating to life of the Carlist general of Spain, Ramon Cabrera y Griñó, José Noguera Spanish, Wood engraving — Broadside with 48 scenes relating to life of the Carlist general of Spain, Ramon Cabrera y Griñó
José Noguera
José María Marés
1860

'Rear Guard' (or 'On the Road'): men and women carrying rifles and children, José Clemente Orozco Mexican, Lithograph — 'Rear Guard' (or 'On the Road'): men and women carrying rifles and children
Multiple artists/makers
1929

In proof of true love, a watercarrier skeleton arguing with a woman (Posada); two skeleton angels in upper corners (Manilla), José Guadalupe Posada Mexican, Type-metal engraving and letterpress — In proof of true love, a watercarrier skeleton arguing with a woman (Posada); two skeleton angels in upper corners (Manilla)
Multiple artists/makers
ca. 1890–96

A woman dancing with a cat in a suit, José Guadalupe Posada Mexican, Zincograph — A woman dancing with a cat in a suit
José Guadalupe Posada
José Sanchez
ca. 1880–1910

A holy procession with figures in black cloaks holding candles, José Guadalupe Posada Mexican, Type-metal engraving — A holy procession with figures in black cloaks holding candles
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

A snake with a woman's head slithering towards a scared man, an illustration from 'The Ballad of the Snake Woman' (reprinted 1930), José Guadalupe Posada Mexican, Zincograph — A snake with a woman's head slithering towards a scared man, an illustration from 'The Ballad of the Snake Woman' (reprinted 1930)
José Guadalupe Posada
José Sanchez
ca. 1899 (a later impression)

A small boy being fed to vultures, an illustration to 'The King and His Three Sons', José Guadalupe Posada Mexican, Zincograph — A small boy being fed to vultures, an illustration to 'The King and His Three Sons'
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

A woman turning to walk away from a man, José Guadalupe Posada Mexican, Zincograph — A woman turning to walk away from a man
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

A woman surrounded by demons stabbing a man to death from a broadside entitled 'Horroroso Asesinato', José Guadalupe Posada Mexican, Zincograph — A woman surrounded by demons stabbing a man to death from a broadside entitled 'Horroroso Asesinato'
José Guadalupe Posada
José Sanchez
ca. 1902 (a later impression)

A rich man giving a beggar money, José Guadalupe Posada Mexican, Zincograph — A rich man giving a beggar money
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

A man on horseback stabbing a monster with a lance, illustration from 'The King and His Three Sons', José Guadalupe Posada Mexican, Type-metal engraving — A man on horseback stabbing a monster with a lance, illustration from 'The King and His Three Sons'
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

A skeleton holding a bone and leaping over a pile of skulls while people flee, from a broadside entitled 'Las bravisimas calaveras Guatemaltecas', José Guadalupe Posada Mexican, Zincograph — A skeleton holding a bone and leaping over a pile of skulls while people flee, from a broadside entitled 'Las bravisimas calaveras Guatemaltecas'
José Guadalupe Posada
José Sanchez
ca. 1907 (a later impression)