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Showing 1,774 results for José González Veites

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Nominations III, José González Veites Mexican, Acrylic and graphite on canvas — Nominations III
José González Veites
1988

Portrait of Nicolás Matías Fernández Méndez, José Campeche, Oil on wood panel — Portrait of Nicolás Matías Fernández Méndez
José Campeche
ca. 1800

The Adoration of the Magi, Miguel Gonzalez (Mexico, active 1692-1704) Mexican, Oil on wood, inlaid with mother-of-pearl, gold, Mexico — The Adoration of the Magi
Miguel Gonzalez
ca. 1695–1700

Turnus Provoked into War by Aeneas, José Manuel de la Cerda Mexican, Wood, painted lacquer, gold, Mexican — Turnus Provoked into War by Aeneas
José Manuel de la Cerda
ca. 1764

Guitar, José Massague Spanish, Pine top, figured maple back and sides, rosewood binding, ivory nut, rosewood, mastic, and mother-of-pearl inlaid decoration, Spanish — Guitar
José Massague
ca. 1755–60

The Marriage of the Virgin, José Sánchez Mexican, Oil on canvas, Mexican — The Marriage of the Virgin
José Sánchez
ca. 1690

Unicórnio : antologia de inéditos de autores portugueses contemporãneos, José-Augusto França Portuguese — Unicórnio : antologia de inéditos de autores portugueses contemporãneos
José-Augusto França
1951–56

Plate, Juanita Gonzalez American, Pottery, glazed, American — Plate
Juanita Gonzalez
ca. 1935

After Philadelphia, Juan Gonzalez American, Watercolor and graphite on paper — After Philadelphia
Juan Gonzalez
1982–84

Landscape for Tomorrow, Xavier Gonzalez American, Watercolor and opaque matte paint with opaque glossy paint on paper — Landscape for Tomorrow
Xavier Gonzalez
1953

Belt, José Cotel French, Leather, plastic, French — Belt
José Cotel
ca. 1973

Tenor Slide Trombone in B-flat, José Ramis Spanish, Brass, Spanish — Tenor Slide Trombone in B-flat
José Ramis
early 19th century

[Mining Site Chincha Islands, Lima], José Negretti Peruvian, Albumen silver print — [Mining Site Chincha Islands, Lima]
José Negretti
1860s–70s

[Mining Site Chincha Islands], José Negretti Peruvian, Albumen silver print — [Mining Site Chincha Islands]
José Negretti
1860s–70s

Urutaú, José Gamarra Uruguayan, Oil on canvas — Urutaú
José Gamarra
1983

[Mining Site Chincha Islands, Lima], José Negretti Peruvian, Albumen silver print — [Mining Site Chincha Islands, Lima]
José Negretti
1860s–70s

30 dibujos constructivos : 12 reproduciones en negro y 18 en color, José Gurvich Uruguayan — 30 dibujos constructivos : 12 reproduciones en negro y 18 en color
José Gurvich
Antonio Pezzino
1952

Miguel Hidalgo y Costilla, Plate 8 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Xavier González Iñiguez Mexican, Offset lithograph — Miguel Hidalgo y Costilla, Plate 8 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Xavier González Iñiguez
Taller de Gráfica Popular, Mexico City
1960

The memorable fight of the miners (Memorable lucha de mineros), Plate 125 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Xavier González Iñiguez Mexican, Offset lithograph — The memorable fight of the miners (Memorable lucha de mineros), Plate 125 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Xavier González Iñiguez
Taller de Gráfica Popular, Mexico City
1960

Sputnick, Xavier González Iñiguez Mexican, Linocut — Sputnick
Xavier González Iñiguez
Taller de Gráfica Popular, Mexico City
ca. 1957

The Arts (Las Artes): a printing press, a sculptor, a hand holding brushes, Xavier González Iñiguez Mexican, Linocut — The Arts (Las Artes): a printing press, a sculptor, a hand holding brushes
Xavier González Iñiguez
Taller de Gráfica Popular, Mexico City
ca. 1955–1960

The Patrimony (El Patrimonio), Xavier González Iñiguez Mexican, Linocut — The Patrimony (El Patrimonio)
Xavier González Iñiguez
1956

[Courtyard of the Lions, Alhambra, Granada], Señan y Gonzalez Spanish, Albumen silver print from glass negative — [Courtyard of the Lions, Alhambra, Granada]
Señan y Gonzalez
1880s–90s

[Moorish Vase, Granada], Señan y Gonzalez Spanish, Albumen silver print from glass negative — [Moorish Vase, Granada]
Señan y Gonzalez
1880s–90s

[No Title], Felix Gonzalez-Torres American, born Cuba, Instant diffusion transfer print (Polaroid) — [No Title]
Felix Gonzalez-Torres
1985

"Untitled" (Album), Felix Gonzalez-Torres American, born Cuba, Blind stamped leather album with interleaved paper pages bound with ribbons, paper, paper envelopes with ink stamps, stamps and pen, chromogenic prints with ink inscriptions on verso, photo mechanical prints on paperboard, newspaper and commercially printed paper with ink — "Untitled" (Album)
Felix Gonzalez-Torres
Edition Julie Sylvester
1992

Broadside with 48 scenes showing different women of the world, José Noguera Spanish, Wood engraving — Broadside with 48 scenes showing different women of the world
José Noguera
José María Marés
1860

Broadside with 48 scenes relating to the reign of Queen Isabel II, José Noguera Spanish, Wood engraving — Broadside with 48 scenes relating to the reign of Queen Isabel II
José Noguera
José María Marés
1860

Broadside with 48 scenes relating to life of the Carlist general of Spain, Ramon Cabrera y Griñó, José Noguera Spanish, Wood engraving — Broadside with 48 scenes relating to life of the Carlist general of Spain, Ramon Cabrera y Griñó
José Noguera
José María Marés
1860

'Rear Guard' (or 'On the Road'): women carrying rifles and children, José Clemente Orozco Mexican, Lithograph — 'Rear Guard' (or 'On the Road'): women carrying rifles and children
Multiple artists/makers
1929

In proof of true love, a watercarrier skeleton arguing with a woman (Posada); two skeleton angels in upper corners (Manilla), José Guadalupe Posada Mexican, Type-metal engraving and letterpress on blue paper — In proof of true love, a watercarrier skeleton arguing with a woman (Posada); two skeleton angels in upper corners (Manilla)
Multiple artists/makers
ca. 1890–1896

A woman dancing with a cat in a suit, José Guadalupe Posada Mexican, Zincograph — A woman dancing with a cat in a suit
José Guadalupe Posada
José Sanchez
ca. 1880–1910

A holy procession with figures in black cloaks holding candles, José Guadalupe Posada Mexican, Type-metal engraving — A holy procession with figures in black cloaks holding candles
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

Emiliano Zapata, José Guadalupe Posada Mexican, Zincograph — Emiliano Zapata
José Guadalupe Posada
José Sanchez
ca. 1910–1913 (a later impression)

An old woman with a broom in her hand arguing with a younger woman from a broadside entitled 'El Pleito de Vecindad', José Guadalupe Posada Mexican, Type-metal engraving — An old woman with a broom in her hand arguing with a younger woman from a broadside entitled 'El Pleito de Vecindad'
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

A woman scolding a man, José Guadalupe Posada Mexican, Zincograph — A woman scolding a man
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

A woman kicking a man while he walks away from her, José Guadalupe Posada Mexican, Zincograph — A woman kicking a man while he walks away from her
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

A man in a hat kidnapping a child from a broadside entitled 'Los roba-chicos en acción', José Guadalupe Posada Mexican, Zincograph — A man in a hat kidnapping a child from a broadside entitled 'Los roba-chicos en acción'
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

A man with a pitcher in his hand tapping the shoulder of another man resting on wooden beam, José Guadalupe Posada Mexican, Zincograph — A man with a pitcher in his hand tapping the shoulder of another man resting on wooden beam
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

A man with a gun standing over a woman he has just shot, José Guadalupe Posada Mexican, Zincograph — A man with a gun standing over a woman he has just shot
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)