Search the collection

Filter By

Object Type / Material
Geographic Location
Department
Date
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 979 results for José Meléndez Contreras
Sort by:
José Meléndez Contreras
1958
José Meléndez Contreras
1960
José Meléndez Contreras
ca. 1960
The Afternoon Meal (La Merienda), Luis Meléndez  Spanish, Oil on canvas
Luis Meléndez
ca. 1772
Portrait of Nicolás Matías Fernández Méndez, José Campeche, Oil on wood panel
José Campeche
ca. 1800
Turnus Provoked into War by Aeneas, José Manuel de la Cerda  Mexican, Wood, painted lacquer, gold, Mexican
José Manuel de la Cerda
ca. 1764
Guitar, José Massague  Spanish, Pine top, figured maple back and sides, rosewood binding, ivory nut, rosewood, mastic, and mother-of-pearl inlaid decoration, Spanish
José Massague
ca. 1755–60
The Marriage of the Virgin, José Sánchez  Mexican, Oil on canvas, Mexican
José Sánchez
ca. 1690
Unicórnio : antologia de inéditos de autores portugueses contemporãneos, José-Augusto França  Portuguese
José-Augusto França
1951–56
Architectural Model Based on the Alhambra, Rafael Contreras  Spanish, Plaster (original stucco, tiling and wood) colored.
Rafael Contreras
1847-1890
Architectural Model Based on the Alhambra, Rafael Contreras  Spanish, Plaster colored
Rafael Contreras
1847-1890
Architectural Model Based on the Alhambra, Rafael Contreras  Spanish, Plaster colored
Rafael Contreras
1847-1890
Architectural Model based on the Alhambra, Rafael Contreras  Spanish, Plaster colored, alabaster, bisque
Rafael Contreras
1847-1890
Architectural Model Based on the Alhambra, Rafael Contreras  Spanish, Plaster colored
Rafael Contreras
19th century (?)
Architectural Model Based on the Alhambra, Rafael Contreras  Spanish, Plaster colored (original stone)
Rafael Contreras
19th century (?)
Belt, José Cotel  French, Leather, plastic, French
José Cotel
ca. 1973
Urutaú, José Gamarra  Uruguayan, Oil on canvas
José Gamarra
1983
Tenor Slide Trombone in B-flat, José Ramis  Spanish, Brass, Spanish
José Ramis
early 19th century
[Mining Site Chincha Islands, Lima], José Negretti  Peruvian, Albumen silver print
José Negretti
1860s–70s
[Mining Site Chincha Islands, Lima], José Negretti  Peruvian, Albumen silver print
José Negretti
1860s–70s
[Mining Site Chincha Islands], José Negretti  Peruvian, Albumen silver print
José Negretti
1860s–70s
30 dibujos constructivos : 12 reproduciones en negro y 18 en color, José Gurvich  Uruguayan
José Gurvich
Antonio Pezzino
1952
Broadside with 48 scenes showing different women of the world, José Noguera  Spanish, Wood engraving
José Noguera
José María Marés
1860
Broadside with 48 scenes relating to the reign of Queen Isabel II, José Noguera  Spanish, Wood engraving
José Noguera
José María Marés
1860
Broadside with 48 scenes relating to life of the Carlist general of Spain, Ramon Cabrera y Griñó, José Noguera  Spanish, Wood engraving
José Noguera
José María Marés
1860
In proof of true love, a watercarrier skeleton arguing with a woman (Posada); two skeleton angels in upper corners (Manilla), José Guadalupe Posada  Mexican, Type-metal engraving and letterpress on blue paper
Multiple artists/makers
ca. 1890–1896
'Rear Guard' (or 'On the Road'): women carrying rifles and children, José Clemente Orozco  Mexican, Lithograph
Multiple artists/makers
1929
A woman dancing with a cat in a suit, José Guadalupe Posada  Mexican, Zincograph
José Guadalupe Posada
José Sanchez
ca. 1880–1910
Demons running away from a woman on a deer riding through a field of crosses, José Guadalupe Posada  Mexican, Type-metal engraving
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)
An old man with spectacles and one hand behind his back painting on a wooden block, illustration for 'El Rey que Rabio', José Guadalupe Posada  Mexican, Type-metal engraving
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)
Caricature of three toreros (legs and torso/head), José Guadalupe Posada  Mexican, Type-metal engraving
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)
A revolutionary soldier on horseback with a rifle (Heraclio Bernal), José Guadalupe Posada  Mexican, Zincograph
José Guadalupe Posada
José Sanchez
ca. 1911 (a later impression)
Firing squad shooting a man with his left hand on his chest, José Guadalupe Posada  Mexican, Type-metal engraving
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)
A soldier raising his rifle to hit a woman (The Fifth of May), José Guadalupe Posada  Mexican, Type-metal engraving
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)
The murder of the Chief of Police Miguel Cabrera, José Guadalupe Posada  Mexican, Zincograph
José Guadalupe Posada
José Sanchez
ca. 1910 (a later impression)
A snake with a woman's head slithering towards a scared man, an illustration from 'The Ballad of the Snake Woman' (reprinted 1930), José Guadalupe Posada  Mexican, Zincograph
José Guadalupe Posada
José Sanchez
ca. 1899 (a later impression)
A small boy being fed to vultures, an illustration to 'The King and His Three Sons', José Guadalupe Posada  Mexican, Zincograph
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)
A woman turning to walk away from a man, José Guadalupe Posada  Mexican, Zincograph
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)
A woman surrounded by demons stabbing a man to death from a broadside entitled 'Horroroso Asesinato', José Guadalupe Posada  Mexican, Zincograph
José Guadalupe Posada
José Sanchez
ca. 1902 (a later impression)
A rich man giving a beggar money, José Guadalupe Posada  Mexican, Zincograph
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)