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Showing 8,825 results for Joseph Hippolyte Jules Caqué
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I left as the Attorney-General of Moinraux in Paris, from "Scenes from the Private and Public Life of Animals", J. J. Grandville  French, Wood engraving
Multiple artists/makers
ca. 1837–47
The more beautiful the drama, the more sad the orchestra is to hear, from "Scenes from the Private and Public Life of Animals", J. J. Grandville  French, Wood engraving
Multiple artists/makers
ca. 1837–47
The Chameleon declares that he is happy and proud to be, as always, of the same opinion as everyone, from "Scenes from the Private and Public Life of Animals", J. J. Grandville  French, Wood engraving
Multiple artists/makers
ca. 1837–47
My captor was one of the king's lackeys, from "Scenes from the Private and Public Life of Animals", J. J. Grandville  French, Wood engraving
Multiple artists/makers
ca. 1837–47
He was a regular on the front lines..., from "Scenes from the Private and Public Life of Animals", J. J. Grandville  French, Wood engraving
Multiple artists/makers
ca. 1837–47
There are men who walk around begging on fertile ground, from "Scenes from the Private and Public Life of Animals", J. J. Grandville  French, Wood engraving
Multiple artists/makers
ca. 1837–47
The studies are painful, expensive; but the students are intrepid, from "Scenes from the Private and Public Life of Animals", J. J. Grandville  French, Wood engraving
Multiple artists/makers
ca. 1837–47
A Stork was called to the presidency..., from "Scenes from the Private and Public Life of Animals", J. J. Grandville  French, Wood engraving
Multiple artists/makers
ca. 1837–47
The favorite object of his studies is the collection of Idylles by Madame Deshoulières, from "Scenes from the Private and Public Life of Animals", J. J. Grandville  French, Wood engraving
Multiple artists/makers
ca. 1837–47
The occupations of my contemplative life were very simple, from "Scenes from the Private and Public Life of Animals", J. J. Grandville  French, Wood engraving
Multiple artists/makers
ca. 1837–47
I ordinarily opened the ball with the prettiest villager, from "Scenes from the Private and Public Life of Animals", J. J. Grandville  French, Wood engraving
Multiple artists/makers
ca. 1837–47
One of those novice hunters for whom nothing is sacred, from "Scenes from the Private and Public Life of Animals", J. J. Grandville  French, Wood engraving
Multiple artists/makers
ca. 1837–47
Benjamin Franklin, Armand-Auguste Caqué  French, Gilt bronze
Armand-Auguste Caqué
1818
Baptism of the Prince Impérial, Armand-Auguste Caqué  French, Bronze, struck, French
Armand-Auguste Caqué
1856
Sleeping Baby, Hippolyte-Jules Lefebvre  French, Bronze, French
Hippolyte-Jules Lefebvre
Hohwiller Foundry
1889
Dance in a Subterranean Roundhouse at Clear Lake, California, Jules Tavernier  American, born France, Oil on canvas, American
Jules Tavernier
1878
Watch and chatelaine, Hippolyte Téterger  French, Chatelaine: partly enameled gold and platinum set with diamonds; Movement: gilded brass and steel, French, Paris
Hippolyte Téterger
Jules-Paul Brateau
ca. 1875–78
Joan of Arc, Jules Bastien-Lepage  French, Oil on canvas
Jules Bastien-Lepage
1879
Hunting Sword with Scabbard, Joseph Deutschmann  German, Steel, silver, ivory, wood, leather, German, possibly Munich
Joseph Deutschmann
ca. 1740
Model for a statue of a hero, Etienne-Hippolyte Maindron, Terracotta, French, Paris
Etienne-Hippolyte Maindron
ca. 1830–40
Armand-Auguste Caqué
1853
Multiple artists/makers
19th and 20th century
Armand-Auguste Caqué
Paris Mint
19th and 20th century
Armand-Auguste Caqué
Paris Mint
19th and 20th century
Armand-Auguste Caqué
Paris Mint
19th and 20th century
Armand-Auguste Caqué
Paris Mint
19th and 20th century
Armand-Auguste Caqué
Paris Mint
19th and 20th century
Midi de la France, Louis Hippolyte Lebas  French, Cotton, French, Jouy-en-Josas
Multiple artists/makers
ca. 1818
Graziella, Jules-Joseph Lefebvre  French, Oil on canvas
Jules-Joseph Lefebvre
1878
Portrait of Rosa Bonheur, François-August-Hippolyte Peyrol  French, Bronze, French
François-August-Hippolyte Peyrol
Alexis Rudier
1878
Clarinet in B-flat, Charles Joseph Sax  Belgian, Ivory, brass, gold-plated silver, Belgian
Charles Joseph Sax
1830
Plans, elevations, sections and details of the Alhambra : from drawings taken on the spot in 1834 by M. Jules Goury and in 1834 and 1837 by Owen Jones, with a complete translation of the Arabic inscriptions, and an historical notice of the Kings of Granada, from the conquest of that city by the Arabs to the expulsion of the Moors by Pasqual de Gayangos, Jules Goury  French, Chromolithography, engravings
Jules Goury
1842-1845
Le Pont Neuf, Hippolyte Petitjean  French, Watercolor and gouache on cream wove paper, upper edge torn from notebook
Hippolyte Petitjean
ca. 1912–14
Landscape in Mâcon, Hippolyte Petitjean  French, Watercolor and gouache on buff wove paper, darkened, window mounted
Hippolyte Petitjean
ca. 1912–14
[Windmills, Montmartre], Hippolyte Bayard  French, Salted paper print
Hippolyte Bayard
1839
Aube en Dentelle, Appartenant au Couvent de la Visitation, Hippolyte Malègue  French, Salted paper print (Blanquart-Évrard process) from paper negative
Hippolyte Malègue
Imprimerie photographique de Blanquart-Évrard, à Lille
1857
[Still Life with Statuary], Hippolyte Bayard  French, Albumen silver print from glass negative
Hippolyte Bayard
Early 1850s
Spoon, Hippolyte Thomas, Silver gilt, French, Paris
Hippolyte Thomas
mid-19th century
Male Nude, Seen from Behind, Hippolyte Flandrin  French, Oil on paper, laid down on canvas
Hippolyte Flandrin
Paul Flandrin
ca. 1829–46
[Classical Head], Hippolyte Bayard  French, Salted paper print
Hippolyte Bayard
probably 1839