Search the collection

Filter By

Object Type / Material
Geographic Location
Department
Date
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
More than 10,000 results for Jusepe de Ribera (called Lo Spagnoletto)
Sort by:
The Holy Family with Saints Anne and Catherine of Alexandria, Jusepe de Ribera (called Lo Spagnoletto)  Spanish, Oil on canvas
Jusepe de Ribera (called Lo Spagnoletto)
1648
The Tears of Saint Peter, Jusepe de Ribera (called Lo Spagnoletto)  Spanish, Oil on canvas
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1612–13
Adoration of the Shepherds, Jusepe de Ribera (called Lo Spagnoletto)  Spanish, Pen and brown ink, brush and brown wash
Jusepe de Ribera (called Lo Spagnoletto)
1645–50
Man Wearing a Large Cloak and a Small Naked Man on His Head, Jusepe de Ribera (called Lo Spagnoletto)  Spanish, Pen and brown ink with brush and brown wash (recto). Lined with a very thin sheet of paper (verso)
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1637–40
Studies of Two Ears and of a Bat. Below, the motto: FULGET SEMPER VIRTUS, Jusepe de Ribera (called Lo Spagnoletto)  Spanish, Red chalk and brush and red wash on beige paper.  Composition outlined on all borders with ruled lines in black chalk
Jusepe de Ribera (called Lo Spagnoletto)
1591–1652
Unidentified Scene: Figures Watching a Fallen Giant and Another Figure Levitating, Jusepe de Ribera (called Lo Spagnoletto)  Spanish, Pen and brown ink on off-white paper.  Sheet is set into a thin mat (with annotations on the mat)
Jusepe de Ribera (called Lo Spagnoletto)
1591–1652
The poet, standing crowned with laurel, leaning on a stone, Jusepe de Ribera (called Lo Spagnoletto)  Spanish, Etching
Jusepe de Ribera (called Lo Spagnoletto)
1620–21
A Man Leading a Blind Friar (recto); Incidental Sketches (not by the artist; verso), Jusepe de Ribera (called Lo Spagnoletto)  Spanish, Pen and brown ink, brush and brown wash, over black chalk (recto); black chalk, graphite, or leadpoint (verso)
Jusepe de Ribera (called Lo Spagnoletto)
17th century
The Martyrdom of Saint Bartholomew, Jusepe de Ribera (called Lo Spagnoletto)  Spanish, Etching and engraving
Jusepe de Ribera (called Lo Spagnoletto)
1624
A winged putto flogging a satyr tied to a tree, Jusepe de Ribera (called Lo Spagnoletto)  Spanish, Etching
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1625–50
St. Jerome seated on the ground and reading an inscribed scroll, a skull next to his right leg and a lion beyond, Jusepe de Ribera (called Lo Spagnoletto)  Spanish, Etching and engraving
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1624
Saint Jerome Hearing the Trumpet of the Last Judgment, Jusepe de Ribera (called Lo Spagnoletto)  Spanish, Etching and engraving
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1621
The Poet (copy in reverse), Jusepe de Ribera (called Lo Spagnoletto)  Spanish, Etching
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1625–80
The Penitence of Saint Peter, Jusepe de Ribera (called Lo Spagnoletto)  Spanish, Etching and engraving
Jusepe de Ribera (called Lo Spagnoletto)
1621
The Drunken Silenus holding a cup aloft into which a Satyr pours wine, Jusepe de Ribera (called Lo Spagnoletto)  Spanish, Etching and engraving
Jusepe de Ribera (called Lo Spagnoletto)
1628
Diogenes, bust-length, and turned to the right, holding a lantern, Jusepe de Ribera (called Lo Spagnoletto)  Spanish, Engraving
Jusepe de Ribera (called Lo Spagnoletto)
François Basan
1750–69
A winged putto flogging a satyr tied to a tree, Jusepe de Ribera (called Lo Spagnoletto)  Spanish, Etching
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1625–50
The Virgin, Saint John the Baptist, and Mary Magdalene weeping over Christ's dead body
, Jusepe de Ribera (called Lo Spagnoletto)  Spanish, Etching and drypoint; second state of two (Brown)
Jusepe de Ribera (called Lo Spagnoletto)
1624
The Virgin, Saint John the Baptist, and Mary Magdalen weeping over Christ's dead body
, Jusepe de Ribera (called Lo Spagnoletto)  Spanish, Etching and drypoint (counterproof)
Jusepe de Ribera (called Lo Spagnoletto)
1624
Battle Between a Centaur and a Triton with a Triton, Jusepe de Ribera (called Lo Spagnoletto)  Spanish, Etching
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1620–1640
Saint Jerome Reading, Jusepe de Ribera (called Lo Spagnoletto)  Spanish, Etching, engraving, and drypoint
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1624
The Martyrdom of Saint Bartholomew, Jusepe de Ribera (called Lo Spagnoletto)  Spanish, Etching (reverse copy)
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1625–1640
Study for a Crucifixion of St. Peter, Jusepe de Ribera (called Lo Spagnoletto)  Spanish, Pen and brown ink on off-white paper
Jusepe de Ribera (called Lo Spagnoletto)
1628–30
Head of a Satyr Facing Left, Jusepe de Ribera (called Lo Spagnoletto)  Spanish, Red chalk on brownish paper
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1625–30
Virgin and Child on Crescent Moon with Putti, Jusepe de Ribera (called Lo Spagnoletto)  Spanish, Pen and brown ink with brush and brown wash over traces of black chalk underdrawing on beige paper
Jusepe de Ribera (called Lo Spagnoletto)
1591–1652
Drunken Silenus holding a cup aloft into which a Satyr pours wine, Jusepe de Ribera (called Lo Spagnoletto)  Spanish, Etching with drypoint, engraving, and burnishing
Jusepe de Ribera (called Lo Spagnoletto)
1628
Large Grotesque Head, Jusepe de Ribera (called Lo Spagnoletto)  Spanish, Etching and engraving
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1622
Saint Jerome Hearing the Trumpet of the Last Judgment, Jusepe de Ribera (called Lo Spagnoletto)  Spanish, Etching, engraving, and drypoint; first state of two (Brown)
Jusepe de Ribera (called Lo Spagnoletto)
1621
Joseph Interpreting the Dreams of Pharoah's Chief Butler and Baker, Jusepe de Ribera (called Lo Spagnoletto)  Spanish, Etching and engraving
Multiple artists/makers
1766–67
Saint dressed in a hooded cloak, holding  book with the inscription "CHARITAS"  from a portfolio of reproductions of the Imperial Gallery of Paintings in Vienna; plate 41 of the series, Giorgio Gasparo de Prenner  Italian, Etching
Giorgio Gasparo de Prenner
Jusepe de Ribera (called Lo Spagnoletto)
1728
Jusepe de Ribera (called Lo Spagnoletto)
1650–1700
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1622
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1622
Jusepe de Ribera (called Lo Spagnoletto)
1621
Jusepe de Ribera (called Lo Spagnoletto)
1624
Jusepe de Ribera (called Lo Spagnoletto)
1622
Jusepe de Ribera (called Lo Spagnoletto)
1624
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1622
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1622
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1622