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1-42 of 31,683 results for Jusepe de Ribera (called Lo Spagnoletto)
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The Holy Family with Saints Anne and Catherine of Alexandria, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Oil on canvas
The Holy Family with Saints Anne and Catherine of Alexandria
Jusepe de Ribera (called Lo Spagnoletto)
1648
The Tears of Saint Peter, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Oil on canvas
The Tears of Saint Peter
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1612–13
The Virgin, Saint John the Baptist, and Mary Magdalene weeping over Christ's dead body , Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching and drypoint; second state of two (Brown)

The Virgin, Saint John the Baptist, and Mary Magdalene weeping over Christ's dead body

Jusepe de Ribera (called Lo Spagnoletto)
1624
The Penitence of Saint Peter, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching and engraving
The Penitence of Saint Peter
Jusepe de Ribera (called Lo Spagnoletto)
1621
The Drunken Silenus holding a cup aloft into which a Satyr pours wine, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching and engraving
The Drunken Silenus holding a cup aloft into which a Satyr pours wine
Jusepe de Ribera (called Lo Spagnoletto)
1628
The Martyrdom of Saint Bartholomew, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching (reverse copy)
The Martyrdom of Saint Bartholomew
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1625–1640
A winged putto flogging a satyr tied to a tree, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching
A winged putto flogging a satyr tied to a tree
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1625–50
The Virgin, Saint John the Baptist, and Mary Magdalen weeping over Christ's dead body , Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching and drypoint (counterproof)

The Virgin, Saint John the Baptist, and Mary Magdalen weeping over Christ's dead body

Jusepe de Ribera (called Lo Spagnoletto)
1624
Battle Between a Centaur and a Triton with a Triton, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching
Battle Between a Centaur and a Triton with a Triton
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1620–1640
Saint Jerome Reading, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching, engraving, and drypoint
Saint Jerome Reading
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1624
The Poet (copy in reverse), Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching
The Poet (copy in reverse)
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1625–80
Diogenes, bust-length, and turned to the right, holding a lantern, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Engraving
Diogenes, bust-length, and turned to the right, holding a lantern
Jusepe de Ribera (called Lo Spagnoletto)
François Basan
1750–69
Drunken Silenus holding a cup aloft into which a Satyr pours wine, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching with drypoint, engraving, and burnishing
Drunken Silenus holding a cup aloft into which a Satyr pours wine
Jusepe de Ribera (called Lo Spagnoletto)
1628
Large Grotesque Head, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching and engraving
Large Grotesque Head
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1622
Saint Jerome Hearing the Trumpet of the Last Judgment, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching, engraving, and drypoint; first state of two (Brown)
Saint Jerome Hearing the Trumpet of the Last Judgment
Jusepe de Ribera (called Lo Spagnoletto)
1621
The poet, standing crowned with laurel, leaning on a stone, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching
The poet, standing crowned with laurel, leaning on a stone
Jusepe de Ribera (called Lo Spagnoletto)
1620–21
The Martyrdom of Saint Bartholomew, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching and engraving
The Martyrdom of Saint Bartholomew
Jusepe de Ribera (called Lo Spagnoletto)
1624
Joseph Interpreting the Dreams of Pharoah's Chief Butler and Baker, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching and engraving
Joseph Interpreting the Dreams of Pharoah's Chief Butler and Baker
Multiple artists/makers
1766–67
A Man Leading a Blind Friar (recto); Incidental Sketches (not by the artist; verso), Jusepe de Ribera (called Lo Spagnoletto) Spanish, Pen and brown ink, brush and brown wash, over black chalk (recto); black chalk, graphite, or leadpoint (verso)
A Man Leading a Blind Friar (recto); Incidental Sketches (not by the artist; verso)
Jusepe de Ribera (called Lo Spagnoletto)
17th century
Studies of Two Ears and of a Bat. Below, the motto: FULGET SEMPER VIRTUS, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Red chalk and brush and red wash on beige paper. Composition outlined on all borders with ruled lines in black chalk
Studies of Two Ears and of a Bat. Below, the motto: FULGET SEMPER VIRTUS
Jusepe de Ribera (called Lo Spagnoletto)
1591–1652
A winged putto flogging a satyr tied to a tree, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching
A winged putto flogging a satyr tied to a tree
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1625–50
St. Jerome seated on the ground and reading an inscribed scroll, a skull next to his right leg and a lion beyond, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching and engraving
St. Jerome seated on the ground and reading an inscribed scroll, a skull next to his right leg and a lion beyond
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1624
Saint Jerome Hearing the Trumpet of the Last Judgment, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching and engraving
Saint Jerome Hearing the Trumpet of the Last Judgment
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1621
Head of a Satyr Facing Left, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Red chalk on brownish paper
Head of a Satyr Facing Left
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1625–30
Virgin and Child on Crescent Moon with Putti, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Pen and brown ink with brush and brown wash over traces of black chalk underdrawing on beige paper
Virgin and Child on Crescent Moon with Putti
Jusepe de Ribera (called Lo Spagnoletto)
1591–1652
Adoration of the Shepherds, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Pen and brown ink, brush and brown wash
Adoration of the Shepherds
Jusepe de Ribera (called Lo Spagnoletto)
1645–50
Man Wearing a Large Cloak and a Small Naked Man on His Head, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Pen and brown ink with brush and brown wash (recto). Lined with a very thin sheet of paper (verso)
Man Wearing a Large Cloak and a Small Naked Man on His Head
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1637–40
Study for a Crucifixion of St. Peter, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Pen and brown ink on off-white paper
Study for a Crucifixion of St. Peter
Jusepe de Ribera (called Lo Spagnoletto)
1628–30
Unidentified Scene: Figures Watching a Fallen Giant and Another Figure Levitating, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Pen and brown ink on off-white paper. Sheet is set into a thin mat (with annotations on the mat)
Unidentified Scene: Figures Watching a Fallen Giant and Another Figure Levitating
Jusepe de Ribera (called Lo Spagnoletto)
1591–1652
Saint dressed in a hooded cloak, holding book with the inscription "CHARITAS" from a portfolio of reproductions of the Imperial Gallery of Paintings in Vienna; plate 41 of the series, Giorgio Gasparo de Prenner Italian, Etching
Saint dressed in a hooded cloak, holding book with the inscription "CHARITAS" from a portfolio of reproductions of the Imperial Gallery of Paintings in Vienna; plate 41 of the series
Giorgio Gasparo de Prenner
Jusepe de Ribera (called Lo Spagnoletto)
1728
Wilton album, folio 65: study sheet with seven eyes, shown looking in different directions
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1622
Wilton album, folio 65: study sheet with six eyes, shown looking in different directions
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1622
Wilton album, folio 65: study sheet with three mouths and noses, shown from different perspectives
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1622
Wilton album, folio 65: study sheet with four mouths and noses, shown from different perspectives
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1622
Wilton album, folio 65: study sheet with five ears, shown from different perspectives
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1622
Wilton album, folio 65: study sheet with four ears, shown from different perspectives
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1622
Wilton album, folio 66: Saint Peter kneeling in a rocky landscape, looking up towards the right and clasping his hands, his keys on a rock at lower right
Jusepe de Ribera (called Lo Spagnoletto)
1621
Joseph Interpreting the Dreams of Pharoah's Chief Butler and Baker
Multiple artists/makers
1766–67
Figure of a Man Holding a Flask and a Basket of Bread
Jusepe de Ribera (called Lo Spagnoletto)
1650–1700
Wilton album, folio 63a: The Martyrdom of Saint Bartholomew
Jusepe de Ribera (called Lo Spagnoletto)
1624
Wilton album, folio 63b: Small Grotesque Head of a Man looking to the right
Jusepe de Ribera (called Lo Spagnoletto)
1622
Wilton album, folio 64a: Saint Jerome in the Wilderness Reading
Jusepe de Ribera (called Lo Spagnoletto)
1624