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1-42 of 4,167 results for Le Sueur
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The Rape of Tamar, Eustache Le Sueur French, Oil on canvas
The Rape of Tamar
Eustache Le Sueur
probably ca. 1640
The invention of the cross; three men lifting a cross from a trench; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after a drawing by Pinturicchio, Nicolas Le Sueur French, Etching and aquatint with tone woodblock
The invention of the cross; three men lifting a cross from a trench; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after a drawing by Pinturicchio
Nicolas Le Sueur
Bernardo di Betto Pinturicchio
ca. 1729–64
Saint Philip Neri, kneeling at left, with the Virgin and child appearing at upper right, Nicolas Le Sueur French, Etching and aquatint in blue-gray
Saint Philip Neri, kneeling at left, with the Virgin and child appearing at upper right
Nicolas Le Sueur
Luigi Garzi
ca. 1729
God the Father, Eustache Le Sueur French, Black and white chalk on brown paper. Framing lines in pen and brown ink.
God the Father
Eustache Le Sueur
mid-17th century
Study for Saint Gervasius, Eustache Le Sueur French, Black chalk heightened with white chalk, on gray-beige paper; framing lines in pen and brown ink
Study for Saint Gervasius
Eustache Le Sueur
ca. 1652
Design for a Medallion: Huntress Kneeling before an Armed Goddess, Eustache Le Sueur French, Black chalk; squared in black chalk; framing lines in pen and brown ink
Design for a Medallion: Huntress Kneeling before an Armed Goddess
Eustache Le Sueur
17th century
Minerva Presenting Two Portraits to Apollo, Eustache Le Sueur French, Black chalk, squared in red chalk. Contours incised for transfer; framing lines in pen and brown ink
Minerva Presenting Two Portraits to Apollo
Eustache Le Sueur
17th century
Assumption of the Virgin; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after Giuseppe Passeri, Nicolas Le Sueur French, Aquatint imitating a chiaroscuro woodcut printed in green and brown over etching
Assumption of the Virgin; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after Giuseppe Passeri
Multiple artists/makers
ca. 1729–40
A young neophyte condemned to martyr, volume 4, plate 290 from "Monuments des Arts du Dessin"
Multiple artists/makers
1829
La Vie de St. Bruno
Eustache Le Sueur
René Cousinet
[ca. 1660]
The Exposition of Moses
Multiple artists/makers
1720
The Stoning of Saint Stephen
Multiple artists/makers
1773–82
View of a Farm above St. Maur
Louis Le Sueur
1776
View of a Mill near St. Mandé
Louis Le Sueur
1760–1803
View near St. Mandé
Louis Le Sueur
1776
View near Corbeil
Louis Le Sueur
1760–1803
Figure Studies, Anonymous, French, 17th century French, Black chalk with traces of white chalk on brownish paper
Figure Studies
Anonymous, French, 17th century
Eustache Le Sueur
17th century
The Four Evangelists, Robert Nanteuil French, Engraving; third state of five (Petitjean & Wickert)
The Four Evangelists
Robert Nanteuil
Eustache Le Sueur
ca. 1653
Studies for the School of Athens, after Raphael
Paul Ponce Antoine Robert-de-Seri
Nicolas Le Sueur
ca. 1729–33
The Sacrifices of Elijah and the Prophets of Baal, after Mathurin Jousse
Paul Ponce Antoine Robert-de-Seri
Nicolas Le Sueur
ca. 1729–33
Timocleus before Alexander, after Perino del Vaga
Anne Claude Philippe de Tubières, comte de Caylus
Nicolas Le Sueur
ca. 1729–33
A shepherd holding a lion on a leash in the foreground, in the middle ground the shepherd stands in a meadow surrounded by wild beasts, in the background the shepherd is seated on a rock with the lion at his side; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after a drawing by Baldassare Peruzzi, Anne Claude Philippe de Tubières, comte de Caylus French, Etching and aquatint with tone woodblock
A shepherd holding a lion on a leash in the foreground, in the middle ground the shepherd stands in a meadow surrounded by wild beasts, in the background the shepherd is seated on a rock with the lion at his side; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after a drawing by Baldassare Peruzzi
Multiple artists/makers
ca. 1729–64
Three angels carrying Gideon's fleece; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after a drawing by Orazi, Anne Claude Philippe de Tubières, comte de Caylus French, Aquatint imitating a chiaroscuro woodcut printed in green and brown over etching
Three angels carrying Gideon's fleece; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after a drawing by Orazi
Multiple artists/makers
ca. 1729–64
Pharaoh's army engulfed by the Red Sea; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after Giovanni Francesco Penni, Anne Claude Philippe de Tubières, comte de Caylus French, Aquatint imitating a chiaroscuro woodcut printed in green and brown over etching
Pharaoh's army engulfed by the Red Sea; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after Giovanni Francesco Penni
Multiple artists/makers
ca. 1729–40
The Virgin and Child seated on a pedestal at center, to the right a monk offers a flower, and in the foreground a saint kneels before them while Saint Lawrence rests his hands on a gridiron; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after a drawing by Pietro Antonio de' Pietri, Anne Claude Philippe de Tubières, comte de Caylus French, Aquatint imitating a chiaroscuro woodcut printed in green over etching
The Virgin and Child seated on a pedestal at center, to the right a monk offers a flower, and in the foreground a saint kneels before them while Saint Lawrence rests his hands on a gridiron; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after a drawing by Pietro Antonio de' Pietri
Multiple artists/makers
ca. 1729
The Queen of Sheba Bringing Gifts to Solomon
Multiple artists/makers
1766
Flintlock Gun of Louis XIII (1601–1643), King of France, Pierre Le Bourgeois French, Steel, brass, silver, gold, wood (walnut), mother-of-pearl, French, Lisieux
Flintlock Gun of Louis XIII (1601–1643), King of France
Pierre Le Bourgeois
Marin Le Bourgeois
ca. 1620
Alexander the Great seated on a throne, ordering the release of Timoclea from her chains
Multiple artists/makers
1769
Alexander the Great resting in bed, surrounded by his doctor and armed guards
Multiple artists/makers
1769
A mass being performed in a church, a priest at left standing before the altar, followers gathered behind him, after Polidoro da Caravaggio
Multiple artists/makers
ca. 1729–1764
Alexander the Great freeing Timoclea; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat', Anne Claude Philippe de Tubières, comte de Caylus French, Etching and aquatint with tone woodblock
Alexander the Great freeing Timoclea; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat'
Multiple artists/makers
ca. 1729–40
Seasons and Elements (Air) (set of four), Charles Le Brun French, Canvas; silk, wool, and metal-thread embroidery in tent stitch (316 stitches per sq. inch, 49 stitches per sq. cm.), French, Paris
Seasons and Elements (Air) (set of four)
Multiple artists/makers
ca. 1683
The Jabach Family, Charles Le Brun French, Oil on canvas
The Jabach Family
Charles Le Brun
ca. 1660
The Repast of the Lion, Henri Rousseau (le Douanier) French, Oil on canvas
The Repast of the Lion
Henri Rousseau (le Douanier)
ca. 1907
A Procession, volume 4, plate 291 from "Monuments des Arts du Dessin"
Multiple artists/makers
1829
Seasons and Elements (Spring) (set of four), Charles Le Brun French, Canvas; silk, wool, and metal-thread embroidery in tent stitch (316 stitches per sq. inch, 49 per sq. cm.), French, Paris
Seasons and Elements (Spring) (set of four)
Multiple artists/makers
ca. 1683
Seasons and Elements (Summer) (set of four), Charles Le Brun French, Canvas; silk, wool, and metal-thread embroidery in tent stitch (316 stitches per sq. inch, 49 per sq. cm.), French, Paris
Seasons and Elements (Summer) (set of four)
Multiple artists/makers
ca. 1683
Seasons and Elements (Fire) (set of four), Charles Le Brun French, Canvas; silk, wool, and metal-thread embroidery in tent stitch (316 stitches per sq. inch, 49 per sq. cm.), French, Paris
Seasons and Elements (Fire) (set of four)
Multiple artists/makers
ca. 1683
Comtesse de la Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps, 1762–1848), Elisabeth Louise Vigée Le Brun French, Oil on canvas
Comtesse de la Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps, 1762–1848)
Elisabeth Louise Vigée Le Brun
1789
Flintlock Gun, Le Faure French, Steel, gold, wood (walnut), silver, French, Paris
Flintlock Gun
Le Faure
Mollier
ca. 1750
Explication des cent estampes qui représentent différentes nations du Levant avec de nouvelles estampes de cérémonies Turques qui ont aussi leurs explications, Le Hay French, Paper: engraved and hand colored; bound in red morocco leather, French
Explication des cent estampes qui représentent différentes nations du Levant avec de nouvelles estampes de cérémonies Turques qui ont aussi leurs explications
Le Hay
Jacques Collombat
Book: 1715; binding ca. 1755–60
[The Great Wave, Sète], Gustave Le Gray French, Albumen silver print from glass negative
[The Great Wave, Sète]
Gustave Le Gray
1857