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  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 49 results for Lola Álvarez Bravo
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El Soñador
Manuel Alvarez Bravo
1931
Los Agachados
Manuel Alvarez Bravo
1934, printed ca. 1975
Retrato póstumo
Manuel Alvarez Bravo
1935
Los Obstaculos
Manuel Alvarez Bravo
1939, printed ca. 1976
Obrero en huelga asesinado
Manuel Alvarez Bravo
1934, printed ca. 1976
Niño Orinando
Manuel Alvarez Bravo
1927
La de las Bellas Artes
Manuel Alvarez Bravo
1931, printed 1960s
La Buena Fama Durmiendo
Manuel Alvarez Bravo
1939, printed ca. 1970s
Visitación
Manuel Alvarez Bravo
1964–65, printed ca. 1965
Still from the film 'Enemigos' (1933) from the portfolio 'Homenaje a Gabriel Figueroa'
Gabriel Figueroa
1990
Interior, Cape Cod
Walker Evans
1931
[Cinema Entrance with Movie Poster ("A Farewell to Arms"), Havana]
Walker Evans
1933
Cinema
Walker Evans
1933, printed ca. 1970
Citizen in Downtown Havana
Walker Evans
1933
Scarborough, New York
Walker Evans
1931
Room in Louisiana Plantation House
Walker Evans
March 1935
[Votive Candles, New York City]
Walker Evans
1929–30
People in Downtown Havana
Walker Evans
1933
[Courtyard Colonnade Façade with Political Wallwriting, Havana]
Walker Evans
1933
Skeleton sitting on a chair and reading a newspaper, from a broaside entitled 'De este famoso hipodromo en la pista, no faltara ni un solo periodista', published by Antonio Vanegas Arroyo.
José Guadalupe Posada
ca. 1889–1895
A man holding a bottle and guitar and another man with both hands raised, from a broadside entitled 'Versos de lino matadas', published by Antonio Vanegas Arroyo
José Guadalupe Posada
ca. 1880–1910
Skeleton wearing a hat and carrying a towel
José Guadalupe Posada
ca. 1880–1910
Skeleton firing a canon, from a broadside entitled 'De este famoso hipodromo en la pista, no faltara ni un solo periodista', published by Antonio Vanegas Arroyo.
José Guadalupe Posada
ca. 1889–1895
Skeleton standing in a pulpit, from a broaside entitled 'De este famoso hipodromo en la pista, no faltara ni un solo periodista', published by Antonio Vanegas Arroyo.
José Guadalupe Posada
ca. 1889–1895
A man on a bicyle running over people, from a broadside entitled 'La Bicicleta'
José Guadalupe Posada
ca. 1880–1910
A group of men sweeping the street
José Guadalupe Posada
ca. 1880–1910
Skeleton playing the guitar, from a broadside entitled 'De este famoso hipodromo en la pista, no faltara ni un solo periodista', published by Antonio Vanegas Arroyo.
José Guadalupe Posada
ca. 1889–1895
A group of people looking at Mexico City
José Guadalupe Posada
ca. 1880–1910
Jesús Bruno Martinez escaping from jail, from a broadside entitled 'La Fuga de Jesús Bruno Martinez de la Gárcel de Belen'
José Guadalupe Posada
ca. 1880–1910
Profile of a female skeleton with a fur vest, from a broaside entitled 'La Calavera de Cupido', published by Antonio Vanegas Arroyo.
José Guadalupe Posada
ca. 1892
A male skeleton leading a female skeleton to the left, from a broaside entitled 'La Calavera de Cupido', published by Antonio Vanegas Arroyo.
José Guadalupe Posada
ca. 1892
Two elegantly dressed skeletons walking, from a broadside entitled, 'El Gran Panteon Amoroso,' published by Antonio Vanegas Arroyo.
José Guadalupe Posada
ca. 1894
Chaos during an earthquake
José Guadalupe Posada
ca. 1894
A skeleton in a torero costume turning away from a kneeling skeleton in a shawl and dress, from the broadside "El gran panteón amoroso"
José Guadalupe Posada
ca. 1894
A skeleton in farming clothes speaking to a skeleton in a dress, from a broaside entitled 'La Calavera de Cupido', published by Antonio Vanegas Arroyo.
José Guadalupe Posada
ca. 1892
A profile of a skeleton with a tophat, a coat, and glasses, from a broaside entitled 'La Calavera de Cupido', published by Antonio Vanegas Arroyo.
José Guadalupe Posada
ca. 1892
Two elegantly dressed skeletons walking, from a broadside entitled, 'El Gran Panteon Amoroso,' published by Antonio Vanegas Arroyo.
José Guadalupe Posada
ca. 1894
A skeleton with her back turned wearing a coat and hat, from a broaside entitled 'La Calavera de Cupido', published by Antonio Vanegas Arroyo.
José Guadalupe Posada
ca. 1892
License Photo Studio, New York
Walker Evans
1934
[Man Asleep on Stone Bench, Pasaje de Prado, Havana]
Walker Evans
1933