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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 36 results for Lorenzo Filippo de Rossi
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Nouve Inventioni d'Ornamenti d'Architettura E d'Intagli diversi...
Filippo Passarini
1698
Canzone a ballo
Lorenzo de' Medici
1568
De Arithmetica
Filippo Calandri
January 1, 1491
The Last Communion of Saint Jerome, the saint kneeling at left, a priest handing him bread at center and a man at right holding a glass of wine, a lion at left and angels overhead at right
Benoit Farjat
1702
Title page to "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Filippo Carrocci
ca. 1660–70
Title piece for the series 'Capricci e habiti militari'
Filippo Liagno
1610–1630 (published 1635)
Raccolta di Vasi Diversi Formati da Illutri artefici Antichi e di varie targhe soprapposte alle fabbriche piu insigni di Roma da celebri Architetti moderni...
Lorenzo Filippo de Rossi
1713
Bernini's sculpture of Saint Bibiana standing in a niche in the Church of Santa Bibiana, Rome
Gian Lorenzo Bernini
ca. 1680–91
Standing soldier wearing a long cloak, from the series 'Capricci e habiti militari'
Filippo Liagno
1610–1630 (re-published 1635?)
Soldier standing wearing a plumed hat viewed from behind, from the series 'Capricci e habiti militari'
Filippo Liagno
1610–1630 (re-published 1635?)
Standing soldier with a turban and plumes wearing a long cloak, from the series 'Capricci e habiti militari'
Filippo Liagno
1610–1630 (re-published 1635?)
Standing solider holding a lance facing left, from the series 'Capricci e habiti militari'
Filippo Liagno
1610–1630 (re-published 1635?)
Soldier holding a plumed hat walking to the left, from the series 'Capricci e habiti militari'
Filippo Liagno
1610–1630 (re-published 1635?)
Standing naked archer, viewed from behind, from the series 'Capricci e habiti militari'
Filippo Liagno
1610–1630 (re-published 1635?)
Soldier standing holding a staff and viewed from behind, from the series 'Capricci e habiti militari'
Filippo Liagno
1610–1630 (re-published 1635?)
Soldier standing wearing armor, a sword resting on his shoulder, front view, from the series 'Capricci e habiti militari'
Filippo Liagno
1610–1630 (re-published 1635?)
Standing solider wearing a feathered hat and holding a lance, from the series 'Capricci e habiti militari'
Filippo Liagno
1610–1630 (re-published 1635?)
Soldier standing holding a lance, front view, from the series 'Capricci e habiti militari'
Filippo Liagno
1610–1630 (re-published 1635?)
Standing solider holding a lance and a shield facing right, from the series 'Capricci e habiti militari'
Filippo Liagno
1610–1630 (re-published 1635?)
Standing soldier holding a lance facing right, from the series 'Capricci e habiti militari'
Filippo Liagno
1610–1630 (re-published 1635?)
King Saul seated at center watching David walk away holding his sling, set inside an architectural frame, plate 2 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Filippo Carrocci
ca. 1660–70
David slaying Goliath, plate 7A from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Filippo Carrocci
ca. 1660–70
Composition with a large vase of flowers framed by two male nudes at left, to the right two putti wrestle over a hare as a third watches, all framed by grotesque friezes and architectural elements, plate 4 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Filippo Carrocci
ca. 1660–70
Composition with a putto seated next to a basket filled with fruit and a peacock perched on top, to the right a large vase of flowers framed by two male nudes; all framed by grotesque friezes and architectural elements, plate 3 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Filippo Carrocci
ca. 1660–70
Composition with two putti playing with a small bird on a string, to the right a large vase of flowers framed by two male nudes; all framed by grotesque friezes and architectural elements, plate 6 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Filippo Carrocci
ca. 1660–70
Triumphal procession with three men at center carrying Goliath's severed head on a spike, David follows behind, scene set inside an architectural frame, plate 5 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Filippo Carrocci
ca. 1660–70
Composition with a large vase of flowers framed by two male nudes at left, to the right two putti play with a hare, all framed by grotesque friezes and architectural elements, plate 1 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Filippo Carrocci
ca. 1660–70
David holding open the mouth of a lion who is attempting to devour a lamb from his flock, plate 7B from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Filippo Carrocci
ca. 1660–70
Isolated View of Bernini's Baldacchino. Plate 39 from the Album 'Basilica di S. Pietro in Vaticano'
Gian Lorenzo Bernini
1653–91
Epistole Vulgare
Saint Jerome
October 12, 1497
Palazzo Pontificio (Palazzo Quirinale)
Pietro Ferrerio
1655
Palazzo Barberini (floor plan)
Pietro Ferrerio
1655
Palazzo Barberini
Pietro Ferrerio
1655
Carlo Magno Festa Teatrale in Occasione della Nascita del Delfino
Giovanni Batista Costanzi
1729
Palazzi di Roma de Piu Celebri Architetti Disegnati da Pietro Ferrerio Pittore e Architetto
Pietro Ferrerio
1655
Disegni di vari altari e cappelle nelle chiese di Roma...
Giovanni Giacomo De Rossi
after 1691