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Venus and Cupid, Lorenzo Lotto Italian, Oil on canvas
Venus and Cupid
Lorenzo Lotto
1520s
Brother Gregorio Belo of Vicenza, Lorenzo Lotto Italian, Oil on canvas
Brother Gregorio Belo of Vicenza
Lorenzo Lotto
1547
Raising of Lazarus, Lorenzo Lotto (?) Italian, Pen and brown ink, over black chalk
Raising of Lazarus
Attributed to Lorenzo Lotto
1480–1556
Head of a Bearded Man, Lorenzo Lotto Italian, Black chalk
Head of a Bearded Man
Lorenzo Lotto
1516–17
Andrea Odoni, Cornelis Visscher Dutch, Etching and engraving
Andrea Odoni
Engraver Cornelis Visscher
After Lorenzo Lotto
Sitter Andrea Odoni
1649–58
The Virgin and child with the infant Saint John the Baptist, with the Christ child lying on her lap and turning to kiss the Baptist, Franz Hanfstängl German, Lithograph
The Virgin and child with the infant Saint John the Baptist, with the Christ child lying on her lap and turning to kiss the Baptist
Multiple artists/makers
1836
Andrea Odoni
Engraver Cornelis Visscher
After Lorenzo Lotto
Sitter Andrea Odoni
1649–58
'Lotto' Carpet, Wool (warp, weft and pile); symmetrically knotted pile
'Lotto' Carpet
16th century
Old Italian Masters, II, Engraved by Timothy Cole, Japan Proofs
Multiple artists/makers
1892
"Lotto" Carpet, Wool (warp, weft, and pile); symmetrically knotted pile
"Lotto" Carpet
ca. 1600
Portrait of a Man, Moretto da Brescia (Alessandro Bonvicino) Italian, Oil on canvas
Portrait of a Man
Moretto da Brescia (Alessandro Bonvicino)
ca. 1520–25
Portrait of a Man in a Fur-Trimmed Coat, Italian (Lombard) Painter Italian, Oil on canvas
Portrait of a Man in a Fur-Trimmed Coat
Italian (Lombard) Painter
"Ornamental Lotto" Carpet, Wool (warp, weft and pile); symmetrically knotted pile
"Ornamental Lotto" Carpet
early 17th century
'Lotto' Carpet Fragment, Wool (warp, weft, and pile); symmetrically knotted pile
'Lotto' Carpet Fragment
probably late 15th–early 16th century
Lotto Carpet, Wool (warp, weft and pile); symmetrically knotted pile
Lotto Carpet
17th century
Two Saints in Adoration, Ventura Salimbeni Italian, Pen and brown ink, brush and brown wash over traces of leadpoint
Two Saints in Adoration
Ventura Salimbeni
n.d.
The Martyrdom of Saint Christopher, "Secondo Quadro", Giovanni David Italian, Etching; second state
The Martyrdom of Saint Christopher, "Secondo Quadro"
Giovanni David
After school of Andrea Mantegna
1776
Christ healing the Lepers, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in brown (state i/ii)
Christ healing the Lepers
Niccolò Vicentino
After Parmigianino (Girolamo Francesco Maria Mazzola)
1540–50
The Baptism of Christ, Sebastiano Ricci Italian, Oil on canvas
The Baptism of Christ
Sebastiano Ricci
ca. 1713–14
Christ Carrying the Cross, with the Crucifixion; The Resurrection, with the Pilgrims of Emmaus, Gerard David Netherlandish, Oil on oak panel
Christ Carrying the Cross, with the Crucifixion; The Resurrection, with the Pilgrims of Emmaus
Gerard David
ca. 1510
Saint John the Baptist Bearing Witness, Francesco Granacci Italian, Oil and gold on wood
Saint John the Baptist Bearing Witness
Workshop of Francesco Granacci
ca. 1506–7
The Gathering of Manna, Aurelio Lomi Italian, Oil on canvas
The Gathering of Manna
Aurelio Lomi
Scene of a Baptism of a Woman by a Bishop with Onlookers, Ercole Procaccini The Younger Italian, Pen and brown ink, brush and brown wash (small accidental stains of white gouache on lower left), over red chalk, on light brown paper; surface of paper rubbed extensively with black charcoal or chalk dust; framing lines in the shape of a lunette in pen and dark brown ink by the artist
Scene of a Baptism of a Woman by a Bishop with Onlookers
Ercole Procaccini The Younger
17th century
St. Andrew, from "Les Grands Apôtres Debout, Représentant Le Sauveur, La Bienheureuse Marie et Les Saints Apôtres" (The Large Standing Apostles, Representing The Savior, The Blessed Mary and The Apostles), Jacques Callot French, Etching; second state of three (Lieure)
St. Andrew, from "Les Grands Apôtres Debout, Représentant Le Sauveur, La Bienheureuse Marie et Les Saints Apôtres" (The Large Standing Apostles, Representing The Savior, The Blessed Mary and The Apostles)
Jacques Callot
Israël Henriet
1631
Christ and the Canaanite Woman, Giovan Gioseffo dal Sole Italian, Brown and cream oil paint, on a sheet imprinted with a Latin text
Christ and the Canaanite Woman
Giovan Gioseffo dal Sole
1654–1719
Scenes from the Life of Saint John the Baptist, Francesco Granacci (Francesco di Andrea di Marco) Italian, Tempera, oil, and gold on wood
Scenes from the Life of Saint John the Baptist
Francesco Granacci (Francesco di Andrea di Marco)
ca. 1506–7
St. Bartholomew, from "Les Grands Apôtres Debout, Représentant Le Sauveur, La Bienheureuse Marie et Les Saints Apôtres" (The Large Standing Apostles, Representing The Savior, The Blessed Mary and The Apostles), Jacques Callot French, Etching; second state of three (Lieure)
St. Bartholomew, from "Les Grands Apôtres Debout, Représentant Le Sauveur, La Bienheureuse Marie et Les Saints Apôtres" (The Large Standing Apostles, Representing The Savior, The Blessed Mary and The Apostles)
Jacques Callot
Israël Henriet
1631
The Martyrdom of Saint Anastasia, Michelangelo Cerruti ("Il Candelottaro") Italian, Pen and brown ink, brush and pale brown wash, highlighted with white gouache, over black chalk
The Martyrdom of Saint Anastasia
Michelangelo Cerruti ("Il Candelottaro")
1721
The Marriage of the Virgin (Lunette), Giorgio Picchi, the Younger Italian, Pen and brown ink, brush and brown wash over black chalk on light brown paper
The Marriage of the Virgin (Lunette)
Giorgio Picchi, the Younger
1580–1600
Saint Benedict Receiving a Warrior (recto); Sketch of Crowded Narrative Scene (verso), Ercole Procaccini The Younger Italian, Pen and brown ink, brush with blue-green wash over charcoal? on light tan paper (recto). Framing outline in brown ink along bottom edge. Charcoal? (verso)
Saint Benedict Receiving a Warrior (recto); Sketch of Crowded Narrative Scene (verso)
Ercole Procaccini The Younger
17th century
The Adoration of the Magi, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in brown
The Adoration of the Magi
Attributed to Niccolò Vicentino
After Parmigianino (Girolamo Francesco Maria Mazzola)
1540–50
Christ and the Children, Georg Pencz German, Engraving
Christ and the Children
Georg Pencz
Domine, Quo Vadis, Jacopo Vignali Italian, Black chalk, highlighted with white, on brown paper; cropped to the shape of a lunette
Domine, Quo Vadis
Jacopo Vignali
1592–1664
Scenes from the Story of the Argonauts, Jacopo di Arcangelo (called Jacopo del Sellaio) Italian, Tempera on wood, gilt ornaments
Scenes from the Story of the Argonauts
Jacopo di Arcangelo (called Jacopo del Sellaio)
ca. 1465
Christ and the adulteress, Carlo Raimondi Italian, Engraving
Christ and the adulteress
Carlo Raimondi
1830–83
The Adoration of the Magi, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in green-brown
The Adoration of the Magi
?Attributed to Niccolò Vicentino
After Parmigianino (Girolamo Francesco Maria Mazzola)
1540–50
Christ healing the Lepers, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in brown; second state of two
Christ healing the Lepers
Niccolò Vicentino
After Parmigianino (Girolamo Francesco Maria Mazzola)
Publisher Andrea Andreani
1540–50 (published by Andreani 1608)
The Delivery of the Keys to Saint Peter, Jan Boeckhorst Flemish, Brush and brown ink and wash, heightened with white
The Delivery of the Keys to Saint Peter
Jan Boeckhorst
ca. 1660
Doge Alvise Mocenigo (1507–1577) Presented to the Redeemer, Jacopo Tintoretto (Jacopo Robusti) Italian, Oil on canvas
Doge Alvise Mocenigo (1507–1577) Presented to the Redeemer
Jacopo Tintoretto (Jacopo Robusti)
probably 1577
The Martyrdom of Saint Christina, whose hair is pulled by a bearded torturer, Domenico Maria Bonavera Italian, Etching
The Martyrdom of Saint Christina, whose hair is pulled by a bearded torturer
Domenico Maria Bonavera
After Domenico Maria Canuti
1673–1731
Christ Carrying the Cross, Caspar Fraisinger German, Pen and brown ink, brush and red wash; framing lines in pen and brown ink, possibly by the artist; framing lines in gold
Christ Carrying the Cross
Caspar Fraisinger
1590
A Renaissance Portico with Elegant Figures, Hendrick van Steenwijck II Flemish, Oil on copper
A Renaissance Portico with Elegant Figures
Hendrick van Steenwijck II
ca. 1615

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