Search the collection

Filter By

Object Type / Material
Geographic Location
Department
Date
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
More than 10,000 results for Louis de Bourbon duc d'Anguien
Sort by:
Plate 2: a peasant woman removing her shoes in center, another peasant woman and two cows in a stream to left, a bridge to right in the background, from 'Various landscapes' (Divers paysages), Stefano della Bella  Italian, Etching; second state of two
Multiple artists/makers
ca. 1641
Plate 8: A the bow of a galley at left and another galley at right, seen from behind, two rowboats in center, a hill with a fortress in the background, from 'Various landscapes' (Divers paysages), Stefano della Bella  Italian, Etching; second state of two
Multiple artists/makers
ca. 1641
Plate 9: two horsemen at left galloping uphill towards the right, a horse and seated man to right, from 'Various landscapes' (Divers paysages), Stefano della Bella  Italian, Etching; second state of two
Multiple artists/makers
ca. 1641
Plate 1: a monument with statues and a coat of arms in the center, a draughstman on the ground beneath a tree to right, two groups of lovers to left in the background, from 'Various landscapes' (Divers paysages), Stefano della Bella  Italian, Etching; second state of two
Multiple artists/makers
ca. 1643
Plate 4: two pilgrims observing ruins to right, one pointing towards the right, a shepherd and a herd of cattle in center background, from 'Various landscapes' (Divers paysages), Stefano della Bella  Italian, Etching; second state of two
Multiple artists/makers
ca. 1641
Plate 5: two horsemen in a stream to right, riding towards the left, following four dogs chasing a stag, another dog running into the water from the left, from 'Various landscapes' (Divers paysages), Stefano della Bella  Italian, Etching; second state of two
Multiple artists/makers
ca. 1641
Plate 6: a fisherman carrying a net to left, two horsemen in a stream to right, a tree in center, a castle in ruins to right in the background, from 'Various landscapes' (Divers paysages), Stefano della Bella  Italian, Etching; second state of two
Multiple artists/makers
ca. 1641
Plate 3: two horsemen crossing a river to right, a woman with two baskets atop a donkey to left, trees to the left and right, a bridge in the background, from 'Various landscapes' (Divers paysages), Stefano della Bella  Italian, Etching; second state of two
Multiple artists/makers
ca. 1641
Plate 7: various boats on shore to left, a man carrying a bag, seen from behind and walking towards the background, a fortress in center background, a tree to the right, from 'Various landscapes' (Divers paysages), Stefano della Bella  Italian, Etching; second state of two
Multiple artists/makers
ca. 1641
Plate 10: a family in center foreground, various figures and horses in middleground, a windmill in center background, from 'Various landscapes' (Divers paysages), Stefano della Bella  Italian, Etching; second state of two
Multiple artists/makers
ca. 1641
Plate 11: shepherdess seated to the right under a tree, watching her flock to the left, mountains to right in the background, from 'Various landscapes' (Divers paysages), Stefano della Bella  Italian, Etching; second state of two
Multiple artists/makers
ca. 1641
Plate 12: a seated draughtsman to left, a standing shepherd next to him to right, ruins and animals to the right, a tower in ruins to left in the background, from 'Various landscapes' (Divers paysages), Stefano della Bella  Italian, Etching; second state of two
Multiple artists/makers
ca. 1641
Wall clock-barometer (baromètre et thermomètre en cartel), Lange de Bourbon  French, Gilt-bronze, tortoiseshell, steel, oak, French, Paris
Lange de Bourbon
Antoine-Nicolas Martinière
ca. 1770
Wall barometer-thermometer, Lange de Bourbon  French, Oak veneered with rosewood, gilt-bronze mounts, French
Lange de Bourbon
ca. 1760
Méthode de nomenclature chimique ; on y a joint un nouveau systême de caractères chimiques, adaptés à cette nomenclature, Louis-Bernard Guyton de Morveau  French
Multiple artists/makers
1787
The Virgin Annunciate, Jean Guillaumet  French, White limestone with traces of polychromy, French, Bourbon
Jean Guillaumet
Jean Hey (called Master of Moulins)
ca. 1500
Bowl, Cristalleries de Saint-Louis, Lacy pressed glass
Cristalleries de Saint-Louis
1835–50
La Crainte des Traits de l'Amour, Jean-Louis Lemoyne, Marble, French, Paris
Jean-Louis Lemoyne
1739–40
Lamp, Louis C. Tiffany  American, Leaded Favrile glass and bronze, American
Louis C. Tiffany
Tiffany Studios
1904–15
Vase, Louis C. Tiffany  American, Favrile glass, American
Louis C. Tiffany
Tiffany Glass and Decorating Company
1893–96
Hair Ornament, Louis C. Tiffany  American, Gold, silver, platinum, black opals, boulder opals, demantoid garnets, rubies, enamel., American
Louis C. Tiffany
ca. 1904
Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836), Jacques Louis David  French, Oil on canvas
Jacques Louis David
1788
[Duc de Morny Album], Pierre-Louis Pierson , et al French, Albumen silver prints from glass negatives with applied color
Multiple artists/makers
before 1865
[Duchesse d'Albe, Unknown Sitter, Duchesse de Morny, and Duc de Morny], Pierre-Louis Pierson , et al French, Albumen silver prints from glass negatives with applied color
Multiple artists/makers
before 1865
Voyage en Orient et en Espagne Vols 3 & 4, Louis de Clercq  French, Albumen silver prints from paper negatives
Multiple artists/makers
1860 or later
Madame la Comtesse de Boufflers and Thérèse, Louis de Carmontelle  French, Pencil, black and red chalk, watercolor with white chalk highlights
Louis de Carmontelle
mid-1760s
Madame la Marquise de Coëtlogon, Louis de Carmontelle  French, Pencil(?), black and red chalk, watercolor with white chalk highlights
Louis de Carmontelle
ca. 1777
Jérusalem. Tour de David avec ses grandes assises salomoniennes, Louis de Clercq  French, Albumen silver print from paper negative
Multiple artists/makers
1860 or later
Jérusalem. Église Ste Anne appartenant à la France, Louis de Clercq  French, Albumen silver print from paper negative
Multiple artists/makers
1860 or later
Jérusalem. Hospice autrichien et ancienne Église St Jean, Louis de Clercq  French, Albumen silver print from paper negative
Multiple artists/makers
1860 or later
Jérusalem. Tour Antonia et Environs, Louis de Clercq  French, Albumen silver print from paper negative
Multiple artists/makers
1860 or later
Jérusalem. Massif de la Tour Antonia, Louis de Clercq  French, Albumen silver print from paper negative
Multiple artists/makers
1860 or later
Jérusalem. (Environs) Tombeau de la vierge, Louis de Clercq  French, Albumen silver print from paper negative
Multiple artists/makers
1860 or later
Jérusalem. (Environs) Tombeau d'Absalon, Louis de Clercq  French, Albumen silver print from paper negative
Multiple artists/makers
1860 or later
Jérusalem. Tombeaux de St Jacques et de Zacharie, Louis de Clercq  French, Albumen silver print from paper negative
Multiple artists/makers
1860 or later
Jérusalem. (Environs) St Jean du Désert, Louis de Clercq  French, Albumen silver print from paper negative
Multiple artists/makers
1860 or later
Entrée d'une caserne turque. C'est a cette porte que les pèlerins font les prières de la 1e Station. N'ayant pas la permission d'entrer dans la caserne, Louis de Clercq  French, Albumen silver print from paper negative
Multiple artists/makers
1860 or later
Ie Station. Jésus est condamné à mort. Une cour intérieure de la caserne turque où la tradition place l'endroit du prêtoire où Jésus fut jugé, Louis de Clercq  French, Albumen silver print from paper negative
Multiple artists/makers
1860 or later
IIe Station. Jésus est chargé de sa croix. Cette Station est placée au bas de la scala santa qui a été entièrement transportée à Rome, il n'en reste que les première assises, Louis de Clercq  French, Albumen silver print from paper negative
Multiple artists/makers
1860 or later
IIIe Station. Jésus tombe pour la première fois. Une colonne brisée et entendue a terre indique la place de cette station au lieu où la voie douloureuse tourne brusquement a gauche, Louis de Clercq  French, Albumen silver print from paper negative
Multiple artists/makers
1860 or later