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More than 10,000 results for Louis de Bourbon duc d'Anguien

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Plate 4: two pilgrims observing ruins to right, one pointing towards the right, a shepherd and a herd of cattle in center background, from 'Various landscapes' (Divers paysages), Stefano della Bella Italian, Etching; second state of two — Plate 4: two pilgrims observing ruins to right, one pointing towards the right, a shepherd and a herd of cattle in center background, from 'Various landscapes' (Divers paysages)
Multiple artists/makers
ca. 1641

Plate 5: two horsemen in a stream to right, riding towards the left, following four dogs chasing a stag, another dog running into the water from the left, from 'Various landscapes' (Divers paysages), Stefano della Bella Italian, Etching; second state of two — Plate 5: two horsemen in a stream to right, riding towards the left, following four dogs chasing a stag, another dog running into the water from the left, from 'Various landscapes' (Divers paysages)
Multiple artists/makers
ca. 1641

Plate 6: a fisherman carrying a net to left, two horsemen in a stream to right, a tree in center, a castle in ruins to right in the background, from 'Various landscapes' (Divers paysages), Stefano della Bella Italian, Etching; second state of two — Plate 6: a fisherman carrying a net to left, two horsemen in a stream to right, a tree in center, a castle in ruins to right in the background, from 'Various landscapes' (Divers paysages)
Multiple artists/makers
ca. 1641

Plate 3: two horsemen crossing a river to right, a woman with two baskets atop a donkey to left, trees to the left and right, a bridge in the background, from 'Various landscapes' (Divers paysages), Stefano della Bella Italian, Etching; second state of two — Plate 3: two horsemen crossing a river to right, a woman with two baskets atop a donkey to left, trees to the left and right, a bridge in the background, from 'Various landscapes' (Divers paysages)
Multiple artists/makers
ca. 1641

Plate 7: various boats on shore to left, a man carrying a bag, seen from behind and walking towards the background, a fortress in center background, a tree to the right, from 'Various landscapes' (Divers paysages), Stefano della Bella Italian, Etching; second state of two — Plate 7: various boats on shore to left, a man carrying a bag, seen from behind and walking towards the background, a fortress in center background, a tree to the right, from 'Various landscapes' (Divers paysages)
Multiple artists/makers
ca. 1641

Plate 8: A the bow of a galley at left and another galley at right, seen from behind, two rowboats in center, a hill with a fortress in the background, from 'Various landscapes' (Divers paysages), Stefano della Bella Italian, Etching; second state of two — Plate 8: A the bow of a galley at left and another galley at right, seen from behind, two rowboats in center, a hill with a fortress in the background, from 'Various landscapes' (Divers paysages)
Multiple artists/makers
ca. 1641

Plate 9: two horsemen at left galloping uphill towards the right, a horse and seated man to right, from 'Various landscapes' (Divers paysages), Stefano della Bella Italian, Etching; second state of two — Plate 9: two horsemen at left galloping uphill towards the right, a horse and seated man to right, from 'Various landscapes' (Divers paysages)
Multiple artists/makers
ca. 1641

Plate 10: a family in center foreground, various figures and horses in middleground, a windmill in center background, from 'Various landscapes' (Divers paysages), Stefano della Bella Italian, Etching; second state of two — Plate 10: a family in center foreground, various figures and horses in middleground, a windmill in center background, from 'Various landscapes' (Divers paysages)
Multiple artists/makers
ca. 1641

Plate 11: shepherdess seated to the right under a tree, watching her flock to the left, mountains to right in the background, from 'Various landscapes' (Divers paysages), Stefano della Bella Italian, Etching; second state of two — Plate 11: shepherdess seated to the right under a tree, watching her flock to the left, mountains to right in the background, from 'Various landscapes' (Divers paysages)
Multiple artists/makers
ca. 1641

Plate 12: a seated draughtsman to left, a standing shepherd next to him to right, ruins and animals to the right, a tower in ruins to left in the background, from 'Various landscapes' (Divers paysages), Stefano della Bella Italian, Etching; second state of two — Plate 12: a seated draughtsman to left, a standing shepherd next to him to right, ruins and animals to the right, a tower in ruins to left in the background, from 'Various landscapes' (Divers paysages)
Multiple artists/makers
ca. 1641

Plate 1: a monument with statues and a coat of arms in the center, a draughstman on the ground beneath a tree to right, two groups of lovers to left in the background, from 'Various landscapes' (Divers paysages), Stefano della Bella Italian, Etching; second state of two — Plate 1: a monument with statues and a coat of arms in the center, a draughstman on the ground beneath a tree to right, two groups of lovers to left in the background, from 'Various landscapes' (Divers paysages)
Multiple artists/makers
ca. 1643

Plate 2: a peasant woman removing her shoes in center, another peasant woman and two cows in a stream to left, a bridge to right in the background, from 'Various landscapes' (Divers paysages), Stefano della Bella Italian, Etching; second state of two — Plate 2: a peasant woman removing her shoes in center, another peasant woman and two cows in a stream to left, a bridge to right in the background, from 'Various landscapes' (Divers paysages)
Multiple artists/makers
ca. 1641

Wall clock-barometer (baromètre et thermomètre en cartel), Lange de Bourbon French, Gilt-bronze, tortoiseshell, steel, oak, French, Paris — Wall clock-barometer (baromètre et thermomètre en cartel)
Lange de Bourbon
Antoine-Nicolas Martinière
ca. 1770

Wall barometer-thermometer, Lange de Bourbon French, Oak veneered with rosewood, gilt-bronze mounts, French — Wall barometer-thermometer
Lange de Bourbon
ca. 1760

Méthode de nomenclature chimique ; on y a joint un nouveau systême de caractères chimiques, adaptés à cette nomenclature, Louis-Bernard Guyton de Morveau French — Méthode de nomenclature chimique ; on y a joint un nouveau systême de caractères chimiques, adaptés à cette nomenclature
Multiple artists/makers
1787

The Virgin Annunciate, Jean Guillaumet French, White limestone with traces of polychromy, French, Bourbon — The Virgin Annunciate
Jean Guillaumet
Jean Hey (called Master of Moulins)
ca. 1500

Bowl, Cristalleries de Saint-Louis, Lacy pressed glass — Bowl
Cristalleries de Saint-Louis
1835–50

Vase, Louis C. Tiffany American, Favrile glass, American — Vase
Louis C. Tiffany
Tiffany Glass and Decorating Company
1893–96

Lamp, Louis C. Tiffany American, Leaded Favrile glass and bronze, American — Lamp
Louis C. Tiffany
Tiffany Studios
1904–15

Hair Ornament, Louis C. Tiffany American, Gold, silver, platinum, black opals, boulder opals, demantoid garnets, rubies, enamel., American — Hair Ornament
Louis C. Tiffany
ca. 1904

La Crainte des Traits de l'Amour, Jean-Louis Lemoyne, Marble, French, Paris — La Crainte des Traits de l'Amour
Jean-Louis Lemoyne
1739–40

Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836), Jacques Louis David French, Oil on canvas — Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836)
Jacques Louis David
1788

[Duc de Morny Album], Pierre-Louis Pierson , et al French, Albumen silver prints from glass negatives with applied color — [Duc de Morny Album]
Multiple artists/makers
before 1865

[Duchesse d'Albe, Unknown Sitter, Duchesse de Morny, and Duc de Morny], Pierre-Louis Pierson , et al French, Albumen silver prints from glass negatives with applied color — [Duchesse d'Albe, Unknown Sitter, Duchesse de Morny, and Duc de Morny]
Multiple artists/makers
before 1865

Voyage en Orient et en Espagne Vols 3 & 4, Louis de Clercq French, Albumen silver prints from paper negatives — Voyage en Orient et en Espagne Vols 3 & 4
Multiple artists/makers
1860 or later

Madame la Comtesse de Boufflers and Thérèse, Louis de Carmontelle French, Pencil, black and red chalk, watercolor with white chalk highlights — Madame la Comtesse de Boufflers and Thérèse
Louis de Carmontelle
mid-1760s

Madame la Marquise de Coëtlogon, Louis de Carmontelle French, Pencil(?), black and red chalk, watercolor with white chalk highlights — Madame la Marquise de Coëtlogon
Louis de Carmontelle
ca. 1777

Jérusalem. État actuel du dôme, du St. Sépulcre et Minaret d'Omar, Louis de Clercq French, Albumen silver print from paper negative — Jérusalem. État actuel du dôme, du St. Sépulcre et Minaret d'Omar
Multiple artists/makers
1860 or later

Jérusalem. Entrée de l'Église du St. Sépulcre, Louis de Clercq French, Albumen silver print from paper negative — Jérusalem. Entrée de l'Église du St. Sépulcre
Multiple artists/makers
1860 or later

Jérusalem. Intérieur de l'Église Ste Anne., Louis de Clercq French, Albumen silver print from paper negative — Jérusalem. Intérieur de l'Église Ste Anne.
Multiple artists/makers
1860 or later

Jérusalem. Hospice autrichien et ancienne Église St Jean, Louis de Clercq French, Albumen silver print from paper negative — Jérusalem. Hospice autrichien et ancienne Église St Jean
Multiple artists/makers
1860 or later

Jérusalem. Tour Antonia et Environs, Louis de Clercq French, Albumen silver print from paper negative — Jérusalem. Tour Antonia et Environs
Multiple artists/makers
1860 or later

Jérusalem. Tombeaux de St Jacques et de Zacharie, Louis de Clercq French, Albumen silver print from paper negative — Jérusalem. Tombeaux de St Jacques et de Zacharie
Multiple artists/makers
1860 or later

Jérusalem. (Environs) St Jean du Désert, Louis de Clercq French, Albumen silver print from paper negative — Jérusalem. (Environs) St Jean du Désert
Multiple artists/makers
1860 or later

Arcade de l'Ecce Homo. Ponce Pilate présente Jésus au Peuple, Louis de Clercq French, Albumen silver print from paper negative — Arcade de l'Ecce Homo. Ponce Pilate présente Jésus au Peuple
Multiple artists/makers
1860 or later

Entrée d'une caserne turque. C'est a cette porte que les pèlerins font les prières de la 1e Station. N'ayant pas la permission d'entrer dans la caserne, Louis de Clercq French, Albumen silver print from paper negative — Entrée d'une caserne turque. C'est a cette porte que les pèlerins font les prières de la 1e Station. N'ayant pas la permission d'entrer dans la caserne
Multiple artists/makers
1860 or later

VIIe Station. Jésus tombe pour la seconde fois. Ancienne porte judiciaire, il s'y trouvait une colonne ou l'on exposait les condamnés; Elle éxiste encore cachée dans l'intérieur de la maison a gauche, Louis de Clercq French, Albumen silver print from paper negative — VIIe Station. Jésus tombe pour la seconde fois. Ancienne porte judiciaire, il s'y trouvait une colonne ou l'on exposait les condamnés; Elle éxiste encore cachée dans l'intérieur de la maison a gauche
Multiple artists/makers
1860 or later

VIIIe Station. Jésus console les filles de Jérusalem. Ici encore une simple marque faite sur le fut d'une colonne encastrée dans le mur indique la station., Louis de Clercq French, Albumen silver print from paper negative — VIIIe Station. Jésus console les filles de Jérusalem. Ici encore une simple marque faite sur le fut d'une colonne encastrée dans le mur indique la station.
Multiple artists/makers
1860 or later

IXe Station. Jésus tombe pour la troisième fois. Le fut de colonne qui se trouve au pied du mur indique cette station., Louis de Clercq French, Albumen silver print from paper negative — IXe Station. Jésus tombe pour la troisième fois. Le fut de colonne qui se trouve au pied du mur indique cette station.
Multiple artists/makers
1860 or later

XIe Station. Jésus est cloué sur la croix. Cette station se trouve placée au pied même de l'autel., Louis de Clercq French, Albumen silver print from paper negative — XIe Station. Jésus est cloué sur la croix. Cette station se trouve placée au pied même de l'autel.
Multiple artists/makers
1860 or later