La Crainte des Traits de l'Amour
This vision of young love seems distilled for all time even as it shows the stylistic hallmarks of the age in which it was created. The nymph's delicately off-balance pose—exceedingly fetching when viewed from the corners—is a fine piece of Rococo invention. The carving technique, in which the marble seems touched with flickering light, echoes the painting style of the era. The group was commissioned by the duc d'Antin, surintendant des bâtiments du roi, for Louis XV in 1734 or 1735 and was stored temporarily in the Louvre upon its completion. In 1762 the king gave it to the marquis de Marigny, brother of Madame de Pompadour and minister of the arts, who place it outdoors at his château, Ménars, where it remained until the late nineteenth century.
Artwork Details
- Title: La Crainte des Traits de l'Amour
- Artist: Jean-Louis Lemoyne (French, 1665–1755)
- Date: 1739–40
- Culture: French, Paris
- Medium: Marble
- Dimensions: Overall (confirmed): H. 71 3/4 x W. 26 1/4 x D. 36 7/8 in. (182.2 x 66.7 x 93.7 cm)
- Classification: Sculpture
- Credit Line: Purchase, Josephine Bay Paul and C. Michael Paul Foundation Inc. Gift and Charles Ulrick and Josephine Bay Foundation Inc. Gift, 1967
- Object Number: 67.197
- Curatorial Department: European Sculpture and Decorative Arts
Audio
2169. La Crainte des Traits de l'Amour
Ian Wardropper: This playful sculpture shows a nymph about to be struck by one of Cupid's darts. Cupid takes aim, though he has lost the arrow he once held. The nymph shies away, but at the same time seems to indicate with her fingers exactly where the arrow should strike. This erotic and ambiguous image of young love is typical of the playful French Rococo style.
The sculpture was made by Jean-Louis Lemoyne and was originally intended for Louis XV. But the king instead presented it to the Marquis de Marigny. He was the brother of the King's mistress, the famous Madame de Pompadour. The Marquis installed it in the magnificent gardens of his château at Ménars. Animated pieces such as this were favorites in the elaborate, planned gardens that became popular in the eighteenth century.
Please take a few moments to walk around this piece. The nymph's drapery is carved to form small, crinkled folds. Notice the way light seems to catch these crisp peaks and to flicker and dance over the marble's surface. This amusing play of light emphasizes the light-hearted—even frivolous—character of the sculpture itself.
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