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Showing 3,447 results for Lucius Annaeus Seneca

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De quattuor virtutibus Cadinalibus

Lucius Annaeus Seneca

Snellaert

April 1497

Seneca's morals, by way of abstract. To which is added a discourse, under the title of an after thought by Sir Roger L'Estrange, Knt.

Multiple artists/makers

1806

Seneca at the bath, standing in a niche with his feet in a basin, Cornelis Galle I Netherlandish, Engraving; third state of three (Hollstein) — Seneca at the bath, standing in a niche with his feet in a basin
Multiple artists/makers
ca. 1615

The bust of Seneca, in a niche, Lucas Vorsterman I Flemish, Etching and engraving; second state of two — The bust of Seneca, in a niche
Multiple artists/makers
ca. 1620

The bust of Seneca, in a niche, Lucas Vorsterman I Flemish, Etching and engraving; second state of two — The bust of Seneca, in a niche
Multiple artists/makers
ca. 1620

The bust of Seneca, in a stonework niche, Cornelis Galle I Netherlandish, Engraving — The bust of Seneca, in a stonework niche
Multiple artists/makers
ca. 1615

Pair of Moccasins, Native-tanned skin, porcupine quill, Seneca — Pair of Moccasins
Seneca
ca. 1808

Mother-and-Child Doll, Corn husk, cotton, wool, Native-tanned skin, glass, silk, Seneca — Mother-and-Child Doll
Seneca
1870–80

Pair of Moccasins, Native-tanned skin, quill, silk, glass, Seneca — Pair of Moccasins
Seneca
ca. 1830

Comb, Moose antler, Seneca or Susquehannock, Native American — Comb
Seneca or Susquehannock, Native American
ca. 1680

The Passing Storm

Seneca Ray Stoddard

ca. 1885

925. Luzerne Falls

Seneca Ray Stoddard

1860s–70s

1155. Cathedral Rocks from the Pulpit, Ausable Chasm.

Seneca Ray Stoddard

1860s–70s

943. The Flume, Palmer's Falls

Seneca Ray Stoddard

1860s–70s

Seneca Ray Stoddard

1860s–70s

937. Lake Luzerne -- Looking East.

Seneca Ray Stoddard

1860s–70s

938. Lake Luzerne --Looking North.

Seneca Ray Stoddard

1860s–70s

931. Junction of the Hudson and Sacondaga.

Seneca Ray Stoddard

1860s–70s

Apulegio volgare, diuiso in undeci libri, novamente stampato & in molti lochi aggiontoui che nella prima impressione gli manchaua, & de molte più figure adornato, Lucius Madaurensis Apuleius Algerian, Printed book with woodcut illustrations — Apulegio volgare, diuiso in undeci libri, novamente stampato & in molti lochi aggiontoui che nella prima impressione gli manchaua, & de molte più figure adornato
Multiple artists/makers
September 3, 1519

Ga-Non-Gah Gasda-We-Sa, Horn (ox?), wood, pebbles or pellets, Native American (Seneca) — Ga-Non-Gah Gasda-We-Sa
Native American (Seneca)
19th century

Ka'nohko'wha (copy), Wood, skin, Native American (Seneca) — Ka'nohko'wha (copy)
Native American (Seneca)
late 19th century

onoˀkæ ˀ kastáwēˀshæˀ (copy), Andrew John Jr. , he was an active advocate for the Seneca Nation. Seneca Nation, wood, horn (cow or ox), wood, metal, Native American (Seneca) — onoˀkæ ˀ kastáwēˀshæˀ (copy)
Andrew John Jr.
19th century

onoˀkæ ˀ kastáwēˀshæˀ (copy), horn (cow or ox), wood, pebbles or pellets, metal, Native American (Seneca) — onoˀkæ ˀ kastáwēˀshæˀ (copy)
Native American (Seneca)
19th century

Ka'Nohko'Wah, Wood, leather, cloth, iron, Native American (Seneca) — Ka'Nohko'Wah
Native American (Seneca)
1908 (?)

Gas We Sa, Wood, horn (cow), pebbles or pellet, metal, Native American (Seneca) — Gas We Sa
Native American (Seneca)
ca. 1903

Yé ōtawásthaˀ (copy), Wood, metal, hide, Native American (Seneca) — Yé ōtawásthaˀ (copy)
Native American (Seneca)
ca. 1903

Untitled (Dream Catcher), Marie Watt Seneca, American, Reclaimed wool blankets, satin binding, and thread, Seneca, Native American — Untitled (Dream Catcher)
Marie Watt
2014

Pouch, English wool, cotton, silk, glass beads, Onondowahgah/Seneca, Native American — Pouch
Onondowahgah/Seneca, Native American
early 19th century

The Most Pleasant and Delectable Tale of the Marriage of Cupid and Psyche

Multiple artists/makers

1887

L'Amor de Cupido e di Psiché Madre de Volupta

Multiple artists/makers

1546

L'Ane d'Or ou La Métamorphose

Multiple artists/makers

1872

The Golden Asse of Lucius Apuleius

Multiple artists/makers

1923

Negá Ne Gá Ah Gus Táh We Seh (rattle), Gourd, wood, leather, pebbles, Native American (Seneca, Tonawanda band) — Negá Ne Gá Ah Gus Táh We Seh (rattle)
Native American (Seneca, Tonawanda band)
19th century

Ga-Snónk Gustah We Seh, Hickory bark, pebbles, Native American (Seneca, Alleghany, Iriquoian) — Ga-Snónk Gustah We Seh
Native American (Seneca, Alleghany, Iriquoian)
19th century

Ga-No-Go-O, Wood, Native American (Seneca, Allegheny band) — Ga-No-Go-O
Native American (Seneca, Allegheny band)
late 19th century

Ga-Nón-Gah Gasda-We-Sa, Oxhorn, wood, metal, pellets or pebbles, Native American (Seneca,Alleghany band) — Ga-Nón-Gah Gasda-We-Sa
Native American (Seneca,Alleghany band)
19th century

Ga-Non-Gah Gasda-We-Sa, Ox or cow horn, wood, metal, pebbles or pellets, Native American (Seneca,Alleghany band) — Ga-Non-Gah Gasda-We-Sa
Native American (Seneca,Alleghany band)
19th century

Ya-Ah-Gä-Dä-Wasta (flute), Wood, tin, Native American (Seneca, Tonawanda band) — Ya-Ah-Gä-Dä-Wasta (flute)
Native American (Seneca, Tonawanda band)
19th century

The Adoration of the Shepherds

Jacob Lucius the Elder

16th century

Max Klinger's Radierungen zu Apulejus' Märchen Amor und Psyche, Opus V a+b, Max Klinger German, Etching and aquatint — Max Klinger's Radierungen zu Apulejus' Märchen Amor und Psyche, Opus V a+b
Multiple artists/makers
after 1909