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Showing 462 results for Luigi Vanvitelli

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Luigi Vanvitelli, Pier Leone Ghezzi Italian, Pen and brown ink, over traces of graphite or lead — Luigi Vanvitelli
Pier Leone Ghezzi
1674–1755

Project for a Chapel in the Church of San Ciriaco, Ancona, Luigi Vanvitelli Italian, Pen and dark brown ink, over freehand graphite and ruled construction lines in graphite — Project for a Chapel in the Church of San Ciriaco, Ancona
Luigi Vanvitelli
1700–1773

Design for the high altar of the Gesù Nuovo, Naples, Luigi Vanvitelli Italian, Graphite over compass and ruled construction lines in graphite — Design for the high altar of the Gesù Nuovo, Naples
Luigi Vanvitelli
1700–1773

Architectural Sketch for the design of a Wall with Doorway, with two smaller sketches for the design of windows or doorways (recto); Sketches for a plan and partial perspective view of ceiling (verso), Luigi Vanvitelli Italian, Graphite partly reworked with pen and black ink and brush and black ink and ruled construction lines in graphite (recto); graphite (verso) — Architectural Sketch for the design of a Wall with Doorway, with two smaller sketches for the design of windows or doorways (recto); Sketches for a plan and partial perspective view of ceiling (verso)
Luigi Vanvitelli
1700–1773

Longitudinal Section of a Ballroom Decorated for the Marriage of the King of Naples to the Archduchess of Austria, Luigi Vanvitelli , workshop of Italian, Pen and black-gray ink, brush and gray wash over traces of freehand underdrawing in graphite (figures), compass and ruled construction lines in graphite — Longitudinal Section of a Ballroom Decorated for the Marriage of the King of Naples to the Archduchess of Austria
Luigi Vanvitelli
1700–1773

Transverse Section of the Small Theater in the Palace of Caserta with a View Towards the Royal Box, Luigi Vanvitelli , workshop of Italian, Pen and black-gray ink, brush and gray wash, over traces of compass and ruled construction lines in graphite — Transverse Section of the Small Theater in the Palace of Caserta with a View Towards the Royal Box
Luigi Vanvitelli
1700–1773

Ceiling of Ballroom decorated for the Marriage of the King of Naples to the Archduchess of Austria, Luigi Vanvitelli , workshop of Italian, Pen and black-gray ink, brush and gray wash over traces of freehand graphite (figures) and of compass and ruled construction lines in graphite — Ceiling of Ballroom decorated for the Marriage of the King of Naples to the Archduchess of Austria
Luigi Vanvitelli
1700–1773

Transverse Section of the Small Theater at the Palace of Caserta, with a View of a Stage Design, Luigi Vanvitelli , workshop of Italian, Pen and black-gray ink, brush and gray wash, over freehand underdrawing in graphite (figures) and traces of compass and ruled construction lines in graphite — Transverse Section of the Small Theater at the Palace of Caserta, with a View of a Stage Design
Luigi Vanvitelli
1700–1773

Projection of Ceiling Over Plan of the Small Theater in the Palace at Caserta, Luigi Vanvitelli , workshop of Italian, Pen and black-gray ink, brush and gray wash over freehand underdrawing in graphite (figures) and compass and ruled construction lines in graphite — Projection of Ceiling Over Plan of the Small Theater in the Palace at Caserta
Luigi Vanvitelli
1700–1773

Longitudinal Section of the Small Theater in the Palace at Caserta, Luigi Vanvitelli , workshop of Italian, Pen and black ink, brush and gray wash, over traces of compass and ruled construction lines in graphite — Longitudinal Section of the Small Theater in the Palace at Caserta
Luigi Vanvitelli
1700–1773

Design for an Altar, Luigi Vanvitelli Italian, Pen, brown ink, with brush and gray wash, over graphite — Design for an Altar
Luigi Vanvitelli
1700–1773

Design for a Church Interior, Luigi Vanvitelli Italian, Pen, brown ink, over graphite — Design for a Church Interior
Luigi Vanvitelli
1700–1773

Saint Peter Enthroned, Luigi Vanvitelli Italian, Pen and brown ink, over graphite underdrawing and compass and ruled construction lines in pen and brown ink and graphite — Saint Peter Enthroned
Luigi Vanvitelli
1700–73

Façade of Palace decorated for the Marriage of the King of Naples to the Archduchess of Austria, Luigi Vanvitelli , workshop of Italian, Pen and black-gray ink, brush and gray wash, over freehand underdrawing in graphite and compass and ruled construction lines in graphite — Façade of Palace decorated for the Marriage of the King of Naples to the Archduchess of Austria
Luigi Vanvitelli
1700–73

Design for a Theater Interior, Luigi Vanvitelli Italian, Pen and brown ink over freehand graphite and ruled construction lines in graphite — Design for a Theater Interior
Luigi Vanvitelli
1700–1773

Manuscript page with a Project for a Fountain (recto); Project and Plan for a Monumental Staircase (verso), Luigi Vanvitelli Italian, Pen and brown ink, brush and gray wash, over black chalk or graphite (recto); pen and brown ink, brush and gray wash, graphite, red chalk (verso) — Manuscript page with a Project for a Fountain (recto); Project and Plan for a Monumental Staircase (verso)
Luigi Vanvitelli
ca. 1740–60

Detail study for the façade of Milan cathedral, Luigi Vanvitelli Italian, Pen and black ink over freehand graphite and compass and ruled construction lines in graphite — Detail study for the façade of Milan cathedral
Luigi Vanvitelli
1700–1773

Dichiarazione Dei Disegni Del Reale Palazzo Di Castera

Multiple artists/makers

1756

Bust of a bearded man in a cap, Luigi Saulini Italian, Onyx, gold mount, Italian, Rome — Bust of a bearded man in a cap
Luigi Saulini
mid-19th century

Angels Bearing the Body of Saint Catherine to Mount Sinai, Luigi Saulini Italian, Sardonyx, Italian, Rome — Angels Bearing the Body of Saint Catherine to Mount Sinai
Luigi Saulini
Heinrich Karl Anton Mücke
mid-19th century

Triumph of Bacchus, Luigi Frullini Italian, Walnut, Italian, Florence — Triumph of Bacchus
Luigi Frullini
ca. 1890

Portrait of Luigi Sommariva, Giovanni Beltrami Italian, Engraved citrine in a gold suspension loop, Italian — Portrait of Luigi Sommariva
Giovanni Beltrami
Robert Jacques Louis Lefévre
citrine 1820, gold suspension loop probably contemporary with intaglio

Codice civile generale austriaco, Luigi Lodigiani Italian — Codice civile generale austriaco
Luigi Lodigiani
1815

Le pitture e sculture di Brescia che sono esposte al pubblico con un' appendice di alcune private gallerie, Luigi Chizzola, Illustrated book, Brescia: [s.n.], 1760 — Le pitture e sculture di Brescia che sono esposte al pubblico con un' appendice di alcune private gallerie
Luigi Chizzola
1760

Lettera ad un Amico. . .Ragguaglio della funzione sequita in Napoli. . .per solenizzare Battesimo della Reale Infanta Maria Teresa Carolina E Regina Maria Carolina

Multiple artists/makers

1772

Pair of five-light candelabra, Luigi Valadier Italian, Bronze, fire-gilt; porphyry, iron (pin), Italian, Rome — Pair of five-light candelabra
Luigi Valadier
Lorenzo Cardelli
1774

Twelve Dancers, Luigi Manfredini Italian, Gilt bronze, French — Twelve Dancers
Luigi Manfredini
late 18th–early 19th century

Harp Guitar, Luigi Mozzani Italian, Maple, spruce, ebony, metal, Italian — Harp Guitar
Luigi Mozzani
ca. 1915

A Descriptive Atlas of the Cesnola Collection of Cypriote Antiquities in the Metropolitan Museum of Art, New York (1885–1903), Luigi Palma di Cesnola American, Illustrated book, Boston: J. R. Osgood, 1885–1903 — A Descriptive Atlas of the Cesnola Collection of Cypriote Antiquities in the Metropolitan Museum of Art, New York (1885–1903)
Luigi Palma di Cesnola
Ernst Curtius
1885–1904

The Vocation of Saint Aloysius (Luigi) Gonzaga, Guercino (Giovanni Francesco Barbieri) Italian, Oil on canvas — The Vocation of Saint Aloysius (Luigi) Gonzaga
Guercino (Giovanni Francesco Barbieri)
ca. 1650

Bust of Psyche, Luigi Rosi Italian, Onyx, Italian, Rome — Bust of Psyche
Luigi Rosi
probably second quarter 19th century

Jared French, Luigi Lucioni American, Oil on canvas — Jared French
Luigi Lucioni
1930

Cupid with a Dog, Luigi Saulini Italian, Shell, gold, Italian, Rome — Cupid with a Dog
Luigi Saulini
1860–70

[In the Mosque of the Damegan/The Eunuchs], Luigi Pesce Italian, Albumen silver print from paper negative — [In the Mosque of the Damegan/The Eunuchs]
Luigi Pesce
1850s

Parure: tiara, necklace, and brooch, Luigi Saulini Italian, Onyx and gold,, Italian, Rome — Parure: tiara, necklace, and brooch
Luigi Saulini
John Gibson
mid-19th century

Portions of an Armor for
Vincenzo Luigi di Capua (d. 1627), Pompeo della Cesa Italian, Steel, gold, leather, copper alloy, Italian, Milan — Portions of an Armor for Vincenzo Luigi di Capua (d. 1627)
Pompeo della Cesa
ca. 1595

Portions of an Armor for
Vincenzo Luigi di Capua (d. 1627), Pompeo della Cesa Italian, Steel, gold, leather, copper alloy, Italian, Milan — Portions of an Armor for Vincenzo Luigi di Capua (d. 1627)
Pompeo della Cesa
ca. 1595

Brooch, Castellani, Glass micromosaic, gold, Italian — Brooch
Castellani
Luigi Podio
before 1888

Bacchic procession, Luigi Pichler, Sard, Italian — Bacchic procession
Luigi Pichler
first half 19th century

Head of Dionysus, Luigi Valadier Italian, Bust: red griotte marble; eyes: inlaid with white marble with black marble pupils; base: fleur-de-pêcher marble, Italian — Head of Dionysus
Luigi Valadier
1783