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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 4,938 results for Manuel Alvarez Bravo

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Los Agachados, Manuel Alvarez Bravo Mexican, Gelatin silver print — Los Agachados
Manuel Alvarez Bravo
1934, printed ca. 1975

Los Obstaculos, Manuel Alvarez Bravo Mexican, Gelatin silver print — Los Obstaculos
Manuel Alvarez Bravo
1939, printed ca. 1976

El Soñador, Manuel Alvarez Bravo Mexican, Gelatin silver print — El Soñador
Manuel Alvarez Bravo
1931

Retrato póstumo, Manuel Alvarez Bravo Mexican, Gelatin silver print — Retrato póstumo
Manuel Alvarez Bravo
1935

Obrero en huelga asesinado, Manuel Alvarez Bravo Mexican, Gelatin silver print — Obrero en huelga asesinado
Manuel Alvarez Bravo
1934, printed ca. 1976

La Buena Fama Durmiendo

Manuel Alvarez Bravo

1939, printed ca. 1970s

Manuel Alvarez Bravo

1927

La de las Bellas Artes

Manuel Alvarez Bravo

1931, printed 1960s

Manuel Alvarez Bravo

1964–65, printed ca. 1965

Guitar, Manuel Ramírez Spanish, Spruce, rosewood, cedar, ebony, ivory or bone, Spanish — Guitar
Manuel Ramírez
Santos Hernández
1912

Study Number 2 for Portrait of Mohamed, Claudio Bravo Chilean, Black conte crayon with white chalk on paper — Study Number 2 for Portrait of Mohamed
Claudio Bravo
1984

Turnus Provoked into War by Aeneas, José Manuel de la Cerda Mexican, Wood, painted lacquer, gold, Mexican — Turnus Provoked into War by Aeneas
José Manuel de la Cerda
ca. 1764

Mary (from a nativity), Caspicara (Manuel Chil), Wood, polychromed and gilded; glass eyes; metal halo, Ecuadoran — Mary (from a nativity)
Caspicara (Manuel Chil)
18th century

Joseph (from a nativity), Caspicara (Manuel Chil), Wood, polychromed and gilded; glass eyes; metal halo, Ecuadoran — Joseph (from a nativity)
Caspicara (Manuel Chil)
18th century

Christ child (from a nativity), Caspicara (Manuel Chil), Wood, polychromed and gilded; glass eyes, Ecuadoran — Christ child (from a nativity)
Caspicara (Manuel Chil)
18th century

Evening dress, Manuel Pertegaz Spanish, rayon, Spanish — Evening dress
Manuel Pertegaz
1969–73

Pair of Rowel Spurs, Manuel Casco Mexican, Iron, Mexican — Pair of Rowel Spurs
Manuel Casco
dated 1738

Manuel y Mary Julia Series No. 1, Manuel Neri American, Charcoal and oil pastel on paper — Manuel y Mary Julia Series No. 1
Manuel Neri
1977

Manuel y Mary Julia Series No. 3, Manuel Neri American, Charcoal, pastel and wash on paper — Manuel y Mary Julia Series No. 3
Manuel Neri
1977

Manuel y Mary Julia Series No. 6, Manuel Neri American, Charcoal and black oil pastel with traces of white pigment on paper — Manuel y Mary Julia Series No. 6
Manuel Neri
1977

Manuel y Mary Julia Series No. 7, Manuel Neri American, Charcoal and black oil pastel on paper — Manuel y Mary Julia Series No. 7
Manuel Neri
1977

Mary Julia's Head, Manuel Neri American, Matte opaque paints and charcoal on paper — Mary Julia's Head
Manuel Neri
1986

Metamorphosis (Bewitchment), Manuel Rivera Spanish, Painted steel wire mesh and steel wire attached to aluminum frame — Metamorphosis (Bewitchment)
Manuel Rivera
1961

Metamorphosis (Desire), Manuel Rivera Spanish, Painted steel wire mesh and steel wire attached to aluminum frame — Metamorphosis (Desire)
Manuel Rivera
1961

Round dish with fighting lizard and snake, Manuel Mafra Portuguese, Glazed earthenware, Portugal, Caldas de Rainha — Round dish with fighting lizard and snake
Manuel Mafra
1865–87

Saint Paul standing, facing left, Santiago Alvarez Mexican, Engraving — Saint Paul standing, facing left
Multiple artists/makers
1862 [reprinted 1938]

The Cardinal's Reception, Luis Alvarez Catalá Spanish, Photogravure on chine collé — The Cardinal's Reception
Luis Alvarez Catalá
George Barrie
1881

Francisco Madero surrounded by the traditional Porfirian supporters (Francisco I. Madero es rodeado por el antiguo aparato Porfiriano), Plate 69 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Jesús Alvarez Amaya Mexican, Offset lithograph — Francisco Madero surrounded by the traditional Porfirian supporters (Francisco I. Madero es rodeado por el antiguo aparato Porfiriano), Plate 69 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Jesús Alvarez Amaya
Taller de Gráfica Popular, Mexico City
1960

Sarah Bernhardt dans "Angelo", Mars 1905

Henri Manuel

1905

Claudio Bravo

1975–78

'Dorso; man viewed from behind

Claudio Bravo

1976

View of Neptune's fountain in Santiago de Querétaro, from the 'Album Mexicano. Colección de paisajes, monumentos y ciudades principales de la República'

J. Alvarez

Debray Sucs

1850

Antiphonary, Manuel de Boada Guittierrez (Scribe) Spanish, Parchment; leather binding, Spanish — Antiphonary
Manuel de Boada Guittierrez
ca. 1600

Man Sheathing a Sword, Francesco Montelatici ("Cecco Bravo") Italian, Red chalk — Man Sheathing a Sword
Francesco Montelatici ("Cecco Bravo")
17th century

Youth Gazing Upwards in Profile

Francesco Montelatici ("Cecco Bravo")

1607–61

Childrens' book 'El nacimiento de Jesús, with illustrations and a pop up nativity

Multiple artists/makers

1948

Los Mexicanos pintados por sí mismos. Tipos y costumbres nacionales, Manuel Murguía Mexican, Letterpress, lithographs — Los Mexicanos pintados por sí mismos. Tipos y costumbres nacionales
Multiple artists/makers
1854–55

Broadsheet with verse relating to Don Luis Cabrera ('scourge of the nation') who is shown standing in the center wearing a top hat, Manuel Manilla Mexican, Photo-relief and letterpress on pink paper — Broadsheet with verse relating to Don Luis Cabrera ('scourge of the nation') who is shown standing in the center wearing a top hat
Manuel Manilla
Antonio Vanegas Arroyo
1920 (published)

Broadsheet relating to the skeleton from Guadalajara, Manuel Manilla Mexican, Type-metal engraving and letterpress on green paper — Broadsheet relating to the skeleton from Guadalajara
Manuel Manilla
Antonio Vanegas Arroyo
ca. 1890

Broadside (recto) true verses about Lino Zamora from Real de Zacatecas (image of banderillero and bull by Manilla), and a funeral scene on verso (possibly by Posada), Manuel Manilla Mexican, Type-metal engraving and letterpress on orange paper — Broadside (recto) true verses about Lino Zamora from Real de Zacatecas (image of banderillero and bull by Manilla), and a funeral scene on verso (possibly by Posada)
Multiple artists/makers
1902 (published)