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Showing 4,958 results for Manuel Ramirez Aparicio

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Los Conventos Suprimidos de Mexico

Manuel Ramirez Aparicio

J. M. Aguilar y Ca.

1861

Guitar, Manuel Ramírez Spanish, Spruce, rosewood, cedar, ebony, ivory or bone, Spanish — Guitar
Manuel Ramírez
Santos Hernández
1912

Turnus Provoked into War by Aeneas, José Manuel de la Cerda Mexican, Wood, painted lacquer, gold, Mexican — Turnus Provoked into War by Aeneas
José Manuel de la Cerda
ca. 1764

Los Agachados, Manuel Alvarez Bravo Mexican, Gelatin silver print — Los Agachados
Manuel Alvarez Bravo
1934, printed ca. 1975

Mary (from a nativity), Caspicara (Manuel Chil), Wood, polychromed and gilded; glass eyes; metal halo, Ecuadoran — Mary (from a nativity)
Caspicara (Manuel Chil)
18th century

Joseph (from a nativity), Caspicara (Manuel Chil), Wood, polychromed and gilded; glass eyes; metal halo, Ecuadoran — Joseph (from a nativity)
Caspicara (Manuel Chil)
18th century

Christ child (from a nativity), Caspicara (Manuel Chil), Wood, polychromed and gilded; glass eyes, Ecuadoran — Christ child (from a nativity)
Caspicara (Manuel Chil)
18th century

Guitar, José Ramirez III Spanish, Spruce, rosewood, ivory or bone, ebony, plastic, Spanish — Guitar
José Ramirez III
1967

Evening dress, Manuel Pertegaz Spanish, rayon, Spanish — Evening dress
Manuel Pertegaz
1969–73

Pair of Rowel Spurs, Manuel Casco Mexican, Iron, Mexican — Pair of Rowel Spurs
Manuel Casco
dated 1738

Manuel y Mary Julia Series No. 1, Manuel Neri American, Charcoal and oil pastel on paper — Manuel y Mary Julia Series No. 1
Manuel Neri
1977

Manuel y Mary Julia Series No. 3, Manuel Neri American, Charcoal, pastel and wash on paper — Manuel y Mary Julia Series No. 3
Manuel Neri
1977

Manuel y Mary Julia Series No. 6, Manuel Neri American, Charcoal and black oil pastel with traces of white pigment on paper — Manuel y Mary Julia Series No. 6
Manuel Neri
1977

Manuel y Mary Julia Series No. 7, Manuel Neri American, Charcoal and black oil pastel on paper — Manuel y Mary Julia Series No. 7
Manuel Neri
1977

Mary Julia's Head, Manuel Neri American, Matte opaque paints and charcoal on paper — Mary Julia's Head
Manuel Neri
1986

Metamorphosis (Bewitchment), Manuel Rivera Spanish, Painted steel wire mesh and steel wire attached to aluminum frame — Metamorphosis (Bewitchment)
Manuel Rivera
1961

Metamorphosis (Desire), Manuel Rivera Spanish, Painted steel wire mesh and steel wire attached to aluminum frame — Metamorphosis (Desire)
Manuel Rivera
1961

Round dish with fighting lizard and snake, Manuel Mafra Portuguese, Glazed earthenware, Portugal, Caldas de Rainha — Round dish with fighting lizard and snake
Manuel Mafra
1865–87

Workers supporting skeletons on a beam (prostitute calaveras), Everardo Ramírez Mexican, Woodcut — Workers supporting skeletons on a beam (prostitute calaveras)
Everardo Ramírez
1936

Plate 12: many guns with bayonets, allegory relating to the tyranny and despotism of the regime of President Porforio Diaz and their oppression of indigenous Mexicans, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Everardo Ramírez Mexican, Linocut — Plate 12: many guns with bayonets, allegory relating to the tyranny and despotism of the regime of President Porforio Diaz and their oppression of indigenous Mexicans, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Everardo Ramírez
Taller de Gráfica Popular, Mexico City
1947

Plate 21: President Porfirio Díaz being terrified by the 'Plan of San Luis de Potosí' being held in front of him by Francisco I Madero, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Everardo Ramírez Mexican, Linocut — Plate 21: President Porfirio Díaz being terrified by the 'Plan of San Luis de Potosí' being held in front of him by Francisco I Madero, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Everardo Ramírez
Taller de Gráfica Popular, Mexico City
1947

Poster relating to union demands for graphic art workers employed by commercial workshops, Everardo Ramírez Mexican, Woodcut, linocut, letterpress, in blue and red, backed with linen — Poster relating to union demands for graphic art workers employed by commercial workshops
Multiple artists/makers
ca. 1940–42

Much pulque and little ink [education] the method of the Porfirian caciques (Mucho pulque y poca tinta, el metodo del caciquismo Porfiriano), Plate 56 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Everardo Ramírez Mexican, Offset lithograph — Much pulque and little ink [education] the method of the Porfirian caciques (Mucho pulque y poca tinta, el metodo del caciquismo Porfiriano), Plate 56 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Everardo Ramírez
Taller de Gráfica Popular, Mexico City
1960

The San Luis plan terrifies the dictatorship (El plan de San Luis aterroriza a la dictadura), Plate 61 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Everardo Ramírez Mexican, Offset lithograph — The San Luis plan terrifies the dictatorship (El plan de San Luis aterroriza a la dictadura), Plate 61 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Everardo Ramírez
Taller de Gráfica Popular, Mexico City
1960

Los Obstaculos, Manuel Alvarez Bravo Mexican, Gelatin silver print — Los Obstaculos
Manuel Alvarez Bravo
1939, printed ca. 1976

El Soñador, Manuel Alvarez Bravo Mexican, Gelatin silver print — El Soñador
Manuel Alvarez Bravo
1931

Retrato póstumo, Manuel Alvarez Bravo Mexican, Gelatin silver print — Retrato póstumo
Manuel Alvarez Bravo
1935

Obrero en huelga asesinado, Manuel Alvarez Bravo Mexican, Gelatin silver print — Obrero en huelga asesinado
Manuel Alvarez Bravo
1934, printed ca. 1976

Sarah Bernhardt dans "Angelo", Mars 1905

Henri Manuel

1905

Antiphonary, Manuel de Boada Guittierrez (Scribe) Spanish, Parchment; leather binding, Spanish — Antiphonary
Manuel de Boada Guittierrez
ca. 1600

Los Mexicanos pintados por sí mismos. Tipos y costumbres nacionales, Manuel Murguía Mexican, Letterpress, lithographs — Los Mexicanos pintados por sí mismos. Tipos y costumbres nacionales
Multiple artists/makers
1854–55

Broadsheet with verse relating to Don Luis Cabrera ('scourge of the nation') who is shown standing in the center wearing a top hat, Manuel Manilla Mexican, Photo-relief and letterpress on pink paper — Broadsheet with verse relating to Don Luis Cabrera ('scourge of the nation') who is shown standing in the center wearing a top hat
Manuel Manilla
Antonio Vanegas Arroyo
1920 (published)

Broadsheet relating to the skeleton from Guadalajara, Manuel Manilla Mexican, Type-metal engraving and letterpress on green paper — Broadsheet relating to the skeleton from Guadalajara
Manuel Manilla
Antonio Vanegas Arroyo
ca. 1890

Broadside (recto) true verses about Lino Zamora from Real de Zacatecas (image of banderillero and bull by Manilla), and a funeral scene on verso (possibly by Posada), Manuel Manilla Mexican, Type-metal engraving and letterpress on orange paper — Broadside (recto) true verses about Lino Zamora from Real de Zacatecas (image of banderillero and bull by Manilla), and a funeral scene on verso (possibly by Posada)
Multiple artists/makers
1902 (published)

View of the cloister of the Church of the monastery of El Escorial, from "Views of El Escorial", Manuel Alegre Spanish, Etching and engraving — View of the cloister of the Church of the monastery of El Escorial, from "Views of El Escorial"
Multiple artists/makers
ca. 1790–1800

The main staircase of the monastery of El Escorial, from "Views of El Escorial", Manuel Alegre Spanish, Etching and engraving — The main staircase of the monastery of El Escorial, from "Views of El Escorial"
Multiple artists/makers
ca. 1790–1800

View of the Patio of the Evangelists in the centre of the main cloister of the monastery of El Escorial, from "Views of El Escorial", Manuel Alegre Spanish, Etching and engraving — View of the Patio of the Evangelists in the centre of the main cloister of the monastery of El Escorial, from "Views of El Escorial"
Multiple artists/makers
ca. 1790–1800

The procession of Corpus Christi in the nave of the Church of the monastery of El Escorial, from "Views of El Escorial", Manuel Alegre Spanish, Etching and engraving — The procession of Corpus Christi in the nave of the Church of the monastery of El Escorial, from "Views of El Escorial"
Multiple artists/makers
ca. 1790–1800

The monument raised for Holy Week (Semana Santa) in the Church of the monastery of El Escorial, from "Views of El Escorial", Manuel Alegre Spanish, Etching and engraving — The monument raised for Holy Week (Semana Santa) in the Church of the monastery of El Escorial, from "Views of El Escorial"
Multiple artists/makers
ca. 1790–1800

The monument raised for Holy Week (Semana Santa) in the Church of the monastery of El Escorial, from a series of Views of El Escorial, Manuel Alegre Spanish, Etching and engraving — The monument raised for Holy Week (Semana Santa) in the Church of the monastery of El Escorial, from a series of Views of El Escorial
Multiple artists/makers
ca. 1790–1800