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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 2,134 results for Marta Hoepffner

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Hommage à Kandinsky, Marta Hoepffner German, Gelatin silver print — Hommage à Kandinsky
Marta Hoepffner
1930s, printed 1937

Untitled, Marta Minujín Argentinian, Oil on canvas — Untitled
Marta Minujín
1960

Napoléon I (1769–1821) on Horseback, Luigi Marta Italian, Ivory — Napoléon I (1769–1821) on Horseback
Luigi Marta
1830

Fan, Marta Palomba, Skin, paint, tortoiseshell, gold, gouache, Italian — Fan
Marta Palomba
1700–1723

Karou (crescent-moon mask), Marka artist, Ceiba(?) wood, pigment, Marka — Karou (crescent-moon mask)
Marka artist
Mid-20th century

Being With (Être Avec), Roberto Matta Chilean, Oil on canvas — Being With (Être Avec)
Roberto Matta
1946

Black-on-Black Jar, Maria Martínez Native American, San Ildefonso Pueblo, Clay and slip, San Ildefonso, Native American — Black-on-Black Jar
Maria Martínez
Julián Martínez
1919–20

Closed Geometry, María Berrío Colombian, Cut and pasted dyed Japanese papers, watercolor, plant matter, opaque watercolor, and graphite on canvas — Closed Geometry
María Berrío
2022

Manuscript Sampler, Johannes Hoeffer American, Ink and watercolor on paper, American — Manuscript Sampler
Johannes Hoeffer
1799

Ghosts and Obsessions, Dulce María Nuñez Mexican, Oil on wood — Ghosts and Obsessions
Dulce María Nuñez
1987

Leitmotiv : boletin de hechos & ideas, Roberto Matta Chilean — Leitmotiv : boletin de hechos & ideas
Multiple artists/makers
1942-

Bowl with the Arms of Pope Julius II and the Manzoli of Bologna surrounded by putti, cornucopiae, satyrs, dolphins, birds, etc., workshop of Giovanni Maria Vasaro, Maiolica (tin-glazed earthenware), Italian, Castel Durante — Bowl with the Arms of Pope Julius II and the Manzoli of Bologna surrounded by putti, cornucopiae, satyrs, dolphins, birds, etc.
workshop of Giovanni Maria Vasaro
1508

Bowl, Maria Martínez Native American, San Ildefonso Pueblo, Ceramic — Bowl
Maria Martínez
1914–15

Semiotics of the Kitchen, Martha Rosler American, Single-channel digital video, transferred from video tape, black-and-white, sound, 6 min., 9 sec. — Semiotics of the Kitchen
Martha Rosler
1975

Wrapper, Mossi, Maranse, or Marka artist(s), Cotton, dye, Mossi, Maranse, or Marka — Wrapper
Mossi, Maranse, or Marka artist(s)
mid–late 20th century

Loincloth, cotton, silk, Burma (Mara) — Loincloth
Burma (Mara)
early 1900s

Robe, cotton, silk, Burma (Mara) — Robe
Burma (Mara)
early 1900s

Waistcoat, Anna Maria Garthwaite British, silk, wool, linen, metal, British — Waistcoat
Anna Maria Garthwaite
Peter Lekeux
1747

Splitting, Gordon Matta-Clark American, Chromogenic prints mounted on board — Splitting
Gordon Matta-Clark
1974

The life of the man who works well and the other badly ('vida del hombre obrando bien y obrando mal') 1859, José María Marés Spanish, Woodcut — The life of the man who works well and the other badly ('vida del hombre obrando bien y obrando mal') 1859
José María Marés
1859

Vase, Maria Longworth Nichols American, Earthenware, American — Vase
Maria Longworth Nichols
1880

Madonna and Child, Giovanni Maria Morlaiter Italian, Terracotta, Italian, Venice — Madonna and Child
Giovanni Maria Morlaiter
mid-18th century

Console table, Giuseppe Maria Bonzanigo, Carved, painted and gilded poplar wood; marble top, Italian, Turin — Console table
Giuseppe Maria Bonzanigo
Michelangelo Pergolesi
ca. 1782–92

Portrait of Benedetto Pistrucci, Maria Elisa Pistrucci British, Sardonyx, British, probably London — Portrait of Benedetto Pistrucci
Maria Elisa Pistrucci
ca. 1850

Aladdin Vase, Maria Longworth Nichols American, Earthenware, American — Aladdin Vase
Maria Longworth Nichols
Rookwood Pottery Company
1880–83

Plate, Maria Longworth Nichols American, Painted and glazed earthenware, American — Plate
Maria Longworth Nichols
Rookwood Pottery Company
ca. 1880

Coral, Maria Judson Strean American, Watercolor on ivory, American — Coral
Maria Judson Strean
ca. 1923

Broadside with 48 scenes relating to the life of St Vincent Ferrer, José María Marés Spanish, Wood engraving — Broadside with 48 scenes relating to the life of St Vincent Ferrer
José María Marés
1858

Broadside with 48 scenes depicting Spanish refrains (colloquial sayings) in action, José María Marés Spanish, Wood engraving — Broadside with 48 scenes depicting Spanish refrains (colloquial sayings) in action
José María Marés
1861

Broadside with 48 scenes depicting the land of Jauja, José María Marés Spanish, Wood engraving — Broadside with 48 scenes depicting the land of Jauja
José María Marés
1863

Broadside with 48 scenes relating to the comedy 'El Tanto por Ciento', José María Marés Spanish, Wood engraving — Broadside with 48 scenes relating to the comedy 'El Tanto por Ciento'
José María Marés
1863

Broadside with 48 scenes relating to the pilgrimage of San Isidro, José María Marés Spanish, Wood engraving — Broadside with 48 scenes relating to the pilgrimage of San Isidro
José María Marés
1863

Broadside with 48 scenes depicting the mishaps in/of Madrid, José María Marés Spanish, Wood engraving — Broadside with 48 scenes depicting the mishaps in/of Madrid
José María Marés
1863

Broadside with 48 scenes relating to the lives of the good student and the bad student, José María Marés Spanish, Wood engraving — Broadside with 48 scenes relating to the lives of the good student and the bad student
José María Marés
1864

Broadside with 48 scenes illustrating passages of holy scripture (Part II), José María Marés Spanish, Wood engraving — Broadside with 48 scenes illustrating passages of holy scripture (Part II)
José María Marés
ca. 1860–70

Broadside with 48 scenes illustrating the life of Christ, José María Marés Spanish, Wood engraving — Broadside with 48 scenes illustrating the life of Christ
José María Marés
ca. 1860–70

Broadside with 48 scenes relating to Don Juan Tenorio or the Stone Guest, José María Marés Spanish, Wood engraving — Broadside with 48 scenes relating to Don Juan Tenorio or the Stone Guest
José María Marés
ca. 1860–70

Broadside with 48 scenes relating to the life of a Good Woman (24 upper scenes) and the life of a Bad Woman (24 lower scenes), José María Marés Spanish, Woodcut — Broadside with 48 scenes relating to the life of a Good Woman (24 upper scenes) and the life of a Bad Woman (24 lower scenes)
José María Marés
1860

Broadside with 48 scenes illusrating the misfortunes of a fat man, José María Marés Spanish, Wood engraving — Broadside with 48 scenes illusrating the misfortunes of a fat man
José María Marés
1867

Broadside with 48 scenes of trains and their passengers etc, José María Marés Spanish, Wood engraving — Broadside with 48 scenes of trains and their passengers etc
José María Marés
1867