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1-42 of 1,967 results for Martinet
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Hé c'est l'ami Carême!, Musée Grotesque No. 53, Aaron Martinet French, Hand-colored etching
Hé c'est l'ami Carême!, Musée Grotesque No. 53
Aaron Martinet
early 19th century
Le Goût du Jour ou Des Chinois du Boulevard Coblentz, from "Caricatures Parisiennes", Aaron Martinet French, Hand-colored etching
Le Goût du Jour ou Des Chinois du Boulevard Coblentz, from "Caricatures Parisiennes"
Aaron Martinet
Anonymous, French, 19th century
ca. 1815
Tintoretto at His Daughter's Deathbed, Achille Martinet French, Engraving on chine collé
Tintoretto at His Daughter's Deathbed
Multiple artists/makers
after 1843
Rebus Vers sur la Beauté
Martinet
ca. 1850
L’Enfant et la Colombe
Martinet
ca. 1800
Le Renard
Martinet
ca. 1800
Courly à tête nu, du Cap de bonne Esperance (Bald Ibis from the Cape of Good Hope), from "Histoire Naturelle de Oiseaux", François Nicolas Martinet French, Hand-colored etching and engraving
Courly à tête nu, du Cap de bonne Esperance (Bald Ibis from the Cape of Good Hope), from "Histoire Naturelle de Oiseaux"
François Nicolas Martinet
Georges Louis Leclerc, comte de Buffon
1770–86
L'Aigrette (Egret), from "Histoire Naturelle de Oiseaux", François Nicolas Martinet French, Hand-colored etching and engraving
L'Aigrette (Egret), from "Histoire Naturelle de Oiseaux"
François Nicolas Martinet
Georges Louis Leclerc, comte de Buffon
1770–86
Autruche (Ostrich), from "Histoire Naturelle de Oiseaux", François Nicolas Martinet French, Hand-colored etching and engraving
Autruche (Ostrich), from "Histoire Naturelle de Oiseaux"
François Nicolas Martinet
Georges Louis Leclerc, comte de Buffon
1770–86
Proces Fualdès
E. Martinet
after May 4, 1818
Promenade du Matin (Morning Walk), from a series of 12 plates, engraved after a group known as the Ports de Mer de la France (harbor scenes) by J. Vernet
Multiple artists/makers
1767
Suite of rebuses
Aaron Martinet
19th century
Madonna with the sleeping Christ child and Saint John the Baptist in a landscape, after 'Madonna of the Veil' by Raphael
Multiple artists/makers
1853
St. Gregory Preaching
Angélique Martinet
Vanloo
1731–80
Départ de l'amour pur la chasse
Angélique Martinet
Lucas
ca. 1731–80
La Folie du siecle. "Ce chat..."
Angélique Martinet
Eisen
ca. 1731–80
La Folie du siecle. "De ce singe..."
Angélique Martinet
Eisen
1731–80
L'entrée dans le Monde
Aaron Martinet
Delpech
19th century
J'ai été bien maltraité
Aaron Martinet
Feillet
19th century
Les Chapeaux à L'Irato, le suprême bon ton, no. 10; from "Caricatures Parisiennes"
Aaron Martinet
1815
Monsieur Nid-a-Rals, Bouquiniste
Achille Martinet
19th century
Musée Grotesque, No. 24: Richesse et Misère, ou Rien qu'un
Aaron Martinet
19th century
La Pension de Jeunes Demoiselles
Aaron Martinet
19th century
Les Joueurs
Aaron Martinet
19th century
H ro ro ro ro o! (exclamation Anglaise)
Aaron Martinet
19th century
Le goût du jour, No. 25, le gastronôme après diner
Aaron Martinet
19th century
Illustrations, from "Le Magasin Pittoresque"
L. Martinet
1849
Illustrations from "Le Magasin Pittoresque"
L. Martinet
1849
[Ornamental Allegorical Frames]
François Nicolas Martinet
1760
The death of Adonis, lying on the ground at center, his hunting dogs at left and Venus descending from her chariot at right
Marie Therese Martinet
P. Bianchy
ca. 1755–after ca. 1765
Cresserelle femelle des Isles Antilles / Female Kestrel of the Antilles
François Nicolas Martinet
1773
Le Milan Noir / The Black Kite
François Nicolas Martinet
1773
Recontre d'Anglais a Paris; Le Suprême Bon-Ton No. 23, Adrien Pierre Godefroy, Le Jeune French, Hand-colored etching
Recontre d'Anglais a Paris; Le Suprême Bon-Ton No. 23
Adrien Pierre Godefroy, Le Jeune
Aaron Martinet
ca. 1815
The Concave Petitioner: The Taste of the Day, no. 33 (Le Solliciteur Concave: Le Goût du Jour, No. 33), Anonymous, French, 19th century French, Hand-colored etching
The Concave Petitioner: The Taste of the Day, no. 33 (Le Solliciteur Concave: Le Goût du Jour, No. 33)
Anonymous, French, 19th century
Aaron Martinet
1817
The Convex Petitioner: The Taste of the Day, no. 34 (Le Solliciteur Convèxe: Le Goût du Jour, No. 34), Anonymous, French, 19th century French, Hand-colored etching
The Convex Petitioner: The Taste of the Day, no. 34 (Le Solliciteur Convèxe: Le Goût du Jour, No. 34)
Anonymous, French, 19th century
Aaron Martinet
1817
Le Goût du Jour, No. 21: Les Modernes Incroyables, from "Caricatures Parisiennes", Georges Jacques Gatine French, Hand-colored etching
Le Goût du Jour, No. 21: Les Modernes Incroyables, from "Caricatures Parisiennes"
Georges Jacques Gatine
Aaron Martinet
ca. 1815
L'Amour et les Graces Arrivant de Londres; Le Suprême Bon-Ton No. 24, Adrien Pierre Godefroy, Le Jeune French, Hand-colored etching
L'Amour et les Graces Arrivant de Londres; Le Suprême Bon-Ton No. 24
Adrien Pierre Godefroy, Le Jeune
Aaron Martinet
1815
Les Visites, Musée Grotesque, No. 21, Anonymous, French, 19th century French, Hand-colored etching
Les Visites, Musée Grotesque, No. 21
Anonymous, French, 19th century
Aaron Martinet
early 19th century
La Promenade en Bokei; Le Suprême Bon-Ton No. 26, Adrien Pierre Godefroy, Le Jeune French, Hand-colored etching
La Promenade en Bokei; Le Suprême Bon-Ton No. 26
Adrien Pierre Godefroy, Le Jeune
Aaron Martinet
1816
Well, Hello (Eh bonjour– donc–.), Charles Motte French, Hand-colored lithograph; proof with the publisher's address and the dash at the end of the inscription added by hand in pen and brown ink
Well, Hello (Eh bonjour– donc–.)
Charles Motte
Aaron Martinet
1821
Visit of a Clergyman to Bastide, Sausion, and Collard, Sébastien Coeuré French, Lithograph
Visit of a Clergyman to Bastide, Sausion, and Collard
Sébastien Coeuré
Aaron Martinet
ca. 1825
The ravaged poets' corner, from 'In the pub,' published in Le Charivari, January 7, 1864, Honoré Daumier French, Lithograph on newsprint; second state of two (Delteil)
The ravaged poets' corner, from 'In the pub,' published in Le Charivari, January 7, 1864
Multiple artists/makers
January 7, 1864