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Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 1,813 results for Maturino da Firenze

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The escape of Cloelia, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in green ink (trimmed along bottom) — The escape of Cloelia
Niccolò Vicentino
Maturino da Firenze
1540–50

Cloelia the Roman hero in the centre being helped onto a horse, Rome in the background,, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in brown; second state of two (Bartsch) — Cloelia the Roman hero in the centre being helped onto a horse, Rome in the background,
Niccolò Vicentino
Maturino da Firenze
1540–50

Elijah challenging the prophet to a sacrifice, Paul Ponce Antoine Robert-de-Seri French, Etching and aquatint in brown and blue — Elijah challenging the prophet to a sacrifice
Paul Ponce Antoine Robert-de-Seri
Maturino da Firenze
ca. 1729

The Escape of Cloelia, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in green; second state of two — The Escape of Cloelia
Multiple artists/makers
1540–50 (published by Andreani in 1608)

Satyr, Desiderio da Firenze Italian, Copper alloy with a reddish brown patina; the base and shell with a dark brown patina. — Satyr
Desiderio da Firenze
Severo Calzetta da Ravenna
ca. 1530

Vultus trifrons or an Allegory of Prudence, Pacio Bertini da Firenze, Carrara marble — Vultus trifrons or an Allegory of Prudence
Multiple artists/makers
ca. 1340–55

Two men at center pull at a wrapped package while a third lifts a hammer, four men at right load a package on a horse, after Polidoro da Caravaggio

Multiple artists/makers

1650–91

Warrior on Horseback, Desiderio da Firenze Italian, Ternary alloy of copper, zinc and tin, with small traces of<br/>lead, iron, nickel, silver, and antimony (both horse and rider);<br/>Black lacquer patina under a chocolate brown patina (on<br/>both horse and rider); the eyes of the horse are inlaid with<br/>silver. — Warrior on Horseback
Desiderio da Firenze
ca. 1540

Perfume Burner Surmounted by a Satyr, Desiderio da Firenze Italian, Binary alloy (copper, tin, with traces of zinc, iron, nickel, silver, and antimony); a brown to olive green patina and minor traces of gilding. — Perfume Burner Surmounted by a Satyr
Desiderio da Firenze
ca. 1530–40

Perfume Burner Surmounted by a Satyr, Desiderio da Firenze Italian, The cover and body are binary bronze (copper and tin, with traces of zinc, iron, nickel, silver, and antimony); the foot is cast in brass (copperzinc alloy with very minor amounts of tin, lead, and the usual copper impurities of iron, nickel, silver, and antimony). — Perfume Burner Surmounted by a Satyr
Desiderio da Firenze
ca. 1540–50

Shield, Girolamo da Treviso Italian, Wood, linen, gesso, gold leaf, polychromy, Italian, probably Bologna — Shield
Girolamo da Treviso
ca. 1535

Armorial Plate (tondino): The story of King Midas, Nicola da Urbino Italian, Maiolica (tin-glazed earthenware) — Armorial Plate (tondino): The story of King Midas
Nicola da Urbino
ca. 1520–25

Fountain with Arms of Jacopo de' Pazzi, Giuliano da Maiano Italian, Marble, Italian, Florence — Fountain with Arms of Jacopo de' Pazzi
Multiple artists/makers
ca. 1470

Madonna and Child, Italian (Florentine or Paduan) Painter (Cheyo da Firenze?) Italian, Tempera on wood, gold ground — Madonna and Child
Italian (Florentine or Paduan) Painter (Cheyo da Firenze?)

The Farnese Table, Jacopo [Giacomo] Barozzi da Vignola Italian, Marble of different colors, semiprecious stones, Egyptian alabaster, residue of paint of different colors on the piers, Italian, Rome — The Farnese Table
Multiple artists/makers
ca. 1565–73

The Baptism of Christ, Jacopo Bassano (Jacopo da Ponte) Italian, Oil on canvas — The Baptism of Christ
Jacopo Bassano (Jacopo da Ponte)
ca. 1590

Cherubino da Firenze

Francesco Benevenuto

ca. 1511

A Bear Walking, Leonardo da Vinci Italian, silverpoint on light buff prepared paper — A Bear Walking
Leonardo da Vinci
ca. 1482–85

Adoration of the Shepherds, Francesco di Marco Marmitta da Parma Emilian, Tempera and gold on parchment — Adoration of the Shepherds
Francesco di Marco Marmitta da Parma
ca. 1500

The Last Supper, Ugolino da Siena (Ugolino di Nerio) Italian, Tempera and gold on wood — The Last Supper
Ugolino da Siena (Ugolino di Nerio)
ca. 1325–30

Studiolo from the Ducal Palace in Gubbio, Francesco di Giorgio Martini Italian, Walnut, beech, rosewood, oak and fruitwoods in walnut base, Italian, Gubbio — Studiolo from the Ducal Palace in Gubbio
Multiple artists/makers
ca. 1478–82

Barbute, Pietro da Castello Italian, Steel, Italian, Brescia — Barbute
Pietro da Castello
ca. 1470–80

Farnese Hercules, Pietro da Barga Italian, Bronze, Italian, Florence — Farnese Hercules
Pietro da Barga
modeled ca. 1576; cast 17th century

Madonna and Child, Benedetto da Maiano Italian, Marble, painted background, Italian, Florence — Madonna and Child
Benedetto da Maiano
ca. 1490

Corbel, Giuliano da Sangallo Italian, Grey stone (pietra serena), Italian, Florence — Corbel
Giuliano da Sangallo
late 15th century

Barbute, Bernardino da Carnago Italian, Steel, Italian, Milan — Barbute
Bernardino da Carnago
ca. 1475

Madonna and Child with Donors, Giovanni da Milano Italian, Tempera on wood, gold ground — Madonna and Child with Donors
Giovanni da Milano
ca. 1365

The Chess Players, Liberale da Verona Italian, Tempera on wood — The Chess Players
Liberale da Verona
ca. 1475

Scene from a Novella, Liberale da Verona Italian, Tempera on wood — Scene from a Novella
Liberale da Verona

Tondo mirror frame, Benedetto da Maiano Italian, Stucco squeeze, blown convex mirror, gilt, orange-brown bole. — Tondo mirror frame
Benedetto da Maiano
ca. 1480

Altarpiece with Christ, Saint John the Baptist, and Saint Margaret, Andrea da Giona Italian, Marble (Carrara marble), Italian — Altarpiece with Christ, Saint John the Baptist, and Saint Margaret
Andrea da Giona
1434

The Crucifixion, Ugolino da Siena Italian, Tempera on wood, gold ground — The Crucifixion
Ugolino da Siena
ca. 1315–20

Madonna and Child, Barna da Siena Italian, Tempera on wood, gold ground — Madonna and Child
Barna da Siena
ca. 1340

Armorial Plate: Silenus on an ass, supported by Bacchic revelers, Nicola da Urbino or Castel Durante Italian, Maiolica (tin-glazed earthenware) — Armorial Plate: Silenus on an ass, supported by Bacchic revelers
Nicola da Urbino
ca. 1520–25

Large Dish (tagliere): Pope Leo X presenting a baton to Federigo II Gonzaga, marquis of Mantua, on his appointment as captain general of the Church in 1521., Nicola da Urbino Italian, Maiolica (tin-glazed earthenware) — Large Dish (tagliere): Pope Leo X presenting a baton to Federigo II Gonzaga, marquis of Mantua, on his appointment as captain general of the Church in 1521.
Nicola da Urbino
ca. 1525–30

The Finding of Moses, Jacopo [Giacomo] Barozzi da Vignola Italian, Wood, Italian — The Finding of Moses
Jacopo [Giacomo] Barozzi da Vignola
Fra Damiano da Bergamo (Damiano di Antoniolo de Zambelli)
16th century

Sallet, Pietro Giacomo da Castello Italian, Steel, Italian — Sallet
Pietro Giacomo da Castello
ca. 1510–20

Tobias, Severo Calzetta da Ravenna Italian, Bronze, Italian, probably Ravenna — Tobias
Severo Calzetta da Ravenna
early to mid-16th century

Sea monster, Severo Calzetta da Ravenna Italian, Bronze, probably Italian, Padua — Sea monster
Severo Calzetta da Ravenna
ca. 1500–1510

Satyress and her Infant, Severo Calzetta da Ravenna Italian, Indirect cast; copper alloy, dark brown with areas of black patina. — Satyress and her Infant
Severo Calzetta da Ravenna
ca. 1520 or later