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Showing 81 results for Meizhi

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Old Man and Children, Meizhi Chinese, Hanging scroll; ink and color on silk, China — Old Man and Children
Meizhi
19th century

Quatrain on spring’s radiance, Empress Yang Meizi Chinese, Round fan mounted as an album leaf; ink on silk, China — Quatrain on spring’s radiance
Empress Yang Meizi
early 13th century

Plate, Charles Meigh British, Earthenware, transfer-printed, British (American market) — Plate
Charles Meigh
ca. 1835–ca. 1849

A Snowy Day
, Takeuchi Meihō 竹内鳴鳳 Japanese, Hanging scroll; ink and color on silk, Japan — A Snowy Day
Takeuchi Meihō 竹内鳴鳳
1920s–30s

Quatrain on yellow roses, Empress Yang Meizi , r. 1202–24; Chinese, Round fan mounted as an album leaf; ink on silk, China — Quatrain on yellow roses
Empress Yang Meizi
early 13th century

Spring Ablutions at the Orchid Pavilion, Wang Wenzhi Chinese, Hanging scroll; ink and color on silk, China — Spring Ablutions at the Orchid Pavilion
Wang Wenzhi

Calligraphy, Wang Wenzhi Chinese, Hanging scroll; ink on paper, China — Calligraphy
Wang Wenzhi
dated 1801

Mountains in Cloud and Mist, Song Wenzhi Chinese, Hanging scroll; ink and color on bark paper, China — Mountains in Cloud and Mist
Song Wenzhi
dated 1961

Small Bowl with Design of Diagonally Banded Millefleurs on Exterior and Butterflies on the Interior
, Yabu Meizan Japanese, Porcelain; exterior, spiral millefleurs bands in a variety of enamels and gold; geometric bands in black and rust enamels and gold on lower part of bowl; interior, closely covered with tiny butterflies in red, black, yellow and pale blue enamels, with gold; gold lip rim (Satsuma ware), Japan — Small Bowl with Design of Diagonally Banded Millefleurs on Exterior and Butterflies on the Interior
Yabu Meizan
late 19th century

Breaking a Plum Branch on a Snowy Night;
Bamboo in Snow, Reizei Tamechika Japanese, Two folding fans mounted on panels; ink, color and gold on paper, Japan — Breaking a Plum Branch on a Snowy Night; Bamboo in Snow
Reizei Tamechika
19th century

Emperor Enyū’s Outing to Funaokayama on the First Day of the Rat in the New Year, Reizei Tamechika Japanese, Hanging scroll; ink and color on paper, Japan — Emperor Enyū’s Outing to Funaokayama on the First Day of the Rat in the New Year
Reizei Tamechika
19th century

The Hills of Kuaiji, Unidentified artist, Handscroll; ink and color on silk, China — The Hills of Kuaiji
Unidentified artist
Gu Kaizhi
18th cenury or later

An Emperor with Two Ladies, Unidentified artist, Album leaf; ink and color on silk, China — An Emperor with Two Ladies
Unidentified artist
Gu Kaizhi

On the Seventeenth Day, Wang Xizhi Chinese, Album of thirty leaves; ink on paper, China — On the Seventeenth Day
Wang Xizhi
13th century rubbing of a 4th century text

A Man and a Girl Walking in the Rice Fields, Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — A Man and a Girl Walking in the Rice Fields
Chōbunsai Eishi
ca. 1780

A Girl with a Fan, Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — A Girl with a Fan
Chōbunsai Eishi
ca. 1780

Ono no Komachi Praying for Rain, Chōbunsai Eishi Japanese, Monochrome woodblock print; ink on paper, Japan — Ono no Komachi Praying for Rain
Chōbunsai Eishi
ca. 1791

Snow, Moon, and Cherry Blossoms (Yoshiwara in Three Seasons), Chōbunsai Eishi Japanese, Triptych of hanging scrolls; ink, color, and gold on silk, Japan — Snow, Moon, and Cherry Blossoms (Yoshiwara in Three Seasons)
Chōbunsai Eishi
early 19th century

Ono no Komachi: Number Two (Sono ni), from the series Stylish Parodies of the Six Poetic Immortals (Fūryū yatsushi rokkasen), Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — Ono no Komachi: Number Two (Sono ni), from the series Stylish Parodies of the Six Poetic Immortals (Fūryū yatsushi rokkasen)
Chōbunsai Eishi
1790s

Matching Shells (Kai-awase), “Kisen Hōshi,” from the series Modern Parodies of the Six Poetic Immortals (Yatsushi rokkasen: Kisen Hōshi), Chōbunsai Eishi Japanese, Polychrome woodblock ōban print; ink and color on paper, Japan — Matching Shells (Kai-awase), “Kisen Hōshi,” from the series Modern Parodies of the Six Poetic Immortals (Yatsushi rokkasen: Kisen Hōshi)
Chōbunsai Eishi
ca. 1796–98

Karakoto of Chojiya on Parade, Chōbunsai Eishi Japanese, One sheet of a triptych of woodblock prints; ink and color on paper, Japan — Karakoto of Chojiya on Parade
Chōbunsai Eishi
ca. 1790

Courtly Odes, Beginning with "Wild Geese"

, Ma Hezhi and Assistants Chinese, Handscroll; ink and color on silk, China — Courtly Odes, Beginning with "Wild Geese"
Ma Hezhi
mid-12th century

Odes of the State of Bin

, Ma Hezhi , and Assistants Chinese, Handscroll; ink, color, gold and silver on silk, China — Odes of the State of Bin
Ma Hezhi
Emperor Gaozong
mid-12th century

Pleasure Boats on the Sumida River beneath Shin-Ōhashi Bridge
, Chōbunsai Eishi Japanese, Pentaptych of woodblock prints; ink and color on paper, Japan — Pleasure Boats on the Sumida River beneath Shin-Ōhashi Bridge
Chōbunsai Eishi
ca. 1792

Fuji no Uraha, Chōbunsai Eishi Japanese, Two sheets from a triptych of woodblock prints; ink and color on paper, Japan — Fuji no Uraha
Chōbunsai Eishi
ca. 1790

Geisha Preparing for an Entertainment, Chōbunsai Eishi Japanese, Triptych of woodblock prints; ink and color on paper, Japan — Geisha Preparing for an Entertainment
Chōbunsai Eishi
ca. 1794

The Yoshiwara Parade in Autumn, Chōbunsai Eishi Japanese, Triptych of woodblock prints; ink and color on paper, Japan — The Yoshiwara Parade in Autumn
Chōbunsai Eishi
ca. 1793

Oiran and Attendants at the Ō Mon or Great Gate of the Yoshiwara, Chōbunsai Eishi Japanese, Triptych of woodblock prints (trimmed); ink and color on paper, Japan — Oiran and Attendants at the Ō Mon or Great Gate of the Yoshiwara
Chōbunsai Eishi
ca. 1794

A Cherry-Viewing Excursion by a Noble Lady and Attendants, Chōbunsai Eishi Japanese, Triptych of woodblock prints; ink and color on paper, Japan — A Cherry-Viewing Excursion by a Noble Lady and Attendants
Chōbunsai Eishi
ca. 1797

Spirit Summoner; Wild Geese Returning Home (Maboroshi; Rakugan) (right) and A Thin Veil of Clouds; Clearing Weather (Usugumo; Seiran) (left), from the series Eight Views of The Tale of Genji in the Floating World (Ukiyo Genji hakkei), Chōbunsai Eishi Japanese, Diptych of woodblock prints; ink and color on paper, Japan — Spirit Summoner; Wild Geese Returning Home (Maboroshi; Rakugan) (right) and A Thin Veil of Clouds; Clearing Weather (Usugumo; Seiran) (left), from the series Eight Views of The Tale of Genji in the Floating World (Ukiyo Genji hakkei)
Chōbunsai Eishi
1797–99

The Willow Shell (Yanagi-kai), from an Untitled Set of Beauty Prints on the Theme of Shells, Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — The Willow Shell (Yanagi-kai), from an Untitled Set of Beauty Prints on the Theme of Shells
Chōbunsai Eishi
ca. 1791

The Oiran Segawa of Matsubaya (the House of Pine), Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — The Oiran Segawa of Matsubaya (the House of Pine)
Chōbunsai Eishi
ca. 1788

The Treasure Boat, Chōbunsai Eishi Japanese, Triptych of woodblock prints; ink and color on paper, Japan — The Treasure Boat
Chōbunsai Eishi
ca. 1795

Print, Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — Print
Chōbunsai Eishi

Young Lady and Iris Garden, Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — Young Lady and Iris Garden
Chōbunsai Eishi

Two Oiran with Two Female Attendants in the Yoshiwara, Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — Two Oiran with Two Female Attendants in the Yoshiwara
Chōbunsai Eishi

Courtesan with a Letter in Her Mouth, Chōbunsai Eishi Japanese, Hanging scroll; ink and color on silk, Japan — Courtesan with a Letter in Her Mouth
Chōbunsai Eishi
1756–1815

Preparing New Year Decorations, Hosoda Eishi Japanese, Right-hand sheet from a triptych of woodblock prints; ink and color on paper, Japan — Preparing New Year Decorations
Hosoda Eishi
ca. 1788

A Parody of Yuranosuke in the Pleasure Quarters, Chōbunsai Eishi Japanese, Triptych of woodblock prints; ink and color on paper, Japan — A Parody of Yuranosuke in the Pleasure Quarters
Chōbunsai Eishi
ca. 1797

Shamisen, Plectrum and a Book, Chōbunsai Eishi Japanese, Woodblock print (surimono); ink and color on paper, Japan — Shamisen, Plectrum and a Book
Chōbunsai Eishi