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More than 10,000 results for Michiel van der Voort

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Design for a tomb, Pieter Verbruggen the Younger Flemish, Pen and brown ink, over red chalk, brown and gray wash — Design for a tomb
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument with an allegory of Time (recto); Design for a column (verso), Pieter Verbruggen the Younger Flemish, Black and red chalk, red and brown wash (recto); pen and brown ink, over red chalk, black chalk (verso) — Design for a sepulchral monument with an allegory of Time (recto); Design for a column (verso)
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument (recto); Fragment of a letter and notes (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, over red chalk and black chalk or graphite, red and brown wash — Design for a sepulchral monument (recto); Fragment of a letter and notes (verso)
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument with a portrait bust, Hendrik-Frans Verbruggen Flemish, Pen and brown ink, red and brown wash, red chalk, over black chalk or graphite — Design for a sepulchral monument with a portrait bust
Multiple artists/makers
1673

Design for a sepulchral monument (recto); Design for a sepulchral monument (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, over red chalk and black chalk or graphite, red and brown wash (recto); pen and brown ink, over black chalk or graphite (verso) — Design for a sepulchral monument (recto); Design for a sepulchral monument (verso)
Multiple artists/makers
late 17th century

Design for a reliquary, Pieter Verbruggen the Younger Flemish, Pen and brown ink, brown and gray wash, red chalk, over black chalk — Design for a reliquary
Multiple artists/makers
late 17th–early 18th century

Design for a sculptural group with God the Father in a niche, Pieter Verbruggen the Younger Flemish, Pen and brown ink, brush and brown wash, over black chalk or graphite — Design for a sculptural group with God the Father in a niche
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument with an allegory of Time, Pieter Verbruggen the Younger Flemish, Pen and brown ink, brown wash, over black chalk — Design for a sepulchral monument with an allegory of Time
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument with a portrait bust (recto); Design for a reliquary (?) (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, red chalk, brown and red wash, over black chalk or graphite (recto); black chalk or graphite (verso) — Design for a sepulchral monument with a portrait bust (recto); Design for a reliquary (?) (verso)
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument with two figures, Pieter Verbruggen the Younger Flemish, Pen and brown ink, over red and black chalk or graphite, brown-gray wash — Design for a sepulchral monument with two figures
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument (recto); Design for a sepulchral monument (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, over black chalk or graphite, red chalk and wash (recto); black chalk or graphite, red chalk (verso) — Design for a sepulchral monument (recto); Design for a sepulchral monument (verso)
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument with an allegory of Time (recto); Design for a sepulchral monument (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, over red chalk and black chalk or graphite, red and brown brownish gray wash (recto); pen and brown ink, over black chalk or graphite (verso) — Design for a sepulchral monument with an allegory of Time (recto); Design for a sepulchral monument (verso)
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument with a seated prophet or philosopher (recto); Sketches (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, over black chalk (recto); black chalk (verso) — Design for a sepulchral monument with a seated prophet or philosopher (recto); Sketches (verso)
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument with an allegory of Time (recto); Architectural sketch and fragment of a letter (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, red chalk, over black chalk or graphite, brown wash (recto); red chalk (verso) — Design for a sepulchral monument with an allegory of Time (recto); Architectural sketch and fragment of a letter (verso)
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument (recto); Design for a monument (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, over red chalk and black chalk or graphite, brown and brownish yellow wash (recto); pen and brown ink, black chalk (verso) — Design for a sepulchral monument (recto); Design for a monument (verso)
Multiple artists/makers
late 17th–early 18th century

Design for a monument (recto); Architectural sketches (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, brown wash, over black chalk or graphite (recto); black chalk or graphite, locally strengthened with pen and brown ink (verso) — Design for a monument (recto); Architectural sketches (verso)
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument with a seated female figure (recto); Design for a statue of a standing male figure and fragment of a letter (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, over red chalk and black chalk or graphite, red and brown wash, some white gouache (?) (recto); pen and brown ink, over black chalk or graphite (verso) — Design for a sepulchral monument with a seated female figure (recto); Design for a statue of a standing male figure and fragment of a letter (verso)
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument with Mary Magdalen and Saint Jerome (recto); Sketch (counterproof) and writing exercises (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink (recto); pen and brown ink, counterproof of a red chalk drawing (verso) — Design for a sepulchral monument with Mary Magdalen and Saint Jerome (recto); Sketch (counterproof) and writing exercises (verso)
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument in the form of a pulpit (recto); Fragment of a text (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, brush and brown wash, over black chalk or graphite — Design for a sepulchral monument in the form of a pulpit (recto); Fragment of a text (verso)
Multiple artists/makers
late 17th–early 18th century

Design for an altar, Hendrik-Frans Verbruggen Flemish, Pen and black ink, gray and red wash, over black chalk or graphite — Design for an altar
Multiple artists/makers
late 17th–early 18th century

Francesco d'Este (born ca. 1429, died after 1486), Rogier van der Weyden Netherlandish, Oil on wood — Francesco d'Este (born ca. 1429, died after 1486)
Rogier van der Weyden
ca. 1460

Men Shoveling Chairs (Scupstoel), Vranke van der Stockt Netherlandish, Pen and brown ink over traces of black chalk. — Men Shoveling Chairs (Scupstoel)
Vranke van der Stockt
1444–50

Clothing the Naked, Michiel Sweerts Flemish, Oil on canvas — Clothing the Naked
Michiel Sweerts
ca. 1661

Art by telephone : an exhibition organized by the Museum of Contemporary Art under the sponsorship of the American National Bank and Trust Company of Chicago, November 1 to December 14, 1969, Jan van der Marck — Art by telephone : an exhibition organized by the Museum of Contemporary Art under the sponsorship of the American National Bank and Trust Company of Chicago, November 1 to December 14, 1969
Jan van der Marck
Museum of Contemporary Art, Chicago
1969

Man in Prayer, Rogier van der Weyden Netherlandish, Oil on wood — Man in Prayer
Rogier van der Weyden
ca. 1440

Portrait of a Man, Hugo van der Goes Netherlandish, Oil on wood — Portrait of a Man
Hugo van der Goes
ca. 1475

A Benedictine Monk, Hugo van der Goes Netherlandish, Oil on wood — A Benedictine Monk
Hugo van der Goes

The Musician, Bartholomeus van der Helst Dutch, Oil on canvas — The Musician
Bartholomeus van der Helst
1662

The Farrier, Aert van der Neer Dutch, Oil on wood — The Farrier
Aert van der Neer
early or mid-1650s

Sports on a Frozen River, Aert van der Neer Dutch, Oil on wood — Sports on a Frozen River
Aert van der Neer
ca. 1660

Portrait of an Old Man, Hugo van der Goes Netherlandish, Oil on paper, laid down on wood — Portrait of an Old Man
Hugo van der Goes
ca. 1470–75

Man Holding a Jug, Michiel Sweerts Flemish, Oil on canvas — Man Holding a Jug
Michiel Sweerts
ca. 1660

Earrings, Van der Straeten French, a,b) metal, French — Earrings
Van der Straeten
late 1970s–early 1980s

Louis XIV, Martin van den Bogaert called Desjardins, Bronze, gilt bronze, French — Louis XIV
Martin van den Bogaert called Desjardins
Adam Frans van der Meulen
early 18th century

Margaretha van Clootwijk (born about 1580/81, died 1662), Michiel Jansz. van Mierevelt Netherlandish, Oil on wood — Margaretha van Clootwijk (born about 1580/81, died 1662)
Michiel Jansz. van Mierevelt
1639

Jacob van Dalen (1570–1644), Called Vallensis, Michiel Jansz. van Mierevelt Netherlandish, Oil on wood — Jacob van Dalen (1570–1644), Called Vallensis
Michiel Jansz. van Mierevelt
1640

Portrait of a Woman with a Lace Collar, Michiel Jansz. van Mierevelt Netherlandish, Oil on wood — Portrait of a Woman with a Lace Collar
Michiel Jansz. van Mierevelt
ca. 1632–35

Cabinet on stand, Jan van Mekeren Dutch, Oak veneered with rosewood, olivewood, ebony, holly, tulipwood, barberry and other partly green-stained marquetry woods, Dutch, Amsterdam — Cabinet on stand
Jan van Mekeren
ca. 1700–1710

The Crucifixion; The Last Judgment, Jan van Eyck Netherlandish, Oil on canvas, transferred from wood — The Crucifixion; The Last Judgment
Jan van Eyck
ca. 1436–38

The Huis ten Bosch at The Hague and Its Formal Garden (View from the South), Jan van der Heyden Dutch, Oil on wood — The Huis ten Bosch at The Hague and Its Formal Garden (View from the South)
Jan van der Heyden
ca. 1668–70