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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 3,519 results for Molini Publishing House
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Plate 1: the story (misfortunes) of Job, after the fresco by Taddeo Gaddi in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
ca. 1808–12
Plate 2: the story (misfortunes) of Job, after the frescoes by Taddeo Gaddi in the Campo Santo, Pisa, from "Pitture a fresco del Campo Santo di Pisa"
Multiple artists/makers
ca. 1808–12
Plate 6: the story of the Pisan saints, here the conversion of Saint Ranieri, after the frescoes by Simone Memmi in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
ca. 1808–12
Plate 9: the story of the Pisan saints, here a miracle associated with Saint Ranieri, after the frescoes by Antonio Veneziano in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
ca. 1808–12
Plate 10: the story of the Pisan saints, here the death of Saint Ranieri, after the frescoes by Antonio Veneziano in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
ca. 1808–12
Plate 12: the story of the Pisan saints, here the anchorites of Thebaid [Egypt], after the frescoes by Antonio Veneziano in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
ca. 1808–12
Plate 18: Noah's ark and the deluge after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
ca. 1808–12
Plate 2: Job and his friends, after the fresco by Taddeo Gaddi in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
ca. 1808–12
Plate 15: the Crucifixion after the frescoes by Buonamico Buffalmacco in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
ca. 1808–12
Plate 16: the Creation after the frescoes by Buonamico Buffalmacco in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
ca. 1808–12
Plate 17: The death of Abel after frescoes by Buffalmacco in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
ca. 1808–12
Plate 7: the story of the Pisan saints, here Saint Ranieri taking the habit of a hermit, after the frescoes by Simone Memmi in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
ca. 1808–12
Plate 8: the story of the Pisan saints, here a miracle associated with Saint Ranieri, after the frescoes by Simone Memmi in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
ca. 1808–12
Plate 11: the story of the Pisan saints, here the miracles associated with Saint Ranieri, after the frescoes by Antonio Veneziano in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
ca. 1808–12
Plate 13: the Last Judgement after the frescoes by the Orcagna brothers in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
ca. 1808–12
Plate 14: the Triumph of Death after the frescoes by Andrea Orcagna in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
ca. 1808–12
Plate 4: the story of the Pisan saints, here combat with saint Ephesus, after the frescoes by Spinello Aretino in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
1810
Plate 5: the story of the Pisan saints, here the martyrdom of saints Ephesus and Polito, after the frescoes by Spinello Aretino in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
ca. 1808–12
Plate 3: the presentation of Saint Efeso after the frescoes by Spinello Arentino in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
ca. 1808–12
Plate 40: the resurrection of Christ and other scenes after the frescoes by Spinello Arentino and Bruno in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (original series published 1812, this plate added after 1816)
Multiple artists/makers
after 1816
Plate 25: Hagar leaving the house of Abraham after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
ca. 1808–12
Plate 28: The marriage of Rebekah and Isaac after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
ca. 1808–12
Plate 38: the fall of Jericho and David and Goliath after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
ca. 1808–12
Plate 22: Abraham and others adoring false gods after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
ca. 1808–12
Plate 18: Abraham and Lot in Egypt after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
ca. 1808–12
Plate 19: The birth of Jacob and Esau after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
ca. 1808–12
Plate 20: The damnation of Ham (Cham) after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
ca. 1808–12
Plate 32: The innocence of Joseph after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
ca. 1808–12
Plate 21: The tower of Babel after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
ca. 1808–12
Plate 24: Abraham victorious after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
1808
Plate 35: crossing the Red Sea after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
ca. 1808–12
Opera coat, House of Paquin French, silk, French
Opera coat
House of Paquin
Jeanne Paquin
1912
Evening dress, House of Patou French, silk, French
Evening dress
House of Patou
Christian Lacroix
spring/summer 1987
"May", House of Dior French, silk, French
"May"
House of Dior
Christian Dior
spring/summer 1953
Ball gown, House of Worth French, silk, French
Ball gown
House of Worth
Charles Frederick Worth
ca. 1872
Coat, House of Chanel French, silk, metal, French
Coat
House of Chanel
Gabrielle Chanel
ca. 1927
"Cyclone", House of Lanvin French, silk, spangles, French
"Cyclone"
House of Lanvin
Jeanne Lanvin
1939
Evening wrap, House of Balenciaga French, silk, French
Evening wrap
House of Balenciaga
Cristobal Balenciaga
1951
Suit, House of Chanel French, wool, silk<br/>c) silk<br/>d,e) metal, French
Suit
House of Chanel
Gabrielle Chanel
spring/summer 1963
Evening dress, House of Balenciaga French, silk, French
Evening dress
House of Balenciaga
Cristobal Balenciaga
1951