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Portrait of a Man, Moretto da Brescia (Alessandro Bonvicino) Italian, Oil on canvas
Portrait of a Man
Moretto da Brescia (Alessandro Bonvicino)
ca. 1520–25
Christ in the Wilderness, Moretto da Brescia (Alessandro Bonvicino) Italian, Oil on canvas
Christ in the Wilderness
Moretto da Brescia (Alessandro Bonvicino)
ca. 1515–20
The Entombment, Moretto da Brescia (Alessandro Bonvicino) Italian, Oil on canvas
The Entombment
Moretto da Brescia (Alessandro Bonvicino)
1554
Kneeling St. Francis and St. Nicholas of Bari, Moretto da Brescia (Alessandro Bonvicino) Italian, Black chalk, highlighted with white, on blue paper
Kneeling St. Francis and St. Nicholas of Bari
After Moretto da Brescia (Alessandro Bonvicino)
1498–1554
Barbute, Pietro da Castello Italian, Steel, Italian, Brescia
Barbute
Armorer Pietro da Castello
ca. 1470–80
Barbute, Jacopo da Cannobio, called Bichignola Italian, Brescia, Steel, Italian, Brescia
Barbute
Armorer Jacopo da Cannobio, called Bichignola
ca. 1460
Giacomo Negroboni (da Valtrompia) of Brescia (d. 1527), Fra Giulio da Brescia, Wax on walnut (?), parchment, Italian, Venice
Giacomo Negroboni (da Valtrompia) of Brescia (d. 1527)
Probably by Fra Giulio da Brescia
probably 1527
The Visitation, the Virgin Mary and Elizabeth embracing, Joseph behind them at right
Francesco Cecchini
Intermediary draftsman Agostino Tofanelli
After Moretto da Brescia (Alessandro Bonvicino)
1799
Apollo and the Serpent Python, Pseudo Francesco Antonio da Brescia, Bronze, Italian, Brescia
Apollo and the Serpent Python
Pseudo Francesco Antonio da Brescia
16th century
Medal: Girolamo Savorgnan or Savorniano, Fra Antonio da Brescia, Bronze, Italian, Venice
Medal: Girolamo Savorgnan or Savorniano
Fra Antonio da Brescia
model before 1514 (cast 19th century)
Simone Michieli, Canon of Verona (1498–1535), Fra Antonio da Brescia, Bronze, olive-brown patina, cast, Northern Italian
Simone Michieli, Canon of Verona (1498–1535)
Medalist: Fra Antonio da Brescia
probably ca. 1515–25
Portrait medal of Niccolò Michiel (obverse); Alidea Contarini (reverse), Fra Antonio da Brescia, Gilt bronze, Italian, Venice
Portrait medal of Niccolò Michiel (obverse); Alidea Contarini (reverse)
Fra Antonio da Brescia
ca. 1500
Sleeping Amor, Pseudo Francesco Antonio da Brescia, Bronze, Northern Italian
Sleeping Amor
Pseudo Francesco Antonio da Brescia
ca. 1500
Manuscript Illumination with Joseph Sold by His Brothers in an Initial V, from an Antiphonary, Giovanni Pietro da Cemmo Italian, Tempera, ink and gold on parchment; leather binding, Italian
Manuscript Illumination with Joseph Sold by His Brothers in an Initial V, from an Antiphonary
Giovanni Pietro da Cemmo
ca. 1490
Candelabra grotesque with four children playing, from a series of twelve candelabra grotesques, Giovanni Antonio da Brescia Italian, Engraving
Candelabra grotesque with four children playing, from a series of twelve candelabra grotesques
Giovanni Antonio da Brescia
Former Attribution Giovanni Pietro da Birago
1490–1515
The descent from the cross, Bartolomeo da Brescia Italian, Engraving
The descent from the cross
Bartolomeo da Brescia
1565
A Satyr Holding a Violin, from Twelve Ornamental Panels, Giovanni Antonio da Brescia Italian, Engraving
A Satyr Holding a Violin, from Twelve Ornamental Panels
Giovanni Antonio da Brescia
Former Attribution Giovanni Pietro da Birago
1490–1515
A Nereid and Two Children Playing Musical Instruments, from Twelve Ornamental Panels, Giovanni Antonio da Brescia Italian, Engraving
A Nereid and Two Children Playing Musical Instruments, from Twelve Ornamental Panels
Giovanni Antonio da Brescia
Former Attribution Giovanni Pietro da Birago
1490–1515
A Triton and Two Infant Satyrs, from Twelve Ornamental Panels, Giovanni Antonio da Brescia Italian, Engraving
A Triton and Two Infant Satyrs, from Twelve Ornamental Panels
Giovanni Antonio da Brescia
Former Attribution Giovanni Pietro da Birago
1490–1515
Candelabra grostesque with two children wearing helmets, from a series of twelve candelabra grotesques, Giovanni Antonio da Brescia Italian, Engraving
Candelabra grostesque with two children wearing helmets, from a series of twelve candelabra grotesques
Giovanni Antonio da Brescia
Former Attribution Giovanni Pietro da Birago
1490–1515
Candelabra grotesque with four children with a cat and a dog, from a series of twelve candelabra grotesques, Giovanni Antonio da Brescia Italian, Engraving
Candelabra grotesque with four children with a cat and a dog, from a series of twelve candelabra grotesques
Giovanni Antonio da Brescia
Former Attribution Giovanni Pietro da Birago
1490–1515
Head of an old man, Giovanni Antonio da Brescia Italian, Engraving
Head of an old man
Giovanni Antonio da Brescia
After Leonardo da Vinci
Formerly attributed to Andrea Mantegna
ca. 1490–1525
Cupid riding a goat accompanied by two satyrs, landscape in the background, Giovanni Pietro da Birago Italian, Engraving
Cupid riding a goat accompanied by two satyrs, landscape in the background
Circle of Giovanni Pietro da Birago
Possibly by Giovanni Antonio da Brescia
ca. 1500–1505
Studies of Horses' Heads
Giovanni Antonio da Brescia
After Leonardo da Vinci
ca. 1500–1506
Three Horse Heads after Leonardo da Vinci
After Leonardo da Vinci
After Giovanni Antonio da Brescia
ca. 1580–1620
Two female figures seated in the clouds flanking an angel and another flying above carrying a banderole, Giovanni Antonio da Brescia Italian, Engraving
Two female figures seated in the clouds flanking an angel and another flying above carrying a banderole
Giovanni Antonio da Brescia
After Raphael (Raffaello Sanzio or Santi)
ca. 1510–25
Ignorance and Mercury (an allegory of Virtue and Vice), Mercury kneeling at right holding a staff and taking the hand of a man who emerges from a pile of naked bodies, at left a tree with the torso and head of a woman (Daphne), Giovanni Antonio da Brescia Italian, Engraving
Ignorance and Mercury (an allegory of Virtue and Vice), Mercury kneeling at right holding a staff and taking the hand of a man who emerges from a pile of naked bodies, at left a tree with the torso and head of a woman (Daphne)
Giovanni Antonio da Brescia
ca. 1490–1525
Joseph's cup found in Benjamin's sack from the biblical story of Joseph (Genesis 44); a scene with soldiers, mules and various figures, Giovanni Antonio da Brescia Italian, Engraving
Joseph's cup found in Benjamin's sack from the biblical story of Joseph (Genesis 44); a scene with soldiers, mules and various figures
Giovanni Antonio da Brescia
After Baldassarre Tommaso Peruzzi
ca. 1520–25
The Flagellation of Christ who is tied to a column at center set within an arcade, Giovanni Antonio da Brescia Italian, Engraving
The Flagellation of Christ who is tied to a column at center set within an arcade
Giovanni Antonio da Brescia
1509
The Triumph of Caesar: the senators, Giovanni Antonio da Brescia Italian, Engraving
The Triumph of Caesar: the senators
Attributed by Bartsch to Giovanni Antonio da Brescia
After Andrea Mantegna
1470–1525
The Virgin and Child enthroned within an elaborate architectural structure, flanked by four saints, at left St John the Baptist and St Angelus, at right St Albert and St Jerome, Giovanni Maria da Brescia Italian, Engraving printed in pale brown ink
The Virgin and Child enthroned within an elaborate architectural structure, flanked by four saints, at left St John the Baptist and St Angelus, at right St Albert and St Jerome
Giovanni Maria da Brescia
1500
Rime degli Accademici Occulti
Printer Printed by Vincenzo da Sabbio
Engraver Bartolomeo da Brescia
1568
Close-Helmet, Steel, leather, gold, Italian, Milan or Brescia
Close-Helmet
Italian, Milan or Brescia
ca. 1515, and later
Sea monster, Severo Calzetta da Ravenna Italian, Bronze, probably Italian, Padua
Sea monster
Workshop of Severo Calzetta da Ravenna
ca. 1500–1510
Plate with Paris Killing Achilles and arms of the Calini family, Nicolo da Gabriele Sbraghe Italian, Maiolica (tin-glazed earthenware), Italian, Urbino
Plate with Paris Killing Achilles and arms of the Calini family
Nicolo da Gabriele Sbraghe
ca. 1525
Candelabra grotesque with a child riding a triton, from a series of twelve candelabra grotesques
Giovanni Antonio da Brescia
Former Attribution Giovanni Pietro da Birago
1490–1515
Candelabra grotesque with three children blowing horns, from a series of twelve candelabra grotesques
Giovanni Antonio da Brescia
Former Attribution Giovanni Pietro da Birago
1490–1515
Candelabra grotesque with a nereid ridden by two children, from a series of twelve candelabra grotesques
Giovanni Antonio da Brescia
Former Attribution Giovanni Pietro da Birago
1490–1515
Candelabra grotesque with sphinxes supporting shields and two putti holding an oval cartouche, from a series of twelve candelabra grotesques
Giovanni Antonio da Brescia
Former Attribution Giovanni Pietro da Birago
1490–1515
Candelabra grotesque with griffins and two cupids crossing halberds, from a series of twelve candelabra grotesques
Giovanni Antonio da Brescia
Former Attribution Giovanni Pietro da Birago
1490–1515
Candelabra grotesque with sphinxes and two children holding palms, from a series of twelve candelabra grotesques
Giovanni Antonio da Brescia
Former Attribution Giovanni Pietro da Birago
1490–1515
The Holy Family with Saint Elizabeth and the Infant John the Baptist, Andrea Mantegna Italian, Pen and brown ink, brush and greenish gray and brown wash, gray wash applied to the background, probably by a later hand., Italian
The Holy Family with Saint Elizabeth and the Infant John the Baptist
Follower of Andrea Mantegna
early 16th century