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7 results for Musée Fabre
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Department
Winter, Jean Antoine Houdon French, Bronze, French, Paris
Winter
Jean Antoine Houdon
1787
Marius at Minturnae, François-Xavier Fabre French, Etching and aquatint, printed in brown ink on wove paper
Marius at Minturnae
François-Xavier Fabre
ca. 1796–1800
Study for "The Hours," Hôtel Pereire, Paris, Alexandre Cabanel French, Red chalk
Study for "The Hours," Hôtel Pereire, Paris
Alexandre Cabanel
ca. 1864
Study for the Leaning Male Figure on the Right Foreground in the Disputa, Stanza della Segnatura; Draft of a Petrarchan Sonnet; an Interlaced Monogram with “M” (recto); Two Further Studies for the Same Figure (verso), Raphael (Raffaello Sanzio or Santi) Italian, Pen and brown ink over preliminary stylus underdrawing on cream colored paper, some stylus-ruled lines, monogram in black chalk (recto); pen and brown ink over preliminary stylus underdrawing, some stylus-ruled lines (verso)
On loan to The Met
Study for the Leaning Male Figure on the Right Foreground in the Disputa, Stanza della Segnatura; Draft of a Petrarchan Sonnet; an Interlaced Monogram with “M” (recto); Two Further Studies for the Same Figure (verso)
Raphael (Raffaello Sanzio or Santi)
ca. 1509-11
The Virgin and Child (Cartoon for the Tempi Madonna), Raphael (Raffaello Sanzio or Santi) Italian, Black chalk, charcoal, highlighted with white gouache, with preliminary stylus underdrawing by the artist and some outlines of the design pricked for transfer of the design; originally on six fragmentary glued sheets of off-white paper; retouched by early modern restorers; matted onto cardboard, glued onto canvas, glued onto further cardboard.
On loan to The Met
The Virgin and Child (Cartoon for the Tempi Madonna)
Raphael (Raffaello Sanzio or Santi)
ca. 1507
Saint Philip Benizi Converting Two Wicked Women at the City of Todi, Bernardino Poccetti Italian, Brush and gray wash, highlighted with white gouache, on brownish paper
Saint Philip Benizi Converting Two Wicked Women at the City of Todi
Bernardino Poccetti
1608–9
Christ Appearing to Saint Mary Magdalen ("Noli Me Tangere"), Jacopo Bassano (Jacopo da Ponte) Italian, Brush and brown wash, highlighted with white gouache, over traces of black chalk
Christ Appearing to Saint Mary Magdalen ("Noli Me Tangere")
Attributed to Jacopo Bassano (Jacopo da Ponte)
ca. 1560