Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 109 results for Myōchin Sadahisa

Sort by:

Myōchin Sadahisa

19th century

Mask, Myōchin Muneakira Japanese, Iron, lacquer, textile (silk), Japanese — Mask
Myōchin Muneakira
dated 1745

Armor (<i>Gusoku</i>), Saotome Ietada Japanese, Iron, lacquer, silk, gilt copper, Japanese — Armor (Gusoku)
Saotome Ietada
Myōchin Munesuke
16th and 18th centuries

Breastplaste Depecting Character Hachiman, God of War, Myōchin Morisuke Japanese, Steel, lacquer, and copper alloy, Japanese — Breastplaste Depecting Character Hachiman, God of War
Myōchin Morisuke
Myōchin Munesuke
18th century

Armor (<i>Gusoku</i>), Myōchin Munesuke Japanese, Iron, lacquer, silk, copper, gold, Japanese — Armor (Gusoku)
Myōchin Munesuke
early 18th century

Full Mask (Sōmen)

Myōchin family

17th–18th century

Crawfish Figure, Myōchin Muneyoshi, Iron, Japan — Crawfish Figure
Myōchin Muneyoshi

Ritual Bowl, Myōchin Munesuke Japanese, Hammered iron with gold leaf on interior, Japan — Ritual Bowl
Myōchin Munesuke
1716

Metal plaque with Fudō Myōō and attendants Seitaka Dōji and Kongara Dōji, Myōchin Nobuie Japanese, Iron, Japan — Metal plaque with Fudō Myōō and attendants Seitaka Dōji and Kongara Dōji
Myōchin Nobuie
16th century

Mask (Sōmen) in the Shape of a Grimacing Man, Myōchin Munesuke Japanese, Iron, lacquer, gold, Japanese — Mask (Sōmen) in the Shape of a Grimacing Man
Myōchin Munesuke
early 18th century

Mask, Myōchin Muneakira Japanese, Iron, lacquer, Japanese — Mask
Myōchin Muneakira
dated 1713

Mask, Myōchin Muneakata Japanese, Iron, lacquer, Japanese — Mask
Myōchin Muneakata
18th century

Mask with Neck Guard, Myōchin Munemitsu Japanese, Iron, lacquer, gold, leather, textile (silk), Japanese — Mask with Neck Guard
Myōchin Munemitsu
18th century

Half Mask (Ho-ate) with Neck Guard, Myōchin Munetomo Japanese, Iron, lacquer, textile (silk), Japanese — Half Mask (Ho-ate) with Neck Guard
Myōchin Munetomo
dated January 1730

Sword Guard (Tsuba), Nobuiye Myōchin Japanese, Iron, lead, gold, Japanese — Sword Guard (Tsuba)
Nobuiye Myōchin
16th century

Mask, Myōchin Muneakira Japanese, Iron, lacquer, Japanese — Mask
Myōchin Muneakira
dated 1715

Okimono in the Form of a Raven, Myōchin Munesuke Japanese, Steel, Japanese — Okimono in the Form of a Raven
Myōchin Munesuke
early 18th century

Armor (<i>Nimaidō Gusoku</i>), Myōchin Muneakira Japanese, Iron, copper, copper-gold alloy (<i>shakudō</i>), gold, silver, horn, leather, silk, Japanese — Armor (Nimaidō Gusoku)
Multiple artists/makers
armor, dated 1717; helmet, late 16th century; restorations, 2015

Armor (<i>Gusoku</i>), Saotome Ietada Japanese, Iron, lacquer, silk, gilt copper, Japanese — Armor (Gusoku)
Saotome Ietada
Myōchin Munesuke
16th and 18th centuries

War Hat (Jingasa), Masuda Myōchin Munenobu Japanese, Iron, gold, silver, copper, Japanese — War Hat (Jingasa)
Masuda Myōchin Munenobu
17th century

Myōchin Munenaga

dated 1709

Myochin Ki Muneyuki

18th century

Netsuke of Three Rats, Nagahisa, Ivory, Japan — Netsuke of Three Rats
Nagahisa
first half of the 19th century

Saya Inrō with Bamboo Grove (exterior) and Rooster with Hen (interior), Koma Sadahide Japanese, Sheath shape; lacquered wood with gold and silver togidashimaki-e on black lacquer ground Netsuke: sage lashing his back with a fly whisk; wood with coral and ivory inlay Ojime: bronze bead with metal inlay of flowers, Japan — Saya Inrō with Bamboo Grove (exterior) and Rooster with Hen (interior)
Koma Sadahide
second half of the 18th century

Pressing board, Sadahiko Tabata Japanese, Japan — Pressing board
Sadahiko Tabata
19th century

"Kanazawa 78", from the series Solitude of Ravens, Masahisa Fukase Japanese, Gelatin silver print, Japan — "Kanazawa 78", from the series Solitude of Ravens
Masahisa Fukase
1978

"Erimo Cape, 1976", from the series Solitude of Ravens, Masahisa Fukase Japanese, Gelatin silver print, Japan — "Erimo Cape, 1976", from the series Solitude of Ravens
Masahisa Fukase
1976

Ravens, Kanazawa, Japan, Masahisa Fukase Japanese, Gelatin silver print — Ravens, Kanazawa, Japan
Masahisa Fukase
1986

Ravens, Erimo Cape, Japan, Masahisa Fukase Japanese, Gelatin silver print — Ravens, Erimo Cape, Japan
Masahisa Fukase
1976

The Battle of Tsukushi, from the Earlier Chronicle of Grand Pacification (Zen Taiheiki), Utagawa Sadahide Japanese, Triptych of woodblock prints; ink and color on paper, Japan — The Battle of Tsukushi, from the Earlier Chronicle of Grand Pacification (Zen Taiheiki)
Utagawa Sadahide
1848

Japanese and Chinese Poems of the Four Seasons, Konoe Sakihisa Japanese, Pair of six-panel folding screens; ink, color, and metallic pigments on decorated-paper shikishi (poetry cards) on gold leaf, Japan — Japanese and Chinese Poems of the Four Seasons
Konoe Sakihisa
late 16th–early 17th century

Letter, Konoe Sakihisa Japanese, Handscroll; ink on paper, Japan — Letter
Konoe Sakihisa

Landscape View at Yokohama (Yokohama fūkei), Utagawa (Gountei) Sadahide Japanese, Woodblock print; ink and color on paper, Japan — Landscape View at Yokohama (Yokohama fūkei)
Utagawa (Gountei) Sadahide
2nd month, 1860

The Newly Opened Port of Yokohama in Kanagawa Prefecture (Kanagawa Yokohama shinkaikōzu)

, Utagawa (Gountei) Sadahide Japanese, Triptych of woodblock prints (nishiki-e); ink and color on paper, Japan — The Newly Opened Port of Yokohama in Kanagawa Prefecture (Kanagawa Yokohama shinkaikōzu)
Utagawa (Gountei) Sadahide
2nd month, 1860

View of the Yokohama Pleasure Quarters of Kanagawa at Cherry Blossom Time, Utagawa (Gountei) Sadahide Japanese, Triptych of woodblock prints; ink and color on paper, Japan — View of the Yokohama Pleasure Quarters of Kanagawa at Cherry Blossom Time
Utagawa (Gountei) Sadahide
2nd month, 1860

A Distant View of Yokohama Honmura, the Licensed District, Noge Bridge, and Yoshida Bridge, from the Entrance to Yokohama near the Mountain Pass at at Noge Village, Utagawa (Gountei) Sadahide Japanese, Woodblock print; ink and color on paper, Japan — A Distant View of Yokohama Honmura, the Licensed District, Noge Bridge, and Yoshida Bridge, from the Entrance to Yokohama near the Mountain Pass at at Noge Village
Utagawa (Gountei) Sadahide
3rd month, 1860

Detailed Print of Yokohama Hon-chō and the Miyozaki Pleasure Quarter, Utagawa (Gountei) Sadahide Japanese, Triptych of woodblock prints; ink and color on paper, Japan — Detailed Print of Yokohama Hon-chō and the Miyozaki Pleasure Quarter
Utagawa (Gountei) Sadahide
4th month, 1860

Two Views: Waterfront at Kaigan-chō, 3-chome and 4-chome, and the Entrance to the Gankirō Tea House, Utagawa (Gountei) Sadahide Japanese, Woodblock print; ink and color on paper, Japan — Two Views: Waterfront at Kaigan-chō, 3-chome and 4-chome, and the Entrance to the Gankirō Tea House
Utagawa (Gountei) Sadahide
4th month, 1860

Pictorial Guide to Yokohama Harbor, Utagawa (Gountei) Sadahide Japanese, Triptych of woodblock prints; ink and color on paper, Japan — Pictorial Guide to Yokohama Harbor
Utagawa (Gountei) Sadahide
7th month, 1860

American Woman Playing a Concertina, from the series Life Drawings of People from Foreign Nations

, Utagawa (Gountei) Sadahide Japanese, Woodblock print; ink and color on paper, Japan — American Woman Playing a Concertina, from the series Life Drawings of People from Foreign Nations
Utagawa (Gountei) Sadahide
1860