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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 622 results for Peck & Snyder
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Peck & Snyder
1875
Double-Barreled Wheellock Pistol Made for Emperor Charles V (reigned 1519–56), Peter Peck  German, Steel, gold, wood (cherry), staghorn, German, Munich
Peter Peck
Ambrosius Gemlich
ca. 1540–45
Handkerchief, Peck & Peck  American, linen, American
Peck & Peck
ca. 1930
Stockings, Peck & Peck  American, silk, American
Peck & Peck
1900–1915
Handkerchief, Peck & Peck  American, Printed cotton, American
Peck & Peck
1933
Textile, Peck & Peck  American, Printed cotton, American
Peck & Peck
1927
In the City III, George Peck  American, Oil and wood on canvas
George Peck
1984
Heart On, Joan Snyder  American, Oil, acrylic, paper, fabric, cheesecloth, papier maché, mattress batting, and thread on canvas
Joan Snyder
1975
Smashed Strokes Hope, Joan Snyder  American, Oil on canvas
Joan Snyder
1971
Angry Woman, from "Femfolio", Joan Snyder  American, Digital print with color lithography and hand coloring
Multiple artists/makers
2007
For The Children, Joan Snyder  American, Woodcut and stencil
Joan Snyder
1988
Imagine, Joan Snyder  American, Soft-ground etching and sugar lift aquatint on Arches paper
Joan Snyder
Paul Levitt
1975
Cow, Joan Snyder  American, Soft-ground etching, spit bite, sugar lift aquatint, open bite, and etching on Arches paper
Joan Snyder
Aeropress
1978
Resurrection Etching, Joan Snyder  American, Photo etching, soft-ground etching, color sugar lift aquatint (from two plates), open bite, and line etching on Arches paper
Joan Snyder
Aeropress
1978–81
Mommy Why?, Joan Snyder  American, Woodcut hand-inked with oil paint by the artist on Yamato mulberry paper
Joan Snyder
Chip Elwell
1983–84
Resurrection Etching (WP1), Joan Snyder  American, Photo etching, soft-ground etching, sugar lift etching, and open bite (with some sections, at left, collaged) on Arches paper
Joan Snyder
1978–81
Resurrection Etching (WP5), Joan Snyder  American, Photo etching, soft-ground etching, sugar lift etching, open bite, aquatint, and line etching on Arches paper
Joan Snyder
1978–81
Resurrection Etching (WP6), Joan Snyder  American, Photo etching, soft-ground etching, sugar lift etching, open bite, aquatint, line etching with collage, graphite, and watercolor on Arches paper
Joan Snyder
1978–81
Resurrection Etching (WP7), Joan Snyder  American, Photo etching, soft-ground etching, sugar lift etching, open bite, color aquatint (from one plate), and line etching on Arches paper
Joan Snyder
1978–81
Resurrection Etching (WP9), Joan Snyder  American, Sugar lift aquatint on Arches paper
Joan Snyder
1978–81
Things Have Tears and We Know Suffering, Joan Snyder  American, Woodcut
Joan Snyder
1984
Mommy Why?, Joan Snyder  American, Woodcut
Joan Snyder
1983–84
Dancing in the Dark, Joan Snyder  American, Woodcut
Joan Snyder
1982–84
Wendy Snyder MacNeil
1987
Wendy Snyder MacNeil
1977, printed 1981
The Broadway Tabernacle, New York, in Anniversary Week, Snyder, Black & Sturn  American, Lithograph
Snyder, Black & Sturn
ca. 1856
Unknown
Peck & Co.
ca. 1857
H. A. Smith
Peck & Co.
1850s–60s
Evening top hat, Knox  American, Silk, hair, wool, American
Knox
Schumm & Snyder Hat Shop
ca. 1930
Joan Snyder
Aeropress
1978
Joan Snyder
Rutgers University
1996
Multiple artists/makers
1998
Multiple artists/makers
2006
Joan Snyder
Jungle Press Editions, Ltd.
2010
Joan Snyder
1978
Joan Snyder
1978
Joan Snyder
1978
Joan Snyder
1978
Joan Snyder
1978
Joan Snyder
1978