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Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 134 results for Pellegrino Tibaldi

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Saint John the Baptist Baptizing the Multitude, Pellegrino Tibaldi Italian, Pen and brown ink, brush and brown wash — Saint John the Baptist Baptizing the Multitude
Pellegrino Tibaldi
1554–56

Six Studies of Animal Heads and of a Cartouche, Pellegrino Tibaldi Italian, Pen and brown ink, with head in upper left corner drawn in red chalk — Six Studies of Animal Heads and of a Cartouche
Pellegrino Tibaldi
Perino del Vaga (Pietro Buonaccorsi)
1527–96

Study for the Figure of Aeolus, Pellegrino Tibaldi Italian, Red chalk — Study for the Figure of Aeolus
Pellegrino Tibaldi
1549–51

Seated satyr, with enlarged head of same (recto); Head of a woman (verso), Pellegrino Tibaldi Italian, Pen and brown ink, brush and brown wash, with traces of highlighting in white gouache on faded blue paper (recto); black chalk and charcoal highlighted with traces of white chalk (?) (verso) — Seated satyr, with enlarged head of same (recto); Head of a woman (verso)
Pellegrino Tibaldi
1527–96

Design for a Wall Elevation with Grotesques, Anonymous, Italian, second half of the 16th century Italian, Pen and brown ink, brush and brown wash; some stylus ruling; highlighted with white gouache; on blue paper — Design for a Wall Elevation with Grotesques
Anonymous, Italian, second half of the 16th century
Pellegrino Tibaldi
ca. 1540–70

Tobias and the Angel, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving — Tobias and the Angel
Cherubino Alberti (Zaccaria Mattia)
Pellegrino Tibaldi
1575

Design of a fireplace, Giovanni Battista Brustolon Italian, Etching — Design of a fireplace
Giovanni Battista Brustolon
Pellegrino Tibaldi
1756

Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at left, Bartolomeo Crivellari Italian, Etching and engraving — Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at left
Multiple artists/makers
1756

Plate 15: mythological figure wearing a helmet and holding a shield, Bartolomeo Crivellari Italian, Etching and engraving — Plate 15: mythological figure wearing a helmet and holding a shield
Multiple artists/makers
1756

Plate 16: mythological figure holding a mirror, Bartolomeo Crivellari Italian, Etching and engraving — Plate 16: mythological figure holding a mirror
Multiple artists/makers
1756

Plate 17: two nude figures wearing veils, Bartolomeo Crivellari Italian, Etching and engraving — Plate 17: two nude figures wearing veils
Multiple artists/makers
1756

Plate 18: two nude figures wearing veils, seen from behind, Bartolomeo Crivellari Italian, Etching and engraving — Plate 18: two nude figures wearing veils, seen from behind
Multiple artists/makers
1756

Plate 19: figure seen from behind with left hand raised, Bartolomeo Crivellari Italian, Etching and engraving — Plate 19: figure seen from behind with left hand raised
Multiple artists/makers
1756

Plate 20: bearded figure, half clothed, Bartolomeo Crivellari Italian, Etching and engraving — Plate 20: bearded figure, half clothed
Multiple artists/makers
1756

Plate 21: two nude figures wearing veils, seen from behind, Bartolomeo Crivellari Italian, Etching and engraving — Plate 21: two nude figures wearing veils, seen from behind
Multiple artists/makers
1756

Plate 22: two nude figures wearing veils, Bartolomeo Crivellari Italian, Etching and engraving — Plate 22: two nude figures wearing veils
Multiple artists/makers
1756

Plate 24: Ulysses's companions stealing the oxen sacred to Apollo, Bartolomeo Crivellari Italian, Etching and engraving — Plate 24: Ulysses's companions stealing the oxen sacred to Apollo
Multiple artists/makers
1756

Plate 25: a shipwreck, Bartolomeo Crivellari Italian, Etching and engraving — Plate 25: a shipwreck
Multiple artists/makers
1756

Plate 26: Ulysses escaping on a raft with the aid of the sea deity Leucothea, Bartolomeo Crivellari Italian, Etching and engraving — Plate 26: Ulysses escaping on a raft with the aid of the sea deity Leucothea
Multiple artists/makers
1756

Plate 27: Ulysses received by Alcinous king of Phoeacia and his Queen Areta after his shipwreck, Bartolomeo Crivellari Italian, Etching and engraving — Plate 27: Ulysses received by Alcinous king of Phoeacia and his Queen Areta after his shipwreck
Multiple artists/makers
1756

A standing man in a niche holding an open book, Bartolomeo Crivellari Italian, Etching and engraving — A standing man in a niche holding an open book
Multiple artists/makers
1756

A standing man in a niche reaching forward with one arm, Bartolomeo Crivellari Italian, Etching and engraving — A standing man in a niche reaching forward with one arm
Multiple artists/makers
1756

A standing man in a niche with his elbow resting on a column, Bartolomeo Crivellari Italian, Etching and engraving — A standing man in a niche with his elbow resting on a column
Multiple artists/makers
1756

Plate 5: view of the ceiling with its ornaments and frescoed paintings, Bartolomeo Crivellari Italian, Etching — Plate 5: view of the ceiling with its ornaments and frescoed paintings
Multiple artists/makers
1756

Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at left, Sebastiano Gamma Italian, Etching and engraving — Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at left
Multiple artists/makers
1756

A standing man in a niche looking toward the left, Bartolomeo Crivellari Italian, Etching and engraving — A standing man in a niche looking toward the left
Multiple artists/makers
1756

Minerva assisting Prometheus as he attempts to scale the heavens, Bartolomeo Crivellari Italian, Etching and engraving — Minerva assisting Prometheus as he attempts to scale the heavens
Multiple artists/makers
1756

Three bearded men, one wearing fur, Bartolomeo Crivellari Italian, Etching and engraving — Three bearded men, one wearing fur
Multiple artists/makers
1756

Plate 40: the division of the elect from the reprobate, Bartolomeo Crivellari Italian, Etching and engraving — Plate 40: the division of the elect from the reprobate
Multiple artists/makers
1756

Plate 41: Saint John the Baptist preaching to a large crowd and baptizing children, Bartolomeo Crivellari Italian, Etching and engraving — Plate 41: Saint John the Baptist preaching to a large crowd and baptizing children
Multiple artists/makers
1756

Plate 6: Ulysses driving a burning stake into Polyphemus' eye, Bartolomeo Crivellari Italian, Etching and engraving — Plate 6: Ulysses driving a burning stake into Polyphemus' eye
Multiple artists/makers
1756

Plate 7: the blinded Polyphemus, guarding the entrance of his cavern, with Ulysses and his companions escaping below by covering themselves with ram skins, Bartolomeo Crivellari Italian, Etching and engraving — Plate 7: the blinded Polyphemus, guarding the entrance of his cavern, with Ulysses and his companions escaping below by covering themselves with ram skins
Multiple artists/makers
1756

Plate 8: Ulysses receiving the winds in a leather bag from Aeolus, Bartolomeo Crivellari Italian, Etching and engraving — Plate 8: Ulysses receiving the winds in a leather bag from Aeolus
Multiple artists/makers
1756

Plate 9: the Greeks opening the bag of wind, thinking there is gold inside, driving their vessel to the island of Circe, Bartolomeo Crivellari Italian, Etching and engraving — Plate 9: the Greeks opening the bag of wind, thinking there is gold inside, driving their vessel to the island of Circe
Multiple artists/makers
1756

Plate 10: Ulysses compelling Circe to restore his companions' human shapes, which she had changed into monsters, Bartolomeo Crivellari Italian, Etching and engraving — Plate 10: Ulysses compelling Circe to restore his companions' human shapes, which she had changed into monsters
Multiple artists/makers
1756

Juvenis ascultans seni de divinis admonenti (My Son attend unto my Wisdom, and bow thine Ear to my Understanding (Proverbs V)): Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II

Multiple artists/makers

1793–98

Madonna of the Rose, Domenico Tibaldi Italian, Engraving — Madonna of the Rose
Domenico Tibaldi
Parmigianino (Girolamo Francesco Maria Mazzola)
1560–75

Madonna of the Rose, she reaches for a rose held by the Christ child, who rests his left arm on a globe, Domenico Tibaldi Italian, Engraving — Madonna of the Rose, she reaches for a rose held by the Christ child, who rests his left arm on a globe
Domenico Tibaldi
Parmigianino (Girolamo Francesco Maria Mazzola)
1560–75

The Printmaking Workshop, Pellegrino dal Colle Italian, Engraving — The Printmaking Workshop
Multiple artists/makers
1750–1800

Livre de Moresques, Francesco di Pellegrino Italian, Woodcut — Livre de Moresques
Multiple artists/makers
1546