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1-42 of 174 results for Pellerin
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Object type / material
Geographic location
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Armor of Henry II, King of France (reigned 1547–59), Jean Cousin the Elder French, Steel, gold, silver, leather, textile, French, possibly Paris
Armor of Henry II, King of France (reigned 1547–59)
Jean Cousin the Elder
Baptiste Pellerin
ca. 1555
XIXth Cent. French Broadsheets-- Scenes published by Pellerin, Epinal
Pellerin
Garcia
1850–1900
Album d'Images d'Epinal
Charles Pellerin
n.d.
The Eiffel Tower, from the Petites Constructions, no. 1360, Imagerie d'Épinal, Pellerin & Cie. French, Lithograph with hand-coloring
The Eiffel Tower, from the Petites Constructions, no. 1360
Imagerie d'Épinal, Pellerin & Cie.
1880–1900
The Velocipedes, from the Grandes Constructions, no. 518, Imagerie d'Épinal, Pellerin & Cie. French, Lithograph with hand-coloring
The Velocipedes, from the Grandes Constructions, no. 518
Imagerie d'Épinal, Pellerin & Cie.
1880–1900
The Statue of Liberty, from the Grandes Constructions, no. 417, Imagerie d'Épinal, Pellerin & Cie. French, Lithograph with hand-coloring
The Statue of Liberty, from the Grandes Constructions, no. 417
Imagerie d'Épinal, Pellerin & Cie.
1880–1900
A Napoleon III, Empereur des Français
Imagerie d'Épinal, Pellerin & Cie.
late 19th century
Images d'Êpinal. 2 Vols.
Imagerie d'Épinal, Pellerin & Cie.
n.d.
Histoire d'un Nez Cassé
Imagerie d'Épinal, Pellerin & Cie.
n.d.
Le Chat Botté [Puss in Boots]
Charles Perrault
Imagerie d'Épinal, Pellerin & Cie.
probably mid-19th century
Le Cirque des Animaux. Chez les Bêtes Modern Série
Jeanne-Bénita Azaïs
Imagerie d'Épinal, Pellerin & Cie.
n.d.
Bacchus and Ariadne, Giovanni Antonio Pellegrini Italian, Oil on canvas
Bacchus and Ariadne
Giovanni Antonio Pellegrini
1720s
The Last Supper, Giovanni Antonio Pellegrini Italian, Pen and brown ink, wash
The Last Supper
Giovanni Antonio Pellegrini
ca. 1705
Von der Kunnst Perspectiva, Jean Pelerin French, Woodcut
Von der Kunnst Perspectiva
Multiple artists/makers
1540
Donna davanti ad altarino, Partinico
Enzo Sellerio
1954, printed 1998
Study for the Figure of Aeolus, Pellegrino Tibaldi Italian, Red chalk
Study for the Figure of Aeolus
Pellegrino Tibaldi
1549–51
Caricature of James McNeil Whistler, Carlo Pellegrini Italian, Graphite
Caricature of James McNeil Whistler
Carlo Pellegrini
James McNeill Whistler
1883
Seated satyr, with enlarged head of same (recto); Head of a woman (verso), Pellegrino Tibaldi Italian, Pen and brown ink, brush and brown wash, with traces of highlighting in white gouache on faded blue paper (recto); black chalk and charcoal highlighted with traces of white chalk (?) (verso)
Seated satyr, with enlarged head of same (recto); Head of a woman (verso)
Pellegrino Tibaldi
1527–96
Six Studies of Animal Heads and of a Cartouche, Pellegrino Tibaldi Italian, Pen and brown ink, with head in upper left corner drawn in red chalk
Six Studies of Animal Heads and of a Cartouche
Pellegrino Tibaldi
Perino del Vaga (Pietro Buonaccorsi)
1527–96
Saint John the Baptist Baptizing the Multitude, Pellegrino Tibaldi Italian, Pen and brown ink, brush and brown wash
Saint John the Baptist Baptizing the Multitude
Pellegrino Tibaldi
1554–56
Portrait of Whistler, Carlo Pellegrini Italian, Drypoint
Portrait of Whistler
Carlo Pellegrini
James McNeill Whistler
1881
James McNeill Whistler, Carlo Pellegrini Italian, Etching with plate tone
James McNeill Whistler
Carlo Pellegrini
James McNeill Whistler
19th century
Madonna and Child, Master of the Pellegrini Chapel, Terracotta, polychromed and gilded, Italian, Tuscany
Madonna and Child
Master of the Pellegrini Chapel
ca. 1430
Madonna and Child, Master of the Pellegrini Chapel, Terracotta, Italian, Tuscany
Madonna and Child
Master of the Pellegrini Chapel
1400–1450
Livre de Moresques, page 9 (verso), Francesco di Pellegrino Italian, Woodcut
Livre de Moresques, page 9 (verso)
Multiple artists/makers
1546
Livre de Moresques, page 7 (recto), Francesco di Pellegrino Italian, Woodcut
Livre de Moresques, page 7 (recto)
Multiple artists/makers
1546
Livre de Moresques, page 11 (recto), Francesco di Pellegrino Italian, Woodcut
Livre de Moresques, page 11 (recto)
Multiple artists/makers
1546
Livre de Moresques, page 13 (verso), Francesco di Pellegrino Italian, Woodcut
Livre de Moresques, page 13 (verso)
Multiple artists/makers
1546
Livre de Moresques, page 15 (verso), Francesco di Pellegrino Italian, Woodcut
Livre de Moresques, page 15 (verso)
Multiple artists/makers
1546
Livre de Moresques, page 16 (recto), Francesco di Pellegrino Italian, Woodcut
Livre de Moresques, page 16 (recto)
Multiple artists/makers
1546
Livre de Moresques, page 16 (verso), Francesco di Pellegrino Italian, Woodcut
Livre de Moresques, page 16 (verso)
Multiple artists/makers
1546
Scene with tailors and beggars, Pellegrino dal Colle Italian, Etching and engraving
Scene with tailors and beggars
Multiple artists/makers
1757–1812
A group of people gambling, Pellegrino dal Colle Italian, Etching
A group of people gambling
Multiple artists/makers
1770–1800
Livre de Moresques, Francesco di Pellegrino Italian, Woodcut
Livre de Moresques
Multiple artists/makers
1546
The Printmaking Workshop, Pellegrino dal Colle Italian, Engraving
The Printmaking Workshop
Multiple artists/makers
1750–1800
The Head of Pompey Presented to Julius Caesar (recto); Study for an Elaborate Door Frame (verso), Giovanni Antonio Pellegrini Italian, Pen and brown ink, brush and brown wash, over red and black chalk; traces of white chalk at upper right edge (recto); pen and brown ink, brush and brown wash, over black chalk (verso)
The Head of Pompey Presented to Julius Caesar (recto); Study for an Elaborate Door Frame (verso)
Giovanni Antonio Pellegrini
1675–1741
Virgin Standing on Clouds Holding a Scapular in Her Left Hand, Giovanni Antonio Pellegrini Italian, Pen and brown ink, brush and gray wash, over black chalk
Virgin Standing on Clouds Holding a Scapular in Her Left Hand
Giovanni Antonio Pellegrini
1675–1741
The Annunciation, Giovanni Antonio Pellegrini Italian, Pen and brown ink, brush and brown wash, over graphite or lead; framing lines with scalloped top border in brush and brown wash
The Annunciation
Giovanni Antonio Pellegrini
1695–1741
Design for a Ceiling: Allegories of the Four Continents, Giovanni Antonio Pellegrini Italian, Brush and gray wash, over graphite or lead; framing lines in pen and black ink; four sections of paper, two center parts joined together
Design for a Ceiling: Allegories of the Four Continents
Giovanni Antonio Pellegrini
1725
Livre de Moresques, page 10 (recto), Francesco di Pellegrino Italian, Woodcut
Livre de Moresques, page 10 (recto)
Multiple artists/makers
1546
Livre de Moresques, page 2 (recto), Francesco di Pellegrino Italian, Woodcut
Livre de Moresques, page 2 (recto)
Multiple artists/makers
1546
Livre de Moresques, page 2 (verso), Francesco di Pellegrino Italian, Woodcut
Livre de Moresques, page 2 (verso)
Multiple artists/makers
1546