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1-42 of 130 results for Pietà
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Department
Pietà (Vesperbild), Poplar and plaster with paint and gilding, German
German
1375–1400
Pietà, Basse-taille and painted enamel on silver; champlevé enamel on silver; silver filigree with traces of enamel; gilt bronze, Italian, Lombardy
Italian, Lombardy
probably late 15th or early 16th century
Pietà, Alabaster, with traces of original polychromy, Spanish
Spanish
second quarter 16th century
Pietà, Jean-Baptiste Carpeaux  French, Terracotta, French, Paris
Jean-Baptiste Carpeaux
1864
Pietà, Carlo Crivelli  Italian, Tempera on wood, gold ground
Carlo Crivelli
1476
Pietà, Juan de Valdés Leal  Spanish, Oil on canvas
Juan de Valdés Leal
ca. 1657–60
Pietà, Hubert Gerhard  Netherlandish, Bronze, German
Hubert Gerhard
after 1595
Pietà (Vesperbild), Limestone with polychrome highlight, Bohemian
Bohemian
ca. 1400
Pietà (Lamentation), Wood, paint and gilding, French
French
early 16th century
Pietà, Michelangelo Buonarroti  Italian, Gilt bronze, Italian, Rome
Follower of Michelangelo Buonarroti
mid-16th century
Pietà, Simon Bening , with borders by an assistant Netherlandish, Tempera and gold leaf on parchment
Simon Bening
probably 1522–23
Gothic Pietà, Albert Renger-Patzsch  German, Gelatin silver print
Albert Renger-Patzsch
1928
Triptych Panel with Pietá, Master of the Triptych of Louis XII, Painted enamel, copper, French
Master of the Triptych of Louis XII
15th–16th century
Pietà, Crystal, silver gilt, enamel, emeralds, rubies, probably French
probably French
second half 19th century
Pietà, Bronze, Spanish
Spanish
late 16th century
Pietà, Gold, enamel, crystal, rubies, pearls, German or French
German or French
19th century
Pietà, Giovanni della Robbia  Italian, Terracotta, painted, Italian, Florence
Workshop of Giovanni della Robbia
early 16th century
Pietà, Basse-taille and painted enamel on silver; champlevé enamel on silver; silver filigree, partly enameled; gilt copper and gilt brass, Italian, Lombardy
Italian, Lombardy
late 15th–early 16th century, with later additions
Pietà, Bronze, Northern Italian
Northern Italian
early 17th century
Pietà, Alabaster, German
German
early 15th century
Pietà, Oak, South Netherlandish
South Netherlandish
1515–20
Pietà, Wood with paint and gilding, German
German
1435–40
Pietà, Bertoldo di Giovanni  Italian, Bronze, Italian, Florence
Bertoldo di Giovanni
1430–40
Pietà with Donors, Limestone, traces of polychromy, French
French
ca. 1515
Pieta, Jacopo Sansovino (Jacopo Tatti)  Italian, Silvered copper alloy.
Style of Jacopo Sansovino (Jacopo Tatti)
model second quarter of the 16th century (19th century silvering)
Pietà with Sorrowing Angels, Mattheus van Beveren  Flemish, Boxwood; base: wood, ebony, tortoiseshell and ivory or bone, Flemish
Workshop of Mattheus van Beveren
17th century
Study for a Pietà, Fabrizio Boschi  Italian, Red chalk, traces of black chalk
Fabrizio Boschi
1620s
Pietà (one of a pair), Pierre Reymond  French, Painted enamel on copper, partly gilt, French, Limoges
Enameler Possibly made at the workshop of Pierre Reymond
Frame made by Alfred André
probably third quarter 16th century
After an original by Michelangelo Buonarroti
1550–55
Entombment of Christ, Limestone, polychromy, French
French
ca. 1515
Pieta, Detail, John Singer Sargent  American, Graphite on off-white wove paper, American
John Singer Sargent
After Guido Reni
ca. 1873
La Pietà, Eugène Delacroix  French, Etching on chine collé; second state of two
After Eugène Delacroix
Etcher Edmond Hédouin
Printer Delamain
1852
Pietà, Johann David Passavant  German, Graphite; framing lines in graphite
Johann David Passavant
After Giovanni Cariani
early to mid-19th century
Pietà, Hendrick Goltzius  Netherlandish, Engraving; second state of two
Hendrick Goltzius
1596
Pietà, Jacques Bellange  French, Etching with stippling and engraving
Jacques Bellange
Publisher Le Blond
1612–16
Pietà, Anonymous, Italian, Bolognese, 17th century  Italian, Pen and brown ink, brush and brown wash, over traces of charcoal on light brown paper
Anonymous, Italian, Bolognese, 17th century
17th century
Pietà, Anonymous, Italian, Roman-Bolognese, 17th century  Italian, Brush and brown wash over black chalk, highlighted with white gouache, on light tan paper; framing outlines in black chalk
Anonymous, Italian, Roman-Bolognese, 17th century
17th century
Pietà, Hendrick Goltzius  Netherlandish, Engraving; second state of two
Hendrick Goltzius
1596
Pietà, Erica Karawina  American, born Germany, Planographic
Erica Karawina
ca. 1937
Pietà, Anonymous, Italian, 19th century  Italian, Watercolor, pen and brown ink; framing lines in pen and brown ink
Anonymous, Italian, 19th century
1800–1900