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1-42 of 806 results for Pieter van Everdingen
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Choppy Sea with Boats near the Coast, Pieter van Everdingen Dutch, Pen and gray ink and wash
Choppy Sea with Boats near the Coast
Pieter van Everdingen
n.d.
The Last Supper, Bernard van Orley Netherlandish, Wool, silk, silver-gilt thread.
The Last Supper
Bernard van Orley
Pieter de Pannemaker
ca. 1525–28
Fishing Boats and a Man with a Net, Allart van Everdingen Dutch, Brush and brown ink
Fishing Boats and a Man with a Net
Allart van Everdingen
ca. 1641–75
Harbor Scene, Allart van Everdingen Dutch, Brush and brown ink
Harbor Scene
Allart van Everdingen
ca. 1641–75
Martin Harpertzoon Tromp (1597–1653), Pieter van Abeele Dutch, Silver, Dutch, Amsterdam
Martin Harpertzoon Tromp (1597–1653)
Pieter van Abeele
1653
Still Life of Fruit and Game, Pieter van Overschee Flemish, Oil on wood
Still Life of Fruit and Game
Pieter van Overschee
1645
Johan Hulshout (1623–1687), Pieter van Slingelandt Dutch, Oil on wood
Johan Hulshout (1623–1687)
Pieter van Slingelandt
ca. 1670 or slightly later
Portrait of a Man, Pieter van Slingelandt Dutch, Oil on copper
Portrait of a Man
Pieter van Slingelandt
ca. 1680
Mary Capel (1630–1715), Later Duchess of Beaufort, and Her Sister Elizabeth (1633–1678), Countess of Carnarvon, Sir Peter Lely (Pieter van der Faes) Dutch, British, Oil on canvas
Mary Capel (1630–1715), Later Duchess of Beaufort, and Her Sister Elizabeth (1633–1678), Countess of Carnarvon
Sir Peter Lely (Pieter van der Faes)
Study for a Portrait of a Woman, Sir Peter Lely (Pieter van der Faes) Dutch, British, Oil on canvas
Study for a Portrait of a Woman
Sir Peter Lely (Pieter van der Faes)
1670s
Sir Henry Capel (1638–1696), Sir Peter Lely (Pieter van der Faes) Dutch, British, Oil on canvas
Sir Henry Capel (1638–1696)
Sir Peter Lely (Pieter van der Faes)
Gluttony from a set of The Seven Deadly Sins, Pieter Coecke van Aelst Netherlandish, Wool, silk, silver-gilt thread<br/>19-23 warps per inch, 8-10 per cm., Netherlandish, probably Brussels
Gluttony from a set of The Seven Deadly Sins
Pieter Coecke van Aelst
Between ca. 1550 and 1560
Agamemnon musters the Greek troops at Aulis from the “Story of Iphigenia”, Pieter Coecke van Aelst Netherlandish, Wool, silk (16-17 warps per inch, 6-7 per cm.), Netherlandish, Brussels
Agamemnon musters the Greek troops at Aulis from the “Story of Iphigenia”
Pieter Coecke van Aelst
Willem de Kempeneer
1535–48
The Prodigal Son Feasting, Pieter Coecke van Aelst Netherlandish, Stained glass, Flemish, Antwerp
The Prodigal Son Feasting
Pieter Coecke van Aelst
ca. 1540
The Disciples in the Upper Room (?), Pieter Coecke van Aelst Netherlandish, Stained glass, Flemish, Antwerp
The Disciples in the Upper Room (?)
Pieter Coecke van Aelst
ca. 1535–50
The Crucifixion, Bernard van Orley Netherlandish, Wool, silk, silver thread, silver-gilt thread (20-21 warps per inch, 7-8 per cm.), Netherlandish, Brussels
The Crucifixion
Multiple artists/makers
design ca. 1515, woven ca. 1525
Eleonora, Wife of Ferdinand II, from the series Ferdinandus II et III Imperatorum Domus Austriacae..., Pieter Van Sompel Dutch, Engraving and etching; second state of two
Eleonora, Wife of Ferdinand II, from the series Ferdinandus II et III Imperatorum Domus Austriacae...
Pieter Van Sompel
Pieter Soutman
ca. 1625
Portrait of Theophrastus Paracelsus, Pieter Van Sompel Dutch, Engraving; first state of two (Hollstein)
Portrait of Theophrastus Paracelsus
Multiple artists/makers
1615–43
Three Capuchins Seated, Allart van Everdingen Dutch, Mezzotint
Three Capuchins Seated
Allart van Everdingen
The Rooster Accuses Renard of the Murder of One of His Chickens from Hendrick van Alcmar's Renard The Fox, Allart van Everdingen Dutch, Engraving; second state of four
The Rooster Accuses Renard of the Murder of One of His Chickens from Hendrick van Alcmar's Renard The Fox
Allart van Everdingen
mid-17th century
The Bear with His Snout and Forepaws Caught in the Trunk of a Tree from Hendrick van Alcmar's Renard The Fox, Allart van Everdingen Dutch, Mezzotint; second state of five
The Bear with His Snout and Forepaws Caught in the Trunk of a Tree from Hendrick van Alcmar's Renard The Fox
Allart van Everdingen
mid-17th century
The Two Barrels before a Hut, Allart van Everdingen Dutch, Engraving; first state of four
The Two Barrels before a Hut
Allart van Everdingen
The Hamlet on Mountainous Ground, Allart van Everdingen Dutch, Etching; fourth state of four
The Hamlet on Mountainous Ground
Allart van Everdingen
mid-17th century
Two Men on a Rock Terrace, Allart van Everdingen Dutch, Etching; second state of two
Two Men on a Rock Terrace
Allart van Everdingen
The First Spring, Allart van Everdingen Dutch, Etching; second state of two
The First Spring
Allart van Everdingen
The Church on the Hill, Allart van Everdingen Dutch, Engraving; third state of four
The Church on the Hill
Allart van Everdingen
The Millstone near the Cask, Allart van Everdingen Dutch, Engraving; first state of three
The Millstone near the Cask
Allart van Everdingen
The First Spring, Allart van Everdingen Dutch, Engraving; second state of three
The First Spring
Allart van Everdingen
The Hill, Allart van Everdingen Dutch, Engraving, second state of three
The Hill
Allart van Everdingen
The Brook in the Wood, Allart van Everdingen Dutch, Engraving; fifth state of seven
The Brook in the Wood
Allart van Everdingen
The Brook in the Wood, Allart van Everdingen Dutch, Engraving; sixth state of seven
The Brook in the Wood
Allart van Everdingen
The Brook in the Wood, Allart van Everdingen Dutch, Engraving; seventh state of seven
The Brook in the Wood
Allart van Everdingen
The Cascade Near the Watermill, Allart van Everdingen Dutch, Engraving; fourth state of five
The Cascade Near the Watermill
Allart van Everdingen
The Cascade Near the Watermill, Allart van Everdingen Dutch, Engraving; fifth state of five
The Cascade Near the Watermill
Allart van Everdingen
Renard Mounted on an Ass from Hendrick van Alcmar's Renard The Fox, Allart van Everdingen Dutch, Engraving; second state of five
Renard Mounted on an Ass from Hendrick van Alcmar's Renard The Fox
Allart van Everdingen
1650–75
Renard is Accused by the Wolf and Several Animals from Hendrick van Alcmar's Renard The Fox, Allart van Everdingen Dutch, Engraving; second state of four
Renard is Accused by the Wolf and Several Animals from Hendrick van Alcmar's Renard The Fox
Allart van Everdingen
1650–75
The Wolf Rings the Bells of a Convent from Hendrick van Alcmar's Renard The Fox, Allart van Everdingen Dutch, Engraving; fifth state of six
The Wolf Rings the Bells of a Convent from Hendrick van Alcmar's Renard The Fox
Allart van Everdingen
1650–75
The Badger Imposes as Punishment to Jump Three Times Over a Stick on the Ground from Hendrick van Alcmar's Renard The Fox, Allart van Everdingen Dutch, Engraving; fourth state of five
The Badger Imposes as Punishment to Jump Three Times Over a Stick on the Ground from Hendrick van Alcmar's Renard The Fox
Allart van Everdingen
1650–75
Renard Wants to Find a Rooster from Hendrick van Alcmar's Renard The Fox, Allart van Everdingen Dutch, Engraving; third state of four
Renard Wants to Find a Rooster from Hendrick van Alcmar's Renard The Fox
Allart van Everdingen
1650–75
Renard Convinces the Lion and Lioness of Finding a Treasure His Father Stole from Them from Hendrick van Alcmar's Renard The Fox, Allart van Everdingen Dutch, Engraving; second state of three
Renard Convinces the Lion and Lioness of Finding a Treasure His Father Stole from Them from Hendrick van Alcmar's Renard The Fox
Allart van Everdingen
1650–75
The Lion and the Lioness Pardon Renard and Order the Other Animals to Forget His Crimes from Hendrick van Alcmar's Renard The Fox, Allart van Everdingen Dutch, Engraving; third state of four
The Lion and the Lioness Pardon Renard and Order the Other Animals to Forget His Crimes from Hendrick van Alcmar's Renard The Fox
Allart van Everdingen
1650–75
The Dread of Renard's Enemies from Hendrick van Alcmar's Renard The Fox, Allart van Everdingen Dutch, Engraving; second state of three
The Dread of Renard's Enemies from Hendrick van Alcmar's Renard The Fox
Allart van Everdingen
1650–75