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More than 10,000 results for Pietro Antonio Martini
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The Morning Toilet (La Petite Toilette), from "Le Monument du Costume", Pietro Antonio Martini Italian, Etching and engraving
The Morning Toilet (La Petite Toilette), from "Le Monument du Costume"
Pietro Antonio Martini
Jean Michel Moreau le Jeune
1745–97
Termosiris Teaching Telemachus to Follow the Example of Apollo, Pietro Antonio Martini Italian, Etching and Engraving
Termosiris Teaching Telemachus to Follow the Example of Apollo
Multiple artists/makers
View of the Salon of 1785, Pietro Antonio Martini Italian, Etching
View of the Salon of 1785
Pietro Antonio Martini
1785
Exposition au Salon du Louvre en 1787, Pietro Antonio Martini Italian, Etching and engraving
Exposition au Salon du Louvre en 1787
Pietro Antonio Martini
Johann Heinrich Ramberg
1787
The Exhibition of the Royal Academy, 1787
Multiple artists/makers
July 1, 1787
Portraits of Their Majesty's and the Royal Family Viewing the Exhibition of the Royal Academy, 1788
Multiple artists/makers
March 6, 1789
Les Précautions (The Precautions), from "Le Monument du Costume"
Multiple artists/makers
1777
Les Précautions (The Precautions), from "Le Monument du Costume"
Multiple artists/makers
1777
Vignette on page 215 of Volume V, from the 1774 Edition of Emile ou de l'Education par J.-J. Rousseau Citoyen de Genèvre, part of Collection Complette des oeuvres de J. J. Rousseau, Londres. 1774.
Multiple artists/makers
1779
Vignette, Volume IV, Canto XXVIII, Page 171, from "Orlando Furioso"
Multiple artists/makers
1773–74
Vignette opposite Page 1 of Volume I, from "Les Egaremens de l'amour ou Lettres de Fanéli et de Milfort. Par M. Imbert. A Amsterdam. Et se trouve à Paris. Chez Delalain Libraire, rue de la Comédie Française. MDCCLXXVI"
Multiple artists/makers
1776
Vignette, Canto XXXVIII, Stanza LXXXII, from Orlando furioso di Ludovico Ariosto. Birmingham d'a Torchj. di G. Baskerville Per P. Molini Librajo dell. Academia. Reale è G. Molini. MDCCLXXIII.
Multiple artists/makers
1774
Vignette, Volume IV, Canto XXVIII, Page 171, from Orlando furioso di Ludovico Ariosto. Birmingham d'a Torchj. di G. Baskerville Per P. Molini Librajo dell. Academia. Reale è G. Molini. MDCCLXXIII.
Multiple artists/makers
1773–74
Declaration de la Grossesse (Announcement of Pregnancy), from "Le Monument du Costume"
Multiple artists/makers
1776
La Dame du Palais de la Reine (The Lady in Waiting to the Queen), from "Le Monument du Costume"
Pietro Antonio Martini
Jean Michel Moreau le Jeune
1777
Illustration to Canto XXXVIII, stanza LXXXII, from "Orlando Furioso"
Multiple artists/makers
18th century
View of Spoleto, Joseph Vernet French, Engraving
View of Spoleto
Joseph Vernet
Pietro Antonio Martini
ca. 1770
View of Port Ercole, Joseph Vernet French, Engraving
View of Port Ercole
Joseph Vernet
Pietro Antonio Martini
ca. 1750–1800
The Delights of Summer, Joseph Vernet French, Engraving
The Delights of Summer
Joseph Vernet
Pietro Antonio Martini
1772
Madonna and Child, Simone Martini Italian, Tempera on wood, gold ground
Madonna and Child
Simone Martini
ca. 1326
Arabesque Panel from "Recueil d'Ornemens a l'usage des Jeunes Artistes"
Gilles Paul Cauvet
Pietro Antonio Martini
1777
The End of the Fishing, Joseph Vernet French, Engraving; first state of two
The End of the Fishing
Multiple artists/makers
ca. 1765
The Village Fountain, Joseph Vernet French, Engraving; first state of two
The Village Fountain
Multiple artists/makers
ca. 1750–1800
Studiolo from the Ducal Palace in Gubbio, Francesco di Giorgio Martini Italian, Walnut, beech, rosewood, oak and fruitwoods in walnut base, Italian, Gubbio
Studiolo from the Ducal Palace in Gubbio
Multiple artists/makers
ca. 1478–82
Saint Andrew, Simone Martini Italian, Tempera on wood, gold ground
Saint Andrew
Simone Martini
ca. 1326
Sixieme Cahier de Sujets Arabesques, à l'usages des Artistes
Multiple artists/makers
18th century
The Crucifixion, Pietro Lorenzetti Italian, Tempera and gold leaf on wood
The Crucifixion
Pietro Lorenzetti
1340s
Saint Ansanus, Simone Martini Italian, Tempera on wood, gold ground
Saint Ansanus
Simone Martini
ca. 1326
Perseus with the Head of Medusa, Antonio Canova Italian, Marble, Italian, Rome
Perseus with the Head of Medusa
Antonio Canova
Count Jan and Countess Valeria Tarnowski
1804–6
Madonna and Child with Angels, Antonio Rossellino Italian, Marble with gilt details on halo and dress, Italian, Florence
Madonna and Child with Angels
Antonio Rossellino
ca. 1455–60
"Antonius" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, Italian (Cremona)
"Antonius" Violin
Antonio Stradivari
1711
"Francesca" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, mother of pearl, Italian (Cremona)
"Francesca" Violin
Antonio Stradivari
1694
"Gould" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, Italian (Cremona)
"Gould" Violin
Antonio Stradivari
1693
Study for the Equestrian Monument to Francesco Sforza, Antonio Pollaiuolo Italian, Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer.
Study for the Equestrian Monument to Francesco Sforza
Antonio Pollaiuolo
early to mid 1480s
Facsimile Reproduction of Les Précautions (The Precautions), from Le Monument du Costume
Multiple artists/makers
20th century
Cincinnatus at the Plough, Filarete (Antonio di Pietro Averlino) Italian, Bronze, Italian, Rome
Cincinnatus at the Plough
Filarete (Antonio di Pietro Averlino)
mid-15th century
Design for a Wall Monument, Francesco di Giorgio Martini Italian, Pen and brown ink, brush and brown wash, blue gouache, on vellum
Design for a Wall Monument
Francesco di Giorgio Martini
ca. 1490
Saint John the Evangelist (?), Pietro Antonio Novelli Italian, Pen and dark brown ink
Saint John the Evangelist (?)
Pietro Antonio Novelli
Francesco Fontebasso
before 1755
Design for a Trade Card, Pietro Antonio Novelli Italian, Pen and brown ink, gray wash
Design for a Trade Card
Pietro Antonio Novelli
mid-18th century
A Seated Slave, Pietro Antonio Novelli Italian, Pen and black ink, gray wash, over black chalk
A Seated Slave
Pietro Antonio Novelli
mid-18th–early 19th century