ticketsMember | Make a donation

Search the collection

Filter By

Object Type / Material
Geographic Location
Department
Date
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 9,627 results for Pietro Aquila
Sort by:
Annibale Carracci Introduces Painting to Apollo and Minerva, Pietro Aquila Italian, Etching and engraving
Annibale Carracci Introduces Painting to Apollo and Minerva
Multiple artists/makers
1674
Frontispiece with oval portrait of Raphael, with three allegorical figures of the Arts supporting the tablet at center, Pietro Aquila Italian, Etching
Frontispiece with oval portrait of Raphael, with three allegorical figures of the Arts supporting the tablet at center
Multiple artists/makers
1675
Sacrifice of Polyxena, after Pietro da Cortona
Multiple artists/makers
ca. 1674–92
The triumph of Bacchus; a procession of maenads and fauns led by Silenus, Bacchus in a chariot behind; after Pietro da Cortona
Multiple artists/makers
1670–92
The sacrifice to Diana; men gathering with their spoils from the hunt to offer to the goddess; after Pietro da Cortona
Multiple artists/makers
1670–92
Battle scene depicting the victory of Alexander over Darius
Multiple artists/makers
ca. 1650–92
Hercules at the Crossroads
Pietro Aquila
Annibale Carracci
ca. 1670–73
Portrait of Queen Christina of Sweden framed by a wreath, an elaborate cartouche below flanked by two lions, title page to "Images from the New Testament after Raphael" (Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis)
Pietro Aquila
Giovanni Giacomo De Rossi
1675
Stucco Work with Hercules on Funeral Pyre and Wrestling Serpent in Cradle
Pietro Aquila
Annibale Carracci
ca. 1670–73
Two angels bearing a reliquary
Pietro Aquila
Ciro Ferri
1670–1700
Saint Nicholas of Tolentino, comforted by a vision of the Virgin between two angels
Pietro Aquila
Ciro Ferri
1670–1700
Various gods and mythological characters in the clouds, including Faunus, Bacchus, Silenus, Apollo, Mercury, Mars, Venus, and Cupid, after the Assembly of the Gods ceiling fresco (1624-25) by Giovanni Lanfranco in the Villa Borghese, Rome
Multiple artists/makers
ca. 1670–91
Mythological characters, two at the right with a flowing vase, with other decorative figures, vases, and scenes, after the Assembly of the Gods vault frescoes (1624-25) by Giovanni Lanfranco in the Villa Borghese, Rome
Multiple artists/makers
ca. 1670–91
Decorative figures, vases, and scenes, after the Assembly of the Gods vault frescoes (1624-25) by Giovanni Lanfranco in the Villa Borghese, Rome
Multiple artists/makers
ca. 1670–91
Mythological characters, one at the right holding a flowing vase with a bird overhead, a reclining nude male at left, with other decorative figures, vases, and scenes, after the Assembly of the Gods vault frescoes (1624-25) by Giovanni Lanfranco in the Villa Borghese, Rome
Multiple artists/makers
ca. 1670–91
Mythological characters, a seated nude male at center, with Romulus and Remus with the she-wolf at left, with other decorative figures, vases, and scenes, after the Assembly of the Gods vault frescoes (1624-25) by Giovanni Lanfranco in the Villa Borghese, Rome
Multiple artists/makers
ca. 1670–91
Mythological characters, one at center holding a flowing vase with two birds overhead, with other decorative figures, vases, and scenes, after the Assembly of the Gods vault frescoes (1624-25) by Giovanni Lanfranco in the Villa Borghese, Rome
Multiple artists/makers
ca. 1670–91
Plate 18: A door frame with a painting of a girl and a unicorn; above, a classical bust of a man in a niche; from the Galeriae Farnesianae Icones
Multiple artists/makers
ca. 1674
Plate 19: Detail of a wall of the Farnese gallery; classical statues of Bacchus and Mercury in a nich at lower left and right, above, a scene of Callisto turning into a bear at left and a classical bust of a man at right; from the Galeriae Farnesianae Icones
Multiple artists/makers
ca. 1674
Plate 14: Four corner-pieces from the ceiling of the Farnese gallery depicting the struggles of Eros and Anteros; from the Galeriae Farnesianae Icones
Multiple artists/makers
ca. 1674
Plate 3: Polyphemus throwing a rock at Acis and Galatea at center; above, Zeus as an eagle, holding Ganymedes; from the Galeriae Farnesianae Icones
Multiple artists/makers
ca. 1674
Plate 12: The triumphal procession of Bacchus and Ariadne, led by Silenus and accompanied by revellers, Satyrs and Maenads; from the Galeriae Farnesianae Icones
Multiple artists/makers
ca. 1674
Plate 17: Detail of a wall from the Farnese gallery; two classical statues, a nude male at left and Apollo with his lyre at right; above, a bust of a man (Seneca?) at left, and a painting of Diana discovering the pregnancy of Callisto at right; from the Galeriae Farnesianae Icones
Multiple artists/makers
ca. 1674
Plate 16: Detail of a wall from the Farnese gallery; at bottom set in a niche, a classical sculpture of Bacchus holding Cupid; above, two small fresco paintings set inside frames, one depicting an emblem the other the fall of Icarus; to the left in a roundel, the personification of Fortitude holding a pillar and caressing a lion; from the Galeriae Farnesianae Icones
Multiple artists/makers
ca. 1674
Plate 21: Four rows of details from the Farnese gallery; across the top, four small paintings illustrating Hercules and the hydra, Minerva and Prometheus, Arion riding a dolphin, and Hercules and Prometheus; below, two roundels at each side with the personifications of Charity and Justice, at center two paintings depicting Peleus and Thetis and two tritons fighting; below, three busts, and along the bottom, four classical sculptures standing; from the Galeriae Farnesianae Icones
Multiple artists/makers
ca. 1674
Plate 20: Detail of a wall from the Farnese gallery; a statue of a naked male carrying a young Bacchus in a niche at bottom; above, a painting of Mercury handing a lyre to Apollo; to the right, the personification of Temperance in a roundel; from the Galeriae Farnesianae Icones
Multiple artists/makers
ca. 1674
Plate 1: Detail of a wall from the Farnese gallery; in central frame, Polyphemus seated on a rock playing the pipes, Galatea approaching at right, in a carriage carried by dolphins; above, a scene with Hyacinthus and Apollo; each scene surrounded by mythological figures and architectural elements; from the Galeriae Farnesianae Icones
Multiple artists/makers
ca. 1674
Plate 6: Galatea being carried off by a sea-creature, surrounded by other figures, putti and sea-monsters; from the Galeriae Farnesianae Icones
Multiple artists/makers
ca. 1674
Plate 3: Hercules bearing the globe of Atlas, flanked by two reclining astronomers; from Imagines Farnesiani Cubiculi Cum ipsarum monocromatibus et ornamentis
Multiple artists/makers
1670–92
Oval portrait of Raphael, crowned with a laurel wreath by Fame, below three allegorical figures personifying the Arts support a tablet with the epigraph of Raphael, frontispiece to "Images from the New Testament after Raphael" (Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis)
Multiple artists/makers
1675
Plate 39: Joshua stopping the sun and the moon, from "Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis"
Multiple artists/makers
1675
Plate 40: The distribution of the promised land, from "Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis"
Multiple artists/makers
1675
Plate 41: Samuel anointing David, from "Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis"
Multiple artists/makers
1675
Plate 42: David and Goliath, from "Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis"
Multiple artists/makers
1675
Plate 43: David returning in triumph after defeating the Syrians, from "Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis"
Multiple artists/makers
1675
Plate 45: Zadok anointing Solomon, from "Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis"
Multiple artists/makers
1675
Plate 4: Hercules resting, wrapped in the hide of the Nemean lion; to the left is the Erymanthian wild boar, the three-headed dog Cerberus, the hind of Ceryneia, and a harpy seated on a pedestal; from Imagines Farnesiani Cubiculi Cum ipsarum monocromatibus et ornamentis
Multiple artists/makers
1670–92
Plate 46: The judgment of Solomon, from "Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis"
Multiple artists/makers
1675
Plate 47: The Queen of Sheba visits Solomon, from "Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis"
Multiple artists/makers
1675
Plate 48: Solomon building the Temple at Jerusalem, from "Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis"
Multiple artists/makers
1675