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The Resurrection, Perugino (Pietro di Cristoforo Vannucci) Italian, Tempera on wood
The Resurrection
Perugino (Pietro di Cristoforo Vannucci)
Saint John the Baptist; Saint Lucy, Perugino (Pietro di Cristoforo Vannucci) Italian, Oil(?) on wood
Saint John the Baptist; Saint Lucy
Perugino (Pietro di Cristoforo Vannucci)
Study of the Head of a Youth Gazing Upward, Perugino (Pietro di Cristoforo Vannucci) Italian, Black chalk; Squared in black chalk; eyes, nose, ears, mouth retouched with pen and brown ink.
Study of the Head of a Youth Gazing Upward
Workshop of Perugino (Pietro di Cristoforo Vannucci)
late 15th–early 16th century
Group of Warriors Standing, Perugino (Pietro di Cristoforo Vannucci) Italian, Tip of the brush and black ink, black wash, traces of black chalk, heightened with white, on dark brown tinted paper.
Group of Warriors Standing
Circle of Perugino (Pietro di Cristoforo Vannucci)
late 15th–early 16th century
Two Studies of a Standing Youth in Quattrocento Clothing (recto); a cardinal's hat on a fragmentary coat of arms with a griffin (the arms of the city of Perugia) (verso), Perugino (Pietro di Cristoforo Vannucci) Italian, Metalpoint on pinkish prepared paper; retouched by a later hand in pencil, particularly the figure at the right (recto); black chalk, over dots obtained by the pouncing of a model; partly retouched with brush and brown ink (verso)
Two Studies of a Standing Youth in Quattrocento Clothing (recto); a cardinal's hat on a fragmentary coat of arms with a griffin (the arms of the city of Perugia) (verso)
Workshop of Perugino (Pietro di Cristoforo Vannucci)
ca. 1504
Heads of Two Saints, Perugino (Pietro di Cristoforo Vannucci) ? Italian, Metalpoint, reworked with brush and brown wash, highlighted with white gouache, on beige prepared paper
Heads of Two Saints
After Perugino (Pietro di Cristoforo Vannucci)
1495–1510
Study of a Kneeling Youth and of the Head of Another, Perugino (Pietro di Cristoforo Vannucci) Italian, Metalpoint on pale pink-beige prepared paper
Study of a Kneeling Youth and of the Head of Another
Perugino (Pietro di Cristoforo Vannucci)
1500
Landscape (recto); Landscape (verso), Perugino (Pietro di Cristoforo Vannucci) Italian, Brush and brown wash, highlighted with white gouache, on gray-green prepared paper (recto); pen and brown ink on unprepared off-white paper (verso)
Landscape (recto); Landscape (verso)
Perugino (Pietro di Cristoforo Vannucci)
1489–90
Two Figures of Angels Standing, Perugino (Pietro di Cristoforo Vannucci) ? Italian, Pen and brown ink, over leadpoint (?)
Two Figures of Angels Standing
Workshop of Perugino (Pietro di Cristoforo Vannucci)
1490–1505
Christ in the tomb, resting across the Virgin's lap; after Perugino, Claude Duflos French, Engraving
Christ in the tomb, resting across the Virgin's lap; after Perugino
Claude Duflos
After Perugino (Pietro di Cristoforo Vannucci)
ca. 1685–1727
Pietà, with the body of Christ supported by the Virgin and two holy women, Saint John stands to the left; from "Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat" after a drawing by Perugino, Anne Claude Philippe de Tubières, comte de Caylus French, Etching, printed in brown
Pietà, with the body of Christ supported by the Virgin and two holy women, Saint John stands to the left; from "Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat" after a drawing by Perugino
Anne Claude Philippe de Tubières, comte de Caylus
After Perugino (Pietro di Cristoforo Vannucci)
ca. 1729–40
Madonna
Samuel Arlent Edwards
After Perugino (Pietro di Cristoforo Vannucci)
1907 (?)
The Temptation of Christ, Longman's "New Testament"
Engraver William James Linton
After Perugino (Pietro di Cristoforo Vannucci)
Publisher Longman, Green, Longman, Roberts and Green
1865
Saint Jerome, volume 2, plate 88 from "Monuments des Arts du Dessin"
Multiple artists/makers
1829
The Virgin and Child with Saint Roch and Two Other Male Saints, Bernardino Lanino Italian, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brown-washed paper; traces of squaring in black chalk
The Virgin and Child with Saint Roch and Two Other Male Saints
Attributed to Bernardino Lanino
1512–83
View of the interior of the Sistine Chapel in the Vatican
Francesco Barbazza
After Francesco Panini
ca. 1771–89
Old Italian Masters, II, Engraved by Timothy Cole, Japan Proofs
Multiple artists/makers
1892
The Delivery of the Keys to Saint Peter, Jan Boeckhorst Flemish, Brush and brown ink and wash, heightened with white
The Delivery of the Keys to Saint Peter
Jan Boeckhorst
ca. 1660
Saint Januarius Saving Naples from an Eruption of Mt. Vesuvius. Verso: Small sketch of similar scene, Anton Domenico Gabbiani Italian, Pen and brown ink over black chalk. Framing lines in pen and brown ink. Design framed in vertical, arch-top altarpiece outline
Saint Januarius Saving Naples from an Eruption of Mt. Vesuvius. Verso: Small sketch of similar scene
Anton Domenico Gabbiani
1724
The Consecration of the Site of a Church in Rome by a Pope ("The Miracle of Saint Mary of the Snows"?), Giovanni Lanfranco Italian, Pen and brown ink, over red chalk, some black chalk, and ruled construction; patches of paper with corrections pasted by the artist
The Consecration of the Site of a Church in Rome by a Pope ("The Miracle of Saint Mary of the Snows"?)
Attributed to Giovanni Lanfranco
n.d.
God the Father with the Globe, Hans Krumpper German, Pen and brown ink, gray wash
God the Father with the Globe
Hans Krumpper
late 16th–mid-17th century
The Triumph of the Church: Ecclesia Presented with the Doctrines, Seated in a Chariot Attended by the Four Doctors of the Church, Otto van Veen Netherlandish, Oil on paper, pen and brown ink
The Triumph of the Church: Ecclesia Presented with the Doctrines, Seated in a Chariot Attended by the Four Doctors of the Church
Otto van Veen
1615–20
God the Father Seated on a Cloud, Flanked by Two Putti, Ercole Procaccini The Younger Italian, Pen and brown ink, brush and brown wash, over black chalk on light brown paper
God the Father Seated on a Cloud, Flanked by Two Putti
Ercole Procaccini The Younger
17th century
Saint Ignatius of Loyola Preaching, Johann Wolfgang Baumgartner German, Pen and black ink, brush and gray wash, heightened with white bodycolor, over graphite, on blue paper; incised for transfer
Saint Ignatius of Loyola Preaching
Johann Wolfgang Baumgartner
before 1761
Design for a ceiling fresco with scenes from the life of Saint Barbara, Johann Baptist Enderle German, Pen and brown and gray ink, brown and gray wash, black chalk
Design for a ceiling fresco with scenes from the life of Saint Barbara
Johann Baptist Enderle
Former Attribution Anonymous, German, 18th century
late 18th century
St. Anthony, Archbishop of Florence, Stefano della Bella Italian, Etching
St. Anthony, Archbishop of Florence
Etched by Stefano della Bella
1651
St. James Minor, from "Christ, Mary and the Apostles", Antonio Tempesta Italian, Etching
St. James Minor, from "Christ, Mary and the Apostles"
Antonio Tempesta
Publisher Nicolaus van Aelst
ca. 1590–1610
Christ appearing to Saint Peter after the Resurrection (Domine Quo Vadis), after Raphael's Stanza dell'incendio del Borgo, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries, Pietro Santi Bartoli Italian, Etching
Christ appearing to Saint Peter after the Resurrection (Domine Quo Vadis), after Raphael's Stanza dell'incendio del Borgo, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries
Pietro Santi Bartoli
After Raphael (Raffaello Sanzio or Santi)
Publisher Giovanni Giacomo De Rossi
1650–70
The Ascension of Saint Benedict; verso: Ornamental sketches, Hans Georg Asam German, Pen and black ink, gray wash, red chalk; construction lines in black chalk; verso: pen and black ink
The Ascension of Saint Benedict; verso: Ornamental sketches
Hans Georg Asam
late 17th–early 18th century
A Design for a Triptych with the Adoration of the Two Saints, Jan Simonsz. Pynas Dutch, Pen and brown ink, brush and brown wash, heightened with white
A Design for a Triptych with the Adoration of the Two Saints
Jan Simonsz. Pynas
early 17th century
The Raising of the Youth of Naim, Georg Pecham German, Pen and black ink, gray wash, white bodycolour; on a counterproof of a pen drawing
The Raising of the Youth of Naim
Georg Pecham
late 16th–early 17th century
Saint Dominic Resuscitating Napoleone Orsini, Bartolomeo degli Erri Italian, Tempera on canvas, transferred from wood
Saint Dominic Resuscitating Napoleone Orsini
Bartolomeo degli Erri
1467–74
The Baptism of Christ at lower left, within a landscape, Giovanni Francesco Grimaldi Italian, Etching
The Baptism of Christ at lower left, within a landscape
Giovanni Francesco Grimaldi
1626–80
Saint Gregory the Great Interceding for Souls in Purgatory, Giovanni Odazzi Italian, Pen and brown ink, brush and brown wash, over black chalk
Saint Gregory the Great Interceding for Souls in Purgatory
Giovanni Odazzi
1663–1731
Modello for Ceiling Fresco with Papal Coat of Arms, Bernardo Castello Italian, Pen and brown ink, brush and brown wash, highlighted with white, over traces of black chalk, on blue paper; squared in black chalk
Modello for Ceiling Fresco with Papal Coat of Arms
Bernardo Castello
1557–1629
Saint Wenceslas at the Vintage, Attended by Angels and Putti, Franz Anton Maulbertsch Austrian, Brown ink with gray wash
Saint Wenceslas at the Vintage, Attended by Angels and Putti
Franz Anton Maulbertsch
mid-18th–late 18th century
Jesus Disputing with the Doctors in the Temple (Luke 2:46-47), Ercole Setti Italian, Pen and brown ink, over a little black chalk
Jesus Disputing with the Doctors in the Temple (Luke 2:46-47)
Ercole Setti
16th century
Saint Hyacinth Walking on the Waters, Francesco Vanni Italian, Pen and brown ink, brush and brown wash
Saint Hyacinth Walking on the Waters
Francesco Vanni
1599
The Vision of Saint Benedict, Francesco de Mura Italian, Pen and brown and gray ink, brush and gray wash, over graphite
The Vision of Saint Benedict
Francesco de Mura
1740
Sick people summoning a Bishop saint, who appears at upper left, Anne Claude Philippe de Tubières, comte de Caylus French, Etching
Sick people summoning a Bishop saint, who appears at upper left
Anne Claude Philippe de Tubières, comte de Caylus
After Giacinto Brandi
1729–40
The Martyrdom of Saint Lucy (Her Last Communion before Being Dragged by Oxen), Giovanni Battista Maganza il Giovane Italian, Pen and brown ink, brush and brown wash, over black chalk
The Martyrdom of Saint Lucy (Her Last Communion before Being Dragged by Oxen)
Giovanni Battista Maganza il Giovane
Former Attribution Alessandro Maganza
1556–1630
Putti in Clouds, Supporting a Globe, Jan Thomas Flemish, Pen and brown ink, brush and brown wash; framing lines in pen and brown ink
Putti in Clouds, Supporting a Globe
Jan Thomas
Former Attribution Anthony van Dyck
mid-17th century

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