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1-42 of 10,513 results for Pietro Santi Bartoli
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Io at the left as a cow, Jupiter on a cloud in the centre and Juno at the right with putti holding an eagle captive in the lower right, Pietro Santi Bartoli Italian, Etching
Io at the left as a cow, Jupiter on a cloud in the centre and Juno at the right with putti holding an eagle captive in the lower right
Pietro Santi Bartoli
Pietro Testa
1650–90
Admiranda romananum antiquitatum ac veteris sculpturae vestigia, Pietro Santi Bartoli Italian
Admiranda romananum antiquitatum ac veteris sculpturae vestigia
Multiple artists/makers
1693
Title-page to a series of fifteen plates, with two lions over a scroll facing a ring rounded by three feathers, from a series of 15 plates depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries, Pietro Santi Bartoli Italian, Etching
Title-page to a series of fifteen plates, with two lions over a scroll facing a ring rounded by three feathers, from a series of 15 plates depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries
Multiple artists/makers
1650–70
Moses parting the Red Sea as the Pharoah's army drowns, after Raphael's Stanza di Eliodoro, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries, Pietro Santi Bartoli Italian, Etching
Moses parting the Red Sea as the Pharoah's army drowns, after Raphael's Stanza di Eliodoro, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries
Multiple artists/makers
1650–70
Joseph kneeling in front of the Pharoah, after Raphael's Stanza di Eliodoro, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries, Pietro Santi Bartoli Italian, Etching
Joseph kneeling in front of the Pharoah, after Raphael's Stanza di Eliodoro, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries
Multiple artists/makers
1650–70
The naming of Saint Peter as Head of the Church, after Raphael's Stanza dell'incendio del Borgo, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries, Pietro Santi Bartoli Italian, Etching
The naming of Saint Peter as Head of the Church, after Raphael's Stanza dell'incendio del Borgo, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries
Multiple artists/makers
1650–70
Christ appearing to Saint Peter after the Resurrection (Domine Quo Vadis), after Raphael's Stanza dell'incendio del Borgo, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries, Pietro Santi Bartoli Italian, Etching
Christ appearing to Saint Peter after the Resurrection (Domine Quo Vadis), after Raphael's Stanza dell'incendio del Borgo, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries
Multiple artists/makers
1650–70
Saint Paul standing before the Proconsul, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries, Pietro Santi Bartoli Italian, Etching
Saint Paul standing before the Proconsul, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries
Multiple artists/makers
1650–70
The Annunciation to the Virgin, Archangel Gabriel approaching from the left, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries, Pietro Santi Bartoli Italian, Etching
The Annunciation to the Virgin, Archangel Gabriel approaching from the left, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries
Multiple artists/makers
1650–70
Two Biblical Scenes: The Apostles Showing Christ their Swords at left, after Raphael's Stanza della Segnatura and the Pope Celebrates Mass with Four Priests,after Raphael's Stanza di Eliodoro, from a series of 15 plates depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries, Pietro Santi Bartoli Italian, Etching
Two Biblical Scenes: The Apostles Showing Christ their Swords at left, after Raphael's Stanza della Segnatura and the Pope Celebrates Mass with Four Priests,after Raphael's Stanza di Eliodoro, from a series of 15 plates depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries
Multiple artists/makers
1650–70
Plate 1: God Blessing on the Seventh Day, from Genesis Chapter 2, after a lost fresco in the basamento of Bay 1 of the Vatican Loggia, Pietro Santi Bartoli Italian, Etching
Plate 1: God Blessing on the Seventh Day, from Genesis Chapter 2, after a lost fresco in the basamento of Bay 1 of the Vatican Loggia
Multiple artists/makers
1650–77
Plate 2: Cain and Abel from Genesis Chapter 4, after a lost fresco in the basamento of Bay 2 of the Vatican Loggia, Pietro Santi Bartoli Italian, Etching
Plate 2: Cain and Abel from Genesis Chapter 4, after a lost fresco in the basamento of Bay 2 of the Vatican Loggia
Multiple artists/makers
1650–77
Plate 3: God Addressing Noah and his Sons, from Genesis Chapter 3, after a lost fresco in the basamento of Bay 13 of the Vatican Loggia, Pietro Santi Bartoli Italian, Etching
Plate 3: God Addressing Noah and his Sons, from Genesis Chapter 3, after a lost fresco in the basamento of Bay 13 of the Vatican Loggia
Multiple artists/makers
1650–77
Plate 4: The Sacrifice of Abraham, from Genesis Chapter 22, after a lost fresco in the basamento of Bay 4 of the Vatican Loggia, Pietro Santi Bartoli Italian, Etching
Plate 4: The Sacrifice of Abraham, from Genesis Chapter 22, after a lost fresco in the basamento of Bay 4 of the Vatican Loggia
Multiple artists/makers
1650–77
Plate 5: Isaac telling Esau to hunt for meat at left and Jacob and Rebekah at right, from Genesis 27, after a lost fresco in the basamento of Bay 5 of the Vatican Loggia, Pietro Santi Bartoli Italian, Etching
Plate 5: Isaac telling Esau to hunt for meat at left and Jacob and Rebekah at right, from Genesis 27, after a lost fresco in the basamento of Bay 5 of the Vatican Loggia
Multiple artists/makers
1650–77
Plate 6: Jacob Wrestling with the Angel, from Genesis 32, after a lost fresco in the basamento of Bay 6 of the Vatican Loggia, Pietro Santi Bartoli Italian, Etching
Plate 6: Jacob Wrestling with the Angel, from Genesis 32, after a lost fresco in the basamento of Bay 6 of the Vatican Loggia
Multiple artists/makers
1650–77
Plate 7: Joseph Making Himself Known to his Brothers, from Genesis 45, after a lost fresco in the basamento of Bay 7 of the Vatican Loggia, Pietro Santi Bartoli Italian, Etching
Plate 7: Joseph Making Himself Known to his Brothers, from Genesis 45, after a lost fresco in the basamento of Bay 7 of the Vatican Loggia
Multiple artists/makers
1650–77
Plate 8: Israelites Collecting Manna, from Exodus 15 and 16, after a lost fresco in the basamento of Bay 8 of the Vatican Loggia, Pietro Santi Bartoli Italian, Etching
Plate 8: Israelites Collecting Manna, from Exodus 15 and 16, after a lost fresco in the basamento of Bay 8 of the Vatican Loggia
Multiple artists/makers
1650–77
Plate 9: Joshua, standing at right, speaks to the people of Israel, after a lost fresco in the basamento of Bay 10 of the Vatican Loggia, Pietro Santi Bartoli Italian, Etching
Plate 9: Joshua, standing at right, speaks to the people of Israel, after a lost fresco in the basamento of Bay 10 of the Vatican Loggia
Multiple artists/makers
1650–77
Plate 10: Three figures at left and two figures running at right, after a lost fresco in the basamento of Bay 9 in the Vatican Loggia, Pietro Santi Bartoli Italian, Etching
Plate 10: Three figures at left and two figures running at right, after a lost fresco in the basamento of Bay 9 in the Vatican Loggia
Multiple artists/makers
1650–77
Plate 11: Bathsheba interceding with David for Solomon, from Genesis 27, after a lost fresco in the basamento of Bay 11 of the Vatican Loggia, Pietro Santi Bartoli Italian, Etching
Plate 11: Bathsheba interceding with David for Solomon, from Genesis 27, after a lost fresco in the basamento of Bay 11 of the Vatican Loggia
Multiple artists/makers
1650–77
Plate 12: The Resurrection, after a lost fresco in the basamento of Bay 13 of the Vatican Loggia, Pietro Santi Bartoli Italian, Etching
Plate 12: The Resurrection, after a lost fresco in the basamento of Bay 13 of the Vatican Loggia
Multiple artists/makers
1650–77
Moses receiving the tablets of the law on Mount Sinai, after Raphael's Stanza di Eliodoro, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries, Pietro Santi Bartoli Italian, Etching
Moses receiving the tablets of the law on Mount Sinai, after Raphael's Stanza di Eliodoro, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries
Multiple artists/makers
1650–70
Christ speaking with Saint Peter, who kneels before him in adoration and with his hands joined in prayer, while the Apostles draw up their nets behind him, after Raphael's Stanza dell'incendio del Borgo, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries, Pietro Santi Bartoli Italian, Etching
Christ speaking with Saint Peter, who kneels before him in adoration and with his hands joined in prayer, while the Apostles draw up their nets behind him, after Raphael's Stanza dell'incendio del Borgo, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries
Multiple artists/makers
1650–70
Saint Paul standing before the Proconsul, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries, Pietro Santi Bartoli Italian, Etching
Saint Paul standing before the Proconsul, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries
Multiple artists/makers
1650–70
Two Biblical Scenes: Constantine donating the City of Rome to Pope Sylvester at left, after Raphael's Stanza di Eliodoro and The Judgement of Seleucids at right, after Raphael's Stanza della Segnatura, from a series of 15 plates depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries, Pietro Santi Bartoli Italian, Etching
Two Biblical Scenes: Constantine donating the City of Rome to Pope Sylvester at left, after Raphael's Stanza di Eliodoro and The Judgement of Seleucids at right, after Raphael's Stanza della Segnatura, from a series of 15 plates depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries
Multiple artists/makers
1650–70
Two Biblical Scenes: Festus judging Saint Paul at left and Saint Paul Baptizing the Christians of Corinth at right, from a series of 15 plates depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries, Pietro Santi Bartoli Italian, Etching
Two Biblical Scenes: Festus judging Saint Paul at left and Saint Paul Baptizing the Christians of Corinth at right, from a series of 15 plates depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries
Multiple artists/makers
1650–70
Gathering of various Olympian gods and mythological figures among clouds, Apollo at center with his lyre, Vulcan, Mercury, Hercules, and Hermes to right, various figures below, horses and attendants behind in center, from "Giove che fulmina li giganti", after the frescoes on the ceiling of the Sala dei Giganti designed by Giulio Romano for the Palazzo del Te, Mantua, Pietro Santi Bartoli Italian, Etching
Gathering of various Olympian gods and mythological figures among clouds, Apollo at center with his lyre, Vulcan, Mercury, Hercules, and Hermes to right, various figures below, horses and attendants behind in center, from "Giove che fulmina li giganti", after the frescoes on the ceiling of the Sala dei Giganti designed by Giulio Romano for the Palazzo del Te, Mantua
Pietro Santi Bartoli
Giulio Romano
ca. 1680
A giant heaving a boulder at center, other giants to left and right struggling and recoiling against impending boulders, nude figures climbing rocks and struggling in the background, from "Giove che fulmina li giganti", after the frescoes on the ceiling of the Sala dei Giganti designed by Giulio Romano for the Palazzo del Te, Mantua, Pietro Santi Bartoli Italian, Etching
A giant heaving a boulder at center, other giants to left and right struggling and recoiling against impending boulders, nude figures climbing rocks and struggling in the background, from "Giove che fulmina li giganti", after the frescoes on the ceiling of the Sala dei Giganti designed by Giulio Romano for the Palazzo del Te, Mantua
Pietro Santi Bartoli
Giulio Romano
ca. 1680
Plate 7: a battle taking place between men in boats, Pietro Santi Bartoli Italian, Etching
Plate 7: a battle taking place between men in boats
Multiple artists/makers
ca. 1660–90
Plate 8: battle between soldiers on a boat and naked men trying to climb in, a river god at right, Pietro Santi Bartoli Italian, Etching
Plate 8: battle between soldiers on a boat and naked men trying to climb in, a river god at right
Multiple artists/makers
ca. 1660–90
Plate 5: figures unloading goods from a boat at the right, Pietro Santi Bartoli Italian, Etching
Plate 5: figures unloading goods from a boat at the right
Multiple artists/makers
ca. 1660–90
Plate 6: figures in boats decorated with mythological subjects using poles to propel them, Pietro Santi Bartoli Italian, Etching
Plate 6: figures in boats decorated with mythological subjects using poles to propel them
Multiple artists/makers
ca. 1660–60
Plate 3: various figures transporting materials, walking to the right, Pietro Santi Bartoli Italian, Etching
Plate 3: various figures transporting materials, walking to the right
Multiple artists/makers
ca. 1660–90
L'Imperio Vendicato, Pietro Santi Bartoli Italian, Engraving
L'Imperio Vendicato
Pietro Santi Bartoli
Carlo Maratti
1630–1700
Plate 4: animals transporting goods being led by figures going to the right, Pietro Santi Bartoli Italian, Etching
Plate 4: animals transporting goods being led by figures going to the right
Multiple artists/makers
ca. 1660–90
Plate 1: A Procession, Pietro Santi Bartoli Italian, Etching
Plate 1: A Procession
Multiple artists/makers
ca. 1660–90
Plate 2: various figures carrying out tasks that include tying a sack and loading a horse, Pietro Santi Bartoli Italian
Plate 2: various figures carrying out tasks that include tying a sack and loading a horse
Multiple artists/makers
ca. 1660–90
Pluto, seen from behind, entering the Underwold on his chairot, Cereberus and three Furies to right, from "Giove che fulmina li giganti", after the frescoes on the ceiling of the Sala dei Giganti designed by Giulio Romano for the Palazzo del Te, Mantua, Pietro Santi Bartoli Italian, Etching
Pluto, seen from behind, entering the Underwold on his chairot, Cereberus and three Furies to right, from "Giove che fulmina li giganti", after the frescoes on the ceiling of the Sala dei Giganti designed by Giulio Romano for the Palazzo del Te, Mantua
Pietro Santi Bartoli
Giulio Romano
ca. 1680
Giants crushed by rocks and the falling columns of the temple, clouds of smoke above, Poseidon in his chariot to left in the background, two spaces at left for doorways, from "Giove che fulmina li giganti", after the frescoes on the ceiling of the Sala dei Giganti designed by Giulio Romano for the Palazzo del Te, Mantua, Pietro Santi Bartoli Italian, Etching
Giants crushed by rocks and the falling columns of the temple, clouds of smoke above, Poseidon in his chariot to left in the background, two spaces at left for doorways, from "Giove che fulmina li giganti", after the frescoes on the ceiling of the Sala dei Giganti designed by Giulio Romano for the Palazzo del Te, Mantua
Pietro Santi Bartoli
Giulio Romano
ca. 1680
Hylas and the Water Nymphs, Pietro Santi Bartoli Italian, Engraving
Hylas and the Water Nymphs
Pietro Santi Bartoli
Giulio Romano
ca. 1635–1700
Three series totalling 87 prints after Raphael, Giulio Romano, and Perino del Vaga
Multiple artists/makers
1650–77