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Self-Portrait, Salvator Rosa Italian, Oil on canvas
Self-Portrait
Salvator Rosa
ca. 1647
The Dream of Aeneas, Salvator Rosa Italian, Oil on canvas
The Dream of Aeneas
Salvator Rosa
1660–65
Bandits on a Rocky Coast, Salvator Rosa Italian, Oil on canvas
Bandits on a Rocky Coast
Salvator Rosa
1655–60
Plate, Salvator Rosa Italian, Faience (tin-glazed earthenware), French, Sinceny
Plate
After an etching by Salvator Rosa
ca. 1733–37
Salvator Rosa frame, Pine, Italian, Piedmont
Salvator Rosa frame
Italian, Piedmont
mid-18th century
Salvator Rosa frame, Poplar, Italian, Bologna
Salvator Rosa frame
Italian, Bologna
ca. 1770
Salvator Rosa frame, Poplar, Italian, Rome
Salvator Rosa frame
Italian, Rome
ca. 1740
Salvator Rosa frame, Poplar back frame with ebonized pearwood upper moldings, Italian, Naples
Salvator Rosa frame
Italian, Naples
mid-18th century
Salvator Rosa frame, Poplar half-lapped back frame with ebonized pearwood upper moldings; nailed., Italian, Naples
Salvator Rosa frame
Italian, Naples
late 17th century
Salvator Rosa frame, Poplar back frame with brown polished upper molding, probably pearwood., Italian, Naples
Salvator Rosa frame
Italian, Naples
late 17th century
Salvator Rosa frame, Poplar, Italian, Rome
Salvator Rosa frame
Italian, Rome
1770–80
Salvator Rosa frame, Poplar, Italian, Naples
Salvator Rosa frame
Italian, Naples
1740–55
Salvator Rosa frame, Poplar, Italian, Naples
Salvator Rosa frame
Italian, Naples
early to mid-18th century
Salvator Rosa frame, Poplar, Italian, Rome
Salvator Rosa frame
Italian, Rome
late 18th century
Salvator Rosa frame, Poplar, Italian, Turin
Salvator Rosa frame
Italian, Turin
late 17th century
Salvator Rosa (wall) molding, Poplar, Italian, Rome (?)
Salvator Rosa (wall) molding
Italian, Rome (?)
early 18th century
Palatina-style Salvator Rosa frame, Poplar, Southern Italian
Palatina-style Salvator Rosa frame
Southern Italian
Late 18th century (?)
Palatina-style Salvator Rosa frame, Poplar, Southern Italian
Palatina-style Salvator Rosa frame
Southern Italian
style early 18th century, made late 18th century (?)
Palatina-style Salvator Rosa frame, Poplar, Southern Italy
Palatina-style Salvator Rosa frame
Southern Italy
late 17th century
Fragment of Salvator Rosa frame, Poplar, Italian, Naples
Fragment of Salvator Rosa frame
Italian, Naples
ca. 1660
Salvator Rosa among the Brigands, Adolphe Pierre Riffaut French, Etching and aquatint on chine collé
Salvator Rosa among the Brigands
Multiple artists/makers
after 1844
The Genius of Salvator Rosa, Salvator Rosa Italian, Etching with drypoint
The Genius of Salvator Rosa
Salvator Rosa
ca. 1662
The Fall of the Giants, Salvator Rosa Italian, Etching with drypoint
The Fall of the Giants
Salvator Rosa
1663
Figure studies: seated and standing men, Salvator Rosa Italian, Pen and brown ink, over traces of black chalk
Figure studies: seated and standing men
Traditionally attributed Salvator Rosa
1615–73
The Prodigal Son Kneeling Repentant among Swine, Salvator Rosa Italian, Pen and brown ink, brown wash, on brownish paper
The Prodigal Son Kneeling Repentant among Swine
Salvator Rosa
1615–73
Dream of Aeneas: Aeneas rests his head on his hands atop his shield, while the river god Tiber leans on a vessel and points upward with his left hand, Salvator Rosa Italian, Etching and drypoint
Dream of Aeneas: Aeneas rests his head on his hands atop his shield, while the river god Tiber leans on a vessel and points upward with his left hand
Salvator Rosa
ca. 1663–64
Saint William of Maleval, hands tied with rope fastened to a tree, Salvator Rosa Italian, Etching and Drypoint
Saint William of Maleval, hands tied with rope fastened to a tree
Salvator Rosa
1661
A Large Tree, Salvator Rosa Italian, Pen and brown ink, on brown paper
A Large Tree
Salvator Rosa
1615–73
St. Paul, Hermit, Salvator Rosa Italian, Pen and brown and black ink, brown wash, over black chalk, corrected and highlighted with gray gouache
St. Paul, Hermit
Salvator Rosa
1635–73
Study for a Raising of Lazarus (recto); half-length study of bearded nude male figure, and a man and woman with donkey (verso), Salvator Rosa Italian, Red chalk highlighted with white chalk
Study for a Raising of Lazarus (recto); half-length study of bearded nude male figure, and a man and woman with donkey (verso)
Salvator Rosa
1615–73
Milo of Crotona, Salvator Rosa Italian, Pen and brown ink
Milo of Crotona
Salvator Rosa
1615–73
Three Figures around a globe, Salvator Rosa Italian, Pen and brown ink, brush and brown wash, over traces of black chalk
Three Figures around a globe
Salvator Rosa
1615–73
Studies for a Figure Lifted from a Grave or Pit by Cords (recto); Further Study of the Same Figure (verso), Salvator Rosa Italian, Pen and brown ink (recto and verso)
Studies for a Figure Lifted from a Grave or Pit by Cords (recto); Further Study of the Same Figure (verso)
Salvator Rosa
1615–73
Turbaned Warrior Holding a Mace, Salvator Rosa Italian, Pen and brown ink, brown wash, over a little black chalk
Turbaned Warrior Holding a Mace
Salvator Rosa
1615–73
Two Standing Soldiers and Six other Figures, Salvator Rosa Italian, Pen and brown ink
Two Standing Soldiers and Six other Figures
Salvator Rosa
1615–73
Old Man Kneeling Facing Upper Left, Salvator Rosa Italian, Pen and brown ink, brown and gray wash, traces of red chalk
Old Man Kneeling Facing Upper Left
Salvator Rosa
1615–73
Shepherd holding a flute and two other figures in a landscape, Salvator Rosa Italian, Etching and drypoint
Shepherd holding a flute and two other figures in a landscape
Salvator Rosa
ca. 1660–61
Landscape with a figure seated on a rock, Salvator Rosa Italian, Etching
Landscape with a figure seated on a rock
Salvator Rosa
ca. 1640
Praying male penitent in the wilderness, Salvator Rosa Italian, Etching and drypoint
Praying male penitent in the wilderness
Salvator Rosa
ca. 1640
Three ox skulls, two horse skulls, and a grotesque head, study for "Democritus in Meditation", Salvator Rosa Italian, Etching and drypoint
Three ox skulls, two horse skulls, and a grotesque head, study for "Democritus in Meditation"
Salvator Rosa
1662
Two ox skulls and a portion of a third, study for "Democritus in Meditation", Salvator Rosa Italian, Etching
Two ox skulls and a portion of a third, study for "Democritus in Meditation"
Salvator Rosa
1662
Landscape with a herdsmen, Salvator Rosa Italian, Etching and drypoint
Landscape with a herdsmen
Salvator Rosa
ca. 1640–45