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Showing 906 results for Salvator Rosa
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Bandits on a Rocky Coast, Salvator Rosa  Italian, Oil on canvas
Salvator Rosa
1655–60
The Dream of Aeneas, Salvator Rosa  Italian, Oil on canvas
Salvator Rosa
1660–65
Self-Portrait, Salvator Rosa  Italian, Oil on canvas
Salvator Rosa
ca. 1647
Plate, Salvator Rosa  Italian, Faience (tin-glazed earthenware), French, Sinceny
Salvator Rosa
ca. 1733–37
Shepherd holding a flute and two other figures in a landscape, Salvator Rosa  Italian, Etching and drypoint
Salvator Rosa
ca. 1660–61
Landscape with a figure seated on a rock, Salvator Rosa  Italian, Etching
Salvator Rosa
ca. 1640
Praying male penitent in the wilderness, Salvator Rosa  Italian, Etching and drypoint
Salvator Rosa
ca. 1640
Three ox skulls, two horse skulls, and a grotesque head, study for "Democritus in Meditation", Salvator Rosa  Italian, Etching and drypoint
Salvator Rosa
1662
Two ox skulls and a portion of a third, study for "Democritus in Meditation", Salvator Rosa  Italian, Etching
Salvator Rosa
1662
Three human skulls, study for "Democritus in Meditation", Salvator Rosa  Italian, Etching
Salvator Rosa
1662
Dream of Aeneas: Aeneas rests his head on his hands atop his shield, while the river god Tiber leans on a vessel and points upward with his left hand, Salvator Rosa  Italian, Etching and drypoint
Salvator Rosa
ca. 1663–64
Saint William of Maleval, hands tied with rope fastened to a tree, Salvator Rosa  Italian, Etching and Drypoint
Salvator Rosa
1661
Apollo and the Cumaean Sibyl, Salvator Rosa  Italian, Etching and drypoint
Salvator Rosa
ca. 1661
Landscape with a herdsmen, Salvator Rosa  Italian, Etching and drypoint
Salvator Rosa
ca. 1640–45
Male nude lying on his side with his right arm behind his back, Salvator Rosa  Italian, Etching
Salvator Rosa
ca. 1635–40
A landscape with water in the foreground and mountains in the distance, Salvator Rosa  Italian, Etching
Salvator Rosa
17th century
Jason and the Dragon, Salvator Rosa  Italian, Etching and drypoint
Salvator Rosa
ca. 1663–64
Frontispiece for "Figurine", Salvator Rosa  Italian, Etching
Salvator Rosa
ca. 1656–57
A warrior facing left wearing a plumed hat and holding a cane, from "Figurine", Salvator Rosa  Italian, Etching
Salvator Rosa
ca. 1656–57
A man pulling a net with two figures behind him, from "Figurine", Salvator Rosa  Italian, Etching and Drypoint
Salvator Rosa
ca. 1656–57
Two men sitting and another man holding a staff kneeling on a rock, from "Figurine", Salvator Rosa  Italian, Etching
Salvator Rosa
ca. 1656–57
Death of Regulus, Salvator Rosa  Italian, Pen and brown ink, brush and brown wash, on faded light green paper
Salvator Rosa
1615–73
A Large Tree, Salvator Rosa  Italian, Pen and brown ink, on brown paper
Salvator Rosa
1615–73
Witches' Sabbath, Salvator Rosa  Italian, Pen and brown ink, brush and brown wash
Salvator Rosa
1640–1649
Study for a Raising of Lazarus (recto); half-length study of bearded nude male figure, and a man and woman with donkey (verso), Salvator Rosa  Italian, Red chalk highlighted with white chalk
Salvator Rosa
1615–73
Study for a Prometheus Bound (recto); slight sketch of head and shoulders of man in lead pencil (verso), Salvator Rosa  Italian, Pen, brown ink and lead graphite
Salvator Rosa
1615–73
The Fall of the Giants, Salvator Rosa  Italian, Pen and brown ink, over charcoal
Salvator Rosa
ca. 1663
The Prodigal Son Kneeling Repentant among Swine, Salvator Rosa  Italian, Pen and brown ink, brown wash, on brownish paper
Salvator Rosa
1615–73
St. Paul, Hermit, Salvator Rosa  Italian, Pen and brown and black ink, brown wash, over black chalk, corrected and highlighted with gray gouache
Salvator Rosa
1635–73
Witches' Sabbath (recto); Figures Gathered around a tree (verso), Salvator Rosa  Italian, Pen and brown ink, brush and brown wash (recto and verso); framing lines in black chalk
Salvator Rosa
1615–73
Study for a Judgment of Paris and Other Figure Studies, Salvator Rosa  Italian, Pen and brown ink, over black chalk
Salvator Rosa
1615–73
The Prodigal Son, Salvator Rosa  Italian, Gray, black and brown wash, black and white chalk
Salvator Rosa
1615–73
Studies for Standing and Seated Figures, Salvator Rosa  Italian, Pen and brown ink, brush and gray and brown wash, over leadpoint or graphite
Salvator Rosa
1634–45
Soldiers, Salvator Rosa  Italian, Etching
Multiple artists/makers
1766–67
An Apparition, Salvator Rosa  Italian, Pen and brown ink, lightly washed
Salvator Rosa
1615–73
Studies of Kneeling Figures, Salvator Rosa  Italian, Pen and brown ink, brush and brown wash
Salvator Rosa
1615–73
The Raising of Lazarus, Salvator Rosa  Italian, Pen and brown ink, brush and brown wash, over a little black chalk
Salvator Rosa
1615–73
Two Standing Men Gesticulating, Salvator Rosa  Italian, Pen and brown ink. Pen scribbles on verso are indistinctly visible on recto
Salvator Rosa
1615–73
Milo of Crotona, Salvator Rosa  Italian, Pen and brown ink
Salvator Rosa
1615–73
Three Figures around a globe, Salvator Rosa  Italian, Pen and brown ink, brush and brown wash, over traces of black chalk
Salvator Rosa
1615–73