Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 196 results for Shaikh Zada

Sort by:

"Interior Reception", Folio 36r from a Bustan of Sa`di, Shaikh Zada Iranian, Ink, opaque watercolor, and gold on paper — "Interior Reception", Folio 36r from a Bustan of Sa`di
Shaikh Zada
Sa'di
ca. 1525–35

"Farhad Carves a Milk Channel for Shirin", Folio 74 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper — "Farhad Carves a Milk Channel for Shirin", Folio 74 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
931 AH/1524–25 CE

"Marriage of Khusrau and Shirin", Folio 104 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper — "Marriage of Khusrau and Shirin", Folio 104 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
dated 931 AH/1524–25 CE

"Laila and Majnun in School", Folio 129 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper — "Laila and Majnun in School", Folio 129 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
931 AH/1524–25 CE

"Bahram Gur in the Sandal Palace on Thursday", Folio 230 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, silver, and gold on paper — "Bahram Gur in the Sandal Palace on Thursday", Folio 230 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
931 AH/1524–25 CE

"Bahram Gur in the White Palace on Friday", Folio 235 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Opaque watercolor, ink, and gold on paper — "Bahram Gur in the White Palace on Friday", Folio 235 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
931 AH/1524–25 CE

"Bahram Gur in the Turquoise Palace on Wednesday", Folio 216 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, silver, and gold on paper — "Bahram Gur in the Turquoise Palace on Wednesday", Folio 216 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
dated 931 AH/1524–25 CE

"Bahram Gur in the Red Palace on Tuesday", Folio 220 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper — "Bahram Gur in the Red Palace on Tuesday", Folio 220 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
931 AH/1524–25 CE

"Sultan Sanjar and the Old Woman", Folio 17 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper — "Sultan Sanjar and the Old Woman", Folio 17 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
931 AH/1524–25 CE

"Khusrau Catches Sight of Shirin Bathing", Folio 50 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper — "Khusrau Catches Sight of Shirin Bathing", Folio 50 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
dated 931 AH/1524–25 CE

Overflap and Inside Cover of a Khamsa (Quintet) of Nizami of Ganja, Nizami, Binding: leather; embossed, gold, and color <br/>Manuscript: ink, opaque watercolor, and gold on paper — Overflap and Inside Cover of a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
dated 931 AH/1524–25 CE

"Bahram Gur in the Dark Palace on Saturday", Folio 207 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, silver, and gold on paper — "Bahram Gur in the Dark Palace on Saturday", Folio 207 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
931 AH/1524–25 CE

"Bahram Gur in the Yellow Palace on Sunday", Folio 213 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, silver, and gold on paper — "Bahram Gur in the Yellow Palace on Sunday", Folio 213 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
931 AH/1524–25 CE

"Khusrau Seated on his Throne", Folio 64 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper — "Khusrau Seated on his Throne", Folio 64 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
dated 931 AH/1524–25 CE

An Orange-Headed Ground Thrush and a Death's-Head Moth on a Purple Ebony Orchid Branch, Shaikh Zain al–Din Indian, Opaque watercolor and ink on paper — An Orange-Headed Ground Thrush and a Death's-Head Moth on a Purple Ebony Orchid Branch
Shaikh Zain al–Din
dated 1778

Album of Calligraphies Including Poetry and Prophetic Traditions (Hadith), Shaikh Hamdullah ibn Mustafa Dede Turkish, Main support: ink, watercolor, and gold on paper<br/>Margins: ink, watercolor, and gold on marbled paper<br/>Binding: leather and gold — Album of Calligraphies Including Poetry and Prophetic Traditions (Hadith)
Shaikh Hamdullah ibn Mustafa Dede
ca. 1500

A Syce (Groom) Holding Two Carriage Horses, Shaikh Muhammad Amir of Karraya, Opaque watercolor on paper — A Syce (Groom) Holding Two Carriage Horses
Shaikh Muhammad Amir of Karraya
ca. 1845

Persianischer Rosenthal. In welchem viel lustige Historien, scharffsinnige Reden und nützliche Regeln

Multiple artists/makers

1654

Shahnama (Book of Kings) of Firdausi, Abu'l Qasim Firdausi Iranian, Opaque watercolor, ink, silver and gold on paper — Shahnama (Book of Kings) of Firdausi
Multiple artists/makers
1074–79 AH/1663–69 CE

Parading Courtesan, Momokawa Shikō Japanese, Hanging scroll; ink and color on silk, Japan — Parading Courtesan
Momokawa Shikō
late 18th century

A Cypress Tree in the Front Garden, Munakata Shikō Japanese, Hanging scroll; ink on paper, Japan — A Cypress Tree in the Front Garden
Munakata Shikō
1959

Red and Blue, Two Attendants, Munakata Shikō Japanese, Hanging scroll; ink and color on paper, Japan — Red and Blue, Two Attendants
Munakata Shikō
1950s

Heian Wall, Munakata Shikō Japanese, Hanging scroll; ink on paper, Japan — Heian Wall
Munakata Shikō
1967

Mañjuśri, Incarnation of Buddha’s Wisdom, from the series Ten Great Disciples of Buddha, Munakata Shikō Japanese, Framed woodblock print; ink on paper, Japan — Mañjuśri, Incarnation of Buddha’s Wisdom, from the series Ten Great Disciples of Buddha
Munakata Shikō
1939/1948 (blocks carved), 1960 (printed)

Ananda, Master of Memory and Learning, from the series Ten Great Disciples of Buddha, Munakata Shikō Japanese, Framed woodblock print; ink on paper, Japan — Ananda, Master of Memory and Learning, from the series Ten Great Disciples of Buddha
Munakata Shikō
1939/1948 (blocks carved), 1960 (printed)

Rāhula, Master of the Esoteric, from the series Ten Great Disciples of Buddha, Munakata Shikō Japanese, Framed woodblock print; ink on paper, Japan — Rāhula, Master of the Esoteric, from the series Ten Great Disciples of Buddha
Munakata Shikō
1939/1948 (blocks carved), 1960 (printed)

Śāriputra, Master of Wisdom, from the series Ten Great Disciples of Buddha, Munakata Shikō Japanese, Framed woodblock print; ink on paper, Japan — Śāriputra, Master of Wisdom, from the series Ten Great Disciples of Buddha
Munakata Shikō
1939/1948 (blocks carved), 1960 (printed)

Kātyāyana, Master of Fundamental Principles, from the series Ten Great Disciples of Buddha, Munakata Shikō Japanese, Framed woodblock print; ink on paper, Japan — Kātyāyana, Master of Fundamental Principles, from the series Ten Great Disciples of Buddha
Munakata Shikō
1939/1948 (blocks carved), 1960 (printed)

Subhūti, Master of the Immaterial, from the series Ten Great Disciples of Buddha, Munakata Shikō Japanese, Framed woodblock print; ink on paper, Japan — Subhūti, Master of the Immaterial, from the series Ten Great Disciples of Buddha
Munakata Shikō
1939/1948 (blocks carved), 1960 (printed)

Anirhudda, Maśter of Supernatural Vision, from the series Ten Great Disciples of Buddha, Munakata Shikō Japanese, Framed woodblock print; ink on paper, Japan — Anirhudda, Maśter of Supernatural Vision, from the series Ten Great Disciples of Buddha
Munakata Shikō
1939/1948 (blocks carved), 1960 (printed)

Maudgalyāyana, Master of Supernatural Forces, from the series Ten Great Disciples of Buddha, Munakata Shikō Japanese, Framed woodblock prints; ink on paper, Japan — Maudgalyāyana, Master of Supernatural Forces, from the series Ten Great Disciples of Buddha
Munakata Shikō
1939/1948 (blocks carved), 1960 (printed)

Pūrnamaitrāyanīputra, Master of Teaching, from the series Ten Great Disciples of Buddha, Munakata Shikō Japanese, Framed woodblock print; ink on paper, Japan — Pūrnamaitrāyanīputra, Master of Teaching, from the series Ten Great Disciples of Buddha
Munakata Shikō
1939/1948 (blocks carved), 1960 (printed)

Upāli, Master of Vinaya, the Monastic Rules, from the series Ten Great Disciples of Buddha, Munakata Shikō Japanese, Framed woodblock print; ink on paper, Japan — Upāli, Master of Vinaya, the Monastic Rules, from the series Ten Great Disciples of Buddha
Munakata Shikō
1939/1948 (blocks carved), 1960 (printed)

Zaïda Ben-Yusuf

ca. 1898

"Gyre" lounge chair, Zaha Hadid British, born Iraq, Polyester resin and polyurethane lacquer — "Gyre" lounge chair
Zaha Hadid
Established & Sons
2006

Brilliance and Mystery (Kakugenki), Wada Morihiro Japanese, Stoneware, Japan — Brilliance and Mystery (Kakugenki)
Wada Morihiro
1997

Watashigaraki, Wada Morihiro Japanese, Stoneware (Shigaraki type), Japan — Watashigaraki
Wada Morihiro
2000

Gautama and Bodhisattvas, Munakata Shikō Japanese, Woodcut — Gautama and Bodhisattvas
Munakata Shikō
1958

Fish and Flower and Female Buddha, Munakata Shikō Japanese, Woodcut — Fish and Flower and Female Buddha
Munakata Shikō
1957

Bhajan Ashram at Dawn, Vrindavan, India, Fazal Sheikh American, Inkjet print — Bhajan Ashram at Dawn, Vrindavan, India
Fazal Sheikh
2005