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Showing 4,664 results for Sir Edmund Kerchever Chambers

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The Red Letter Shakespeare, As You Like It

Multiple artists/makers

1905

Lake George and the Village of Caldwell, Thomas Chambers American, Oil on canvas, American — Lake George and the Village of Caldwell
Thomas Chambers
ca. 1850s

The Constitution and the Guerriere, Thomas Chambers American, Oil on canvas, American — The Constitution and the Guerriere
Thomas Chambers
ca. 1845

Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby, Sir Thomas Lawrence British, Oil on canvas — Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby
Sir Thomas Lawrence
1790

Captain George K. H. Coussmaker (1759–1801), Sir Joshua Reynolds British, Oil on canvas — Captain George K. H. Coussmaker (1759–1801)
Sir Joshua Reynolds
1782

The Love Song, Sir Edward Burne-Jones British, Oil on canvas — The Love Song
Sir Edward Burne-Jones
1868–77

Across the Room, Edmund Charles Tarbell American, Oil on canvas, American — Across the Room
Edmund Charles Tarbell
ca. 1899

Still Life: Vase of Peonies, Edmund Charles Tarbell American, Oil on canvas, American — Still Life: Vase of Peonies
Edmund Charles Tarbell
ca. 1925

The Bather, Edmund Austin Stewardson American, Marble, American — The Bather
Edmund Austin Stewardson
1889–90, carved 1894

Bay and Harbor of New York from Bedlow's Island, Edmund C. Coates American, Oil on canvas, American — Bay and Harbor of New York from Bedlow's Island
Edmund C. Coates
1850–60

Bay and Harbor of New York from Bedlow's Island, Edmund C. Coates American, Oil on canvas, American — Bay and Harbor of New York from Bedlow's Island
Edmund C. Coates
1864 or 1866

Side chair, George Edmund Street British, Oak with caning, British — Side chair
George Edmund Street
Gillow & Co.
ca. 1880

Design for a Pier-glass with Arched Head and Palmette Terminations, Sir William Chambers British, born Sweden, Pen and ink, brush and wash and watercolor — Design for a Pier-glass with Arched Head and Palmette Terminations
Sir William Chambers
1743–96

Design for a Girandole with a Circular and Oval Glass, Sir William Chambers British, born Sweden, Pen and ink, watercolor — Design for a Girandole with a Circular and Oval Glass
Sir William Chambers
1745–1800

Design for a Pier-glass of Oblong Form, the Cresting a Scroll and Urn, Sir William Chambers British, born Sweden, Pen and ink, watercolor — Design for a Pier-glass of Oblong Form, the Cresting a Scroll and Urn
Sir William Chambers
1743–1800

Chimney Piece, Sir William Chambers British, born Sweden, Pen and black ink, brush and gray wash, over graphite — Chimney Piece
Sir William Chambers
1743–96

Ornament in the Shape of a Cross, Sir William Chambers British, born Sweden, Graphite — Ornament in the Shape of a Cross
Sir William Chambers
1743–96

Design for a Frame, Sir William Chambers British, born Sweden, Pen and brown ink, brush and gray wash, over graphite — Design for a Frame
Sir William Chambers
1743–1800

Design for a Frame, Sir William Chambers British, born Sweden, Pen and brown ink, brush and gray wash, over graphite — Design for a Frame
Sir William Chambers
1743–1800

Design for a Chimneypiece, Sir William Chambers British, born Sweden, Pen and brown ink, brush and gray wash — Design for a Chimneypiece
Sir William Chambers
1740–96

Design for a Chimneypiece (recto); Sketches for Column Bases (verso), Sir William Chambers British, born Sweden, Recto: pen and brown and red ink, brush and yellow-green wash<br/>Verso: graphite — Design for a Chimneypiece (recto); Sketches for Column Bases (verso)
Sir William Chambers
1740–1800

Partial Design for a Chimneypiece, Sir William Chambers British, born Sweden, Pen and brown ink, brush and gray wash — Partial Design for a Chimneypiece
Sir William Chambers
1740–1800

Design for a Chimneypiece for Somerset House, Strand, London, Sir William Chambers British, born Sweden, Pen and black and red ink, graphite — Design for a Chimneypiece for Somerset House, Strand, London
Sir William Chambers
ca. 1776–86

Two Designs for an Overmantel Glass (Verso: Partial Floor plan), Sir William Chambers British, born Sweden, Pen and ink, brush and wash and watercolor, over graphite — Two Designs for an Overmantel Glass (Verso: Partial Floor plan)
Sir William Chambers
1743–96

General Plan of the Gardens at Kew, Sir William Chambers British, born Sweden, Watercolor, pen and ink — General Plan of the Gardens at Kew
Sir William Chambers
1763

Design for a Girandole Mirror, an Oval Resting on an Oblong Base, Terminated by Two Superimposed Circular Frond-motifs, Topped with a Lion's Head from Which Hang Floral Swags and Pendants, Sir William Chambers British, born Sweden, Pen and watercolor — Design for a Girandole Mirror, an Oval Resting on an Oblong Base, Terminated by Two Superimposed Circular Frond-motifs, Topped with a Lion's Head from Which Hang Floral Swags and Pendants
Sir William Chambers
ca. 1775

Design for a Mausoleum, Sir William Chambers British, born Sweden, Pen and brown ink, brush and gray wash, graphite — Design for a Mausoleum
Sir William Chambers
1740–1800

Design for an Oval Mirror, Surmounted by an Urn and Draped with Neoclassic Swags, Sir William Chambers British, born Sweden, Pen and gray ink, brush and gray wash and watercolor — Design for an Oval Mirror, Surmounted by an Urn and Draped with Neoclassic Swags
Sir William Chambers
1740–96

Design for a Chimneypiece with Ionic columns, a Frieze, and Cornice, Sir William Chambers British, born Sweden, Pen and brown ink, brush and gray wash, over graphite — Design for a Chimneypiece with Ionic columns, a Frieze, and Cornice
Sir William Chambers
1743–96

Design for a Chimney-piece, for the Saloon, Milton Park, Northamptonshire, Sir William Chambers British, born Sweden, Pen and ink, brush and wash — Design for a Chimney-piece, for the Saloon, Milton Park, Northamptonshire
Sir William Chambers
1770–76

Design for a Chimneypiece with a Classical Cornice, for Ampthill Park, Bedfordshire, Dining Room, Sir William Chambers British, born Sweden, Pen and black ink, brush and wash, touches of watercolor — Design for a Chimneypiece with a Classical Cornice, for Ampthill Park, Bedfordshire, Dining Room
Sir William Chambers
ca. 1769

Design for Hall Chimney-piece, Charlemont House, Dublin, Sir William Chambers British, born Sweden, Pen and black ink, brush and gray wash — Design for Hall Chimney-piece, Charlemont House, Dublin
Sir William Chambers
1762

Design for a Chimneypiece, possibly for Melbourne House (now Albany), Piccadilly, London, Sir William Chambers British, born Sweden, Pen and black ink, brush and watercolor, graphite — Design for a Chimneypiece, possibly for Melbourne House (now Albany), Piccadilly, London
Sir William Chambers
1771–75 (?)

Design for a Chimneypiece with a Frieze with Floral Decoration and Capitals Decorated with Animals, Sir William Chambers British, born Sweden, Pen and brown ink over graphite — Design for a Chimneypiece with a Frieze with Floral Decoration and Capitals Decorated with Animals
Sir William Chambers
1743–96

Design for a Chimneypiece with Scalloped Moldings, Sir William Chambers British, born Sweden, Pen and brown ink, brush and brown wash, over graphite — Design for a Chimneypiece with Scalloped Moldings
Sir William Chambers
1743–96

Design for a Ceiling, Ampthill Park, Bedfordshire (Half plan), Sir William Chambers British, born Sweden, Pen and ink, brush and wash — Design for a Ceiling, Ampthill Park, Bedfordshire (Half plan)
Sir William Chambers
ca. 1769

Design for a Ceiling for the Drawing Room at Milton Abbey, Dorset, Sir William Chambers British, born Sweden, Graphite — Design for a Ceiling for the Drawing Room at Milton Abbey, Dorset
Sir William Chambers
1770–74

Design for a Ceiling, Sir William Chambers British, born Sweden, Graphite, brush and pink and green wash — Design for a Ceiling
Sir William Chambers
1743–96

Mezzanine Window, Palazzo Madama, Sir William Chambers British, born Sweden, Pen and brown ink, brush and gray wash, over graphite — Mezzanine Window, Palazzo Madama
Sir William Chambers
ca. 1750–55

Design for Three Stucco Frames, Sir William Chambers British, born Sweden, Pen and ink, brush and gray wash — Design for Three Stucco Frames
Sir William Chambers
ca. 1750–55