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Showing 9,621 results for Sir Edward Burne-Jones
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The Love Song, Sir Edward Burne-Jones  British, Oil on canvas
Sir Edward Burne-Jones
1868–77
Angels Praising (Angeli Laudantes), Sir Edward Burne-Jones (figures) British, Dyed wool and silk on undyed cotton warp (15 warps per inch; 5-6 per cm.), British, Merton Abbey
Multiple artists/makers
1898
The Backgammon Players, Philip Webb  British, Painted pine, oil paint on leather, brass, copper, British
Multiple artists/makers
1861
The Entombment, Sir Edward Burne-Jones  British, Green, blue, brown and touches of reddish bodycolor, heightened with white  gouache (bodycolor)
Sir Edward Burne-Jones
1879
King David the Poet, Sir Edward Burne-Jones  British, Stained glass, British, London
Multiple artists/makers
1863
The Summons: Study for the Head of Gawaine, Sir Edward Burne-Jones  British, Fabricated black crayon on paper
Sir Edward Burne-Jones
1893
Design for the Figure of "Flora", Sir Edward Burne-Jones  British, Graphite on paper, British
Sir Edward Burne-Jones
19th century
Study of a Female Head, Sir Edward Burne-Jones  British, Yellow, red, and green pastel with fabricated black crayon on red paper
Sir Edward Burne-Jones
1890
Head of a Woman, Sir Edward Burne-Jones  British, Wool (15 warps per inch, 6 per cm.), British, Merton Abbey
Multiple artists/makers
designed 1877–98; woven before 1923
Brooch in the form of a dove on an olive branch, Sir Edward Burne-Jones  British, Gold, coral, turquoise, seed pearls, ruby, red and green translucent enamel, British
Multiple artists/makers
ca. 1895
Bath of Venus, Sir Edward Burne-Jones  British, Metallic paint over graphite
Sir Edward Burne-Jones
1890s
The Month of March, Sir Edward Burne-Jones  British, Graphite
Sir Edward Burne-Jones
ca. 1866
Armed Men, Sir Edward Burne-Jones  British, Graphite, heightened with white chalk, on brown paper
Sir Edward Burne-Jones
1855–98
The Passing of Venus, Sir Edward Burne-Jones  British, Gouache (bodycolor) and metallic paint on cardboard
Sir Edward Burne-Jones
1898
Ascension of Christ (Acts I, 1–9): study for stained-glass window, Sir Edward Burne-Jones  British, Watercolor and gouache (bodycolor), gold paint, and graphite
Sir Edward Burne-Jones
ca. 1875–84
Seated Woman, Sir Edward Burne-Jones  British, Graphite
Sir Edward Burne-Jones
1864
Adam and Eve (Labour: Whan Adam Delved and Eve Span, Who Was Then the Gentleman?), Sir Edward Burne-Jones  British, Process print
Sir Edward Burne-Jones
Carl Hentschel
1895 or later
Portrait of a young girl, Sir Edward Burne-Jones  British, Graphite
Sir Edward Burne-Jones
1866–80
Noah, Sir Edward Burne-Jones  British, Charcoal
Sir Edward Burne-Jones
Morris & Company
February 1, 1874
The Cumaean Sibyl, Sir Edward Burne-Jones  British, Etching and drypoint; proof before edition of 250
Multiple artists/makers
November 1, 1882
The Legend of the Briar Rose - The Prince Enters the Briar Wood, Sir Edward Burne-Jones  British, Photogravure; proof
Sir Edward Burne-Jones
Thomas Agnew & Sons, Ltd.
1892
The Mirror of Venus, Sir Edward Burne-Jones  British, Etching on imitation vellum; proof
Multiple artists/makers
1896
The Parable of the Burning Pot, from "Dalziels' Bible Gallery", Sir Edward Burne-Jones  British, Wood engraving on India paper, mounted on thin card
Multiple artists/makers
1865–81
King Sigurd the Crusader (in "Good Words for 1862," p. 248), Sir Edward Burne-Jones  British, Wood engraving
Multiple artists/makers
April 1862
Alice, la Belle Pèlerine, Sir Edward Burne-Jones  British, Graphite and black ink, heightened with white, on vellum; the head and shoulders on a subsidiary piece of vellum
Sir Edward Burne-Jones
1858–59
A seated fat lady, Sir Edward Burne-Jones  British, Pen and ink on lined blue paper
Sir Edward Burne-Jones
ca. 1866
Caricature of a windblown woman on the beach at Rottingdean, Sussex, Sir Edward Burne-Jones  British, Black chalk
Sir Edward Burne-Jones
August 1893
Caricature of two men (one of them possibly Edward Burne-Jones), Sir Edward Burne-Jones  British, Pen and black ink, on writing paper
Sir Edward Burne-Jones
1850–90
A seated couple, embracing, Sir Edward Burne-Jones  British, White chalk with touches of graphite on brown paper
Sir Edward Burne-Jones
ca. 1865
The Vision of St. Francis, Sir Edward Burne-Jones  British, Gouache, watercolor, earth pigments and gold
Sir Edward Burne-Jones
1887
Putto Study, for the lid of the Graham Family Piano, Sir Edward Burne-Jones  British, White and reddish brown synthetic crayons on brown paper
Sir Edward Burne-Jones
ca. 1879
Multiple artists/makers
1895 or later
Sir Edward Burne-Jones
William Morris
ca. 1866
Multiple artists/makers
1892
Multiple artists/makers
1892
Sir Edward Burne-Jones
Horace Harral
1865
Sir Edward Burne-Jones
Dalziel Brothers
1863
Sir Edward Burne-Jones
after 1869
Multiple artists/makers
second half 19th century
The Well at the World's End, William Morris  British, Illustrations: woodcuts; one of eight vellum bound copies
Multiple artists/makers
1896